During an age when Macedonians hold sway in ancient Greece and Rome is on the ascendancy, Agis, a king of Sparta, attempts to reform the city-state before it sinks into decline. Unfortunately, helots that were conquered and kept in servitude to Spartan threaten to rebel just when improvement is at last on the horizon.

Blind Faith: How Christianity abandoned God, Part One – the Trinity doctrine, is the first book in a three-part series focused on exposing age-old spiritual beliefs that have been proven to be false. The trinity doctrine is arguably the most accepted, if not a fundamental belief in Christianity today. It’s the belief that claims God is made up of three distinct persons all unique but yet one. The focus of blind faith is to prove to you that the trinity doctrine is a false belief that was concocted and voted on by the 4th century CE, Roman appointed Ecumenical Bishops, who then went on to mislead the whole church into believing in a false god and have done so until this day. The only reason this doctrine is still viewed as truth is because of sixteen centuries of indoctrination, control and monopoly of the church when in fact there is no evidence anywhere in history, or in the Bible to support the existence of such a god (a triune god). If this doctrine is false then its goes without saying that the core or the foundation of what Christians believe today about who God is, is equally false. In other words, Christianity today is based on a lie and the 2.2 billion Christians around the world are following a lie. A lie if brought to light would shake the very foundations of Christianity as we know it.

God Has No Blind Alleys chronicles an event that took place in author Ron Millsons life when he was asked to establish a Christian camp with others. These were sincere people, and enthusiastic about the project. Upon leaving his work and being sent forth from his church to begin the work, he found that most camp enthusiasts had moved away. Soon the others would do the same, or become disinterested. He had entered into a life of faith to be able to help establish the camp. Now, he had no income to sustain his family; he could only trust the Lord from day to day. He, his wife and their two children were by themselves, with no visible support. He lost his sense of directionexcept for the knowledge that he had done the right thing taking on this project. He began building a house for his familyand an unknown Christian arrived, helped him a bit and gave him a possible solution to his problem regarding the camp. Totally trusting in God for needed funds, machinery, help and encouragement, he began the daunting task of building the camp. This memoir shares the unforgettable challenge and effort faced by one man and his family as God brings them pathways of joy, pleasure and refreshment in seeing His will fulfilled in their lives.

'Blind Faith' is a book written by an ex-Christian on a personal journey to find the light and truth in a world of darkness and deceitfulness. It takes the reader on a shocking but revealing journey through the Bible and the Christian religion. With sound facts, science and common sense the Christian bible and religion is systematically analyzed and dissected. This book exposes the truth about our God, his son Jesus and the Christian dogma. With this book, debunking Christianity has reached a new level of simplicity and ease.

THE BLIND SHALL SEE This adventure/fantasy is an intellectuals delight concerning a Queen of fairies and her civilization seeking aid from the village of Morbidity that has captured the picture perfect ideal of how to live with one another. The vampire Honoree, and his brood that dwells in caves is tired of feeding on animals, yet must renew every full moon with the town of Morbidity a pact that they will not feed on any villager and drink the dark water of the blood of the sacrifice of a bull to seal the agreement. War looms on the outskirts of the village, that has known only peace, for their God Noram has betrayed them and the spirit of the trees they have relied on has becomes his lover. Intellectual arguments surface between the fairy queen and the elder sanctified one as to the best way to live a moral life that is not ripe with suffering. Power and ego surface as the dragon weeps tears for his army that they not go into battle against a race of perfect men, and the dragons god Amness pleads that the two armies surrender to one another before going into battle and surprisingly, they do. What is revealed at the surrender is that in just about every little thing they hated one another for, they possessed as well. The sanctified one reveals to the fairy queen, that only through surrender can a vision be realized, can reality be accurately witnessed, but to do this thing was often quite costly.

Elle and Oz, strangers ready to restart their lives, meet by chance and flirtatiously swap stories in a dark abandoned house. They soon sense that these stories are coming from an unknown source. It's as if they are watching the stories rather than telling them. Then they become actors inside the stories, seeing and hearing as if they were the characters, affecting outcomes but still conscious of their separate contemporary selves in the dark abandoned house, their attraction heightened by this mysterious adventure. The stories transform: the two become characters from the Odyssey and Genesis, facing challenges in previous lives, challenges that they meet head-on . Finally, and they find themselves in a future where whole populations have transferred themselves to (or been absorbed into) a massive computer network. The human cycle of birth, death, and rebirth will end. They will live in that network forever. But Elle and Oz have a choice.

These stories, selected from three novels, show events of the Trojan War reflected through the minds of participants who are immersed in the immediacy of the moment. Because we're blessed with the gift of not knowing the future, life isn't just what happens. It's enriched by the cloud of possibilities, what might happen, what we expect and hope for. This novel is a showing rather than a telling of the stories of Troy, restoring the immediacy of the moment as experienced by Cassandra, Helen, Clytemnestra, Iphigenia, Polyxena, Andromache, and Hecuba. Your familiarity with the traditional stories will prompt you to anticipate, only to be surprised by depths of personality and motivation, consistent with the original, but unexpected. And you'll savor the ironic differences between what you know as a reader and what the characters know. Rather than tediously proceed from one event to the next, you leap ahead from one dramatic moment to the next. The action takes place in dialogue and inner dialogue (thoughts in the making) rather than narration/exposition. A standard synopsis/plot summary would miss the point of the book. The story unfolds as traditionally known, but the personalities and motivations of the main characters are often surprising. For example: Helen and Paris don't go to Troy and no one knows where they are until after the war has gone on for more than nine years. When she shows up, she had close-cropped hair and a jagged scar across her cheek (from an encounter with pirates. Achilles is a cross-dresser. He has a romance with Polyxena, daughter of the king of Troy, who has the look and the training of an Amazon and can out-wrestle her. Clytemnestra's handmaid is her lover Aegisthus in disguise. Her children are his, not her husband Agamemnon's.

In a tradition extending from the medieval era to the early twentieth century, visually disabled Japanese women known as goze toured the countryside as professional singers. An integral part of rural musical culture, the goze sang unique narratives of their own making and a significant repertory of popular ballads and short songs. Goze activities peaked in the nineteenth century, and some women continued to tour well into the middle of the twentieth. The last active goze lived until 2005. In Goze: Women, Musical Performance, and Visual Disability in Traditional Japan, Gerald Groemer examines the way of life, institutions, and songs of these itinerant performers. Groemer shows that the solidarity and success goze achieved with the rural public through narrative and music was based on the convergence of the goze's desire for a degree of social and economic autonomy with the audience's wish to mitigate the cultural deprivation it so often experienced. Goze recognized audiences as a stimulus for developing repertories and careers; the public in turn recognized goze as masterful artisans who acted as powerful agents of widespread cultural development. As the first full-length scholarly work on goze in English, this book is an invaluable resource to scholars and students of Japanese culture, Japanese music, ethnomusicology, and disability studies worldwide.