Long before the first shot of the Civil War was fired at Fort Sumter, violence had already erupted along the Missouri-Kansas border—a recurring cycle of robbery, arson, torture, murder, and revenge. This multifaceted study brings together fifteen scholars to expand our understanding of this vitally important region, the violence that besieged it, and its overall impact on the Civil War. Bleeding Kansas, Bleeding Missouri blends political, military, social, and intellectual history to explain why the region’s divisiveness was so bitter and persisted for so long. Providing a more nuanced understanding of the conflict, it defines both what united and divided the men and women who lived there and how various political disagreements ultimately disintegrated into violence. By focusing on contested definitions of liberty, citizenship, and freedom, it also explores how civil societies break down and how they are reconstructed when the conflict ends. The contributors examine this key chapter in American history in all of its complexity. Essays on “Slavery and Politics in Territorial Kansas” examine how the border region was transformed by the conflict over the status of slavery in Kansas Territory and how the emerging conflict on the Kansas-Missouri border took on a larger national significance. Other essays focus on the transition to total warfare and examine the wartime experiences of the diverse people who populated the region in “Sectional Crisis and Civil War on the Western Border.” Final articles on “The Border Reconstructed and Remembered” explore the ways in which border residents rebuilt their society after the war and how they remembered it decades later. As this penetrating collection shows, only when Missourians and Kansans embraced a common vision for America—one based on shared agricultural practices, ideas about economic development, and racial equality—could citizens on both sides of the border reconcile.

Between 1854 and 1861, the struggle between pro-and anti-slavery factions over Kansas Territory captivated Americans nationwide and contributed directly to the Civil War. Combining political, social, and military history, Bleeding Kansas contextualizes and analyzes prewar and wartime clashes in Kansas and Missouri and traces how these conflicts have been remembered ever since. Michael E. Woods’s compelling narrative of the Kansas-Missouri border struggle embraces the diverse perspectives of white northerners and southerners, women, Native Americans, and African Americans. This wide-ranging and engaging text is ideal for undergraduate courses on the Civil War era, westward expansion, Kansas and/or Missouri history, nineteenth-century US history, and other related subjects. Supported by primary source documents and a robust companion website, this text allows readers to engage with and draw their own conclusions about this contentious era in American History.

This comprehensive political, military, social, and intellectual history of America's tumultuous mid-nineteenth century offers a new interpretation of how the struggle of Kansas politicians and settlers over the meaning of liberty for whites eventually led to a broadening definition of liberty that included the rights of blacks.

This set provides insight into the lives of ordinary Americans free and enslaved, in farms and cities, in the North and the South, who lived during the years of 1815 to 1860. Throughout the Antebellum Era resonated the theme of change: migration, urban growth, the economy, and the growing divide between North and South all led to great changes to which Americans had to respond. By gathering the important aspects of antebellum Americans' lives into an encyclopedia, The World of Antebellum America provides readers with the opportunity to understand how people across America lived and worked, what politics meant to them, and how they shaped or were shaped by economics. Entries on simple topics such as bread and biscuits explore workers' need for calories, the role of agriculture, and gendered divisions of labor, while entries on more complex topics, such as aging and death, disclose Americans' feelings about life itself. Collectively, the entries pull the reader into the lives of ordinary Americans, while section introductions tie together the entries and provide an overarching narrative that primes readers to understand key concepts about antebellum America before delving into Americans' lives in detail.

"This volume unifies the concerns of Civil War and western history, revealing how Confederate secession created new and shifting borderlands. In the West, both Civil War battlefields and Civil War politics engaged a wider range of ethnic and racial distinctions, raising questions that would arise only later in places farther east. Likewise, the histories of occupation, reincorporation, and expanded citizenship during Reconstruction in the South have ignored the connections to previous as well as subsequent efforts in the West. The stories contained in this volume complicate our understanding of the paths from slavery to freedom for white as well as non-white Americans. By placing the histories of the American West and the Civil War and Reconstruction into one sustained conversation, this volume expands the limits of both by emphasizing how struggles over land, labor, sovereignty, and citizenship shaped the U.S. nation-state in this tumultuous era. This volume highlights significant moments and common concerns of this continuous conflict, as it stretched across the continent and throughout the nineteenth century"--Provided by publisher.

During the Civil War, the Second Colorado Volunteer Regiment played a vital and often decisive role in the fight for the Union on the Great Plains—and in the westward expansion of the American empire. Christopher M. Rein’s The Second Colorado Cavalry is the first in-depth history of this regiment operating at the nexus of the Civil War and the settlement of the American West. Composed largely of footloose ’59ers who raced west to participate in the gold rush in Colorado, the troopers of the Second Colorado repelled Confederate invasions in New Mexico and Indian Territory before wading into the Burned District along the Kansas border, the bloodiest region of the guerilla war in Missouri. In 1865, the regiment moved back out onto the plains, applying what it had learned to peacekeeping operations along the Santa Fe Trail, thus definitively linking the Civil War and the military conquest of the American West in a single act of continental expansion. Emphasizing the cavalry units, whose mobility proved critical in suppressing both Confederate bushwhackers and Indian raiders, Rein tells the neglected tale of the “fire brigade” of the Trans-Mississippi Theater—a group of men, and a few women, who enabled the most significant environmental shift in the Great Plains’ history: the displacement of Native Americans by Euro-American settlers, the swapping of bison herds for fenced cattle ranges, and the substitution of iron horses for those of flesh and bone. The Second Colorado Cavalry offers us a much-needed history of the “guerilla hunters” who helped suppress violence and keep the peace in contested border regions; it adds nuance and complexity to our understanding of the unlikely “agents of empire” who successfully transformed the Central Plains.

Over one thousand Civil War engagements were fought in Missouri, and the conflict could not be quarantined from civilian life. In the countryside, the wives and mothers of absent soldiers had to cope with marauders from both sides. Children saw their fathers and brothers beaten, hanged or shot. In the cities, a cheer for Jeff Davis could land a young boy in jail, and a letter to a sweetheart in the Confederate army could get a girl banished from the state. Women volunteered to care for the flood of wounded and sick soldiers. Slavery crumbled and created new opportunities for black men to serve in the Union army but left their families vulnerable to retaliation at home. The turbulence and bitterness of guerrilla war was everywhere.

The Civil War on Film will inform high school and college readers interested in Civil War film history on issues that arise when film viewers confuse entertainment with historical accuracy. The nation's years of civil war were painful, destructive, and unpleasant. Yet war films tend to embrace mythologies that erase that historical reality, romanticizing the Civil War. The editors of this volume have little patience for any argument that implies race-based slavery isn't an entirely repugnant economic, political, and cultural institution and that the people who fought to preserve slavery were fighting for a glorious and admirable cause. To that end, The Civil War on Film will open with a timeline and introduction and then explore ten films across decades of cinema history in ten chapters, from Birth of a Nation, which debuted in 1915, to The Free State of Jones, which debuted one hundred and one years later. It will also analyze and critique the myriad of mythologies and ideologies which appear in American Civil War films, including Lost Cause ideation, Black Confederate fictions, Northern Aggression mythologies, and White Savior tropes. It will also suggest the way particular films mirror the time in which they were written and filmed. Further resources will close the volume.

In 1918, urged on by his son Harry, John Benton Hart began to tell stories of a three-year period in his youth. He recalled his days as a trooper in the Eleventh Kansas Cavalry, fighting in Missouri and on the frontier, and his time as a civilian jack-of-all-trades doing risky work for the U.S. Army on the Wyoming-Montana Bozeman Trail in the middle of the Indian resistance campaign known as Red Cloud’s War. Once started, John Benton Hart became an enthusiastic raconteur, describing events with an almost cinematic vividness, while his son, an aspiring writer, documented his father’s testimony in what became several manuscripts. Compiled and reproduced here, edited by historian John Hart, John Benton Hart’s great-grandson, this memoir is a singular document of living history. As a young Kansas cavalryman, John Benton Hart participated in two momentous episodes of the Civil War era—Sterling Price’s Missouri Expedition of 1864, including the Battle of Westport, and such engagements in the Plains Indian Wars as the Battle of Platte Bridge in July 1865 and the Hayfield Fight near Fort C. F. Smith in 1867. In the engaging style of a natural storyteller, Hart re-creates these events as he experienced them, giving readers a rare glimpse at moments of historical import from the point of view of the “ordinary” soldier. In arresting detail, he also tells of crossing the Plains as a bullwhacker, carrying the mail between the beleaguered forts on the Bozeman Trail, and befriending scout Jim Bridger and Mountain Crow Chief Blackfoot. Framed and supplemented with the editor’s biographical, historical, and explanatory notes, Hart’s memoir offers a new perspective on events long fixed in the historical imagination. As history writ large or on a personal scale, Bluecoat and Pioneer tells a remarkable story.

This book features the memoir of William H. Gregg. Gregg served as William Clarke Quantrill's de facto adjutant from December of 1861 until the spring of 1864, making him one of the closest people to the guerrilla chief. Whether it was the origins of Quantrill's band, the early warfare along the border, the planning and execution of the raid on Lawrence, Kansas, the Battle of Baxter Springs, or the dissolution of the company in early 1864, Gregg was there as a participant and observer. The book also includes correspondence between Gregg and William E. Connelley, a historian. Connelley, who was born and raised in Kentucky to a family of Unionists, was deeply affected by the war and was a staunch Unionist and Republican. Even as much of the country was focusing on reunification, Connelley refused to forgive the South and felt little if any empathy for his southern peers. Connelley's relationship with Gregg was complicated at best. At worst, it was exploitive. At times their bond appeared reciprocal, but taken as a whole, Connelley seems to have manipulated an old, weak, and naïve Gregg, offering to help Gregg publish his memoir in exchange for Gregg's assistance in feeding Connelley inside information for a biography of Quantrill.