Between 2011 and 2014, I wrote eight short stories. I had been writing stories since I was about six. Weird scenarios would enter my head and I would feel compelled to write about them. Blood in Water relates on Abby who makes an awful discovery about her family. Dead Letter Room samples the life of lonely Finch at his workplace. Outside enters the disturbed mind of an ex-convict and What Goes Around considers the makings of a bully. On the surface all appear to delve into diverse worlds and minds. But this isn’t quite so. They are all about alienation. My other stories are the same: alienation. It goes right back to my early children’s mysteries of the Seventies. How strange. I hadn’t noticed. The reason is that I would make my own personal discovery in 2016. I was fifty-one years old and living with my partner and two children. Until then, I was completely unaware of a vital truth about myself. This truth has leaked into my stories and creations without my realisation. This account is true. Relevant diary entries have been included as well as illustrations. Analyses and further dissections provides an insight into the force behind these stories, and ventures into the strange phenomena I have discovered. It’s like a ghost language.

Reaching the heavens from here on earth is not hard when you take a journey through Short Stories from the Earthly but Heavenly. These are stories that will make you look into your inner self while asking yourself questions like, 'Could this be me?' or 'Do I really act like that?' We, as a people, sometimes do not live up to our expectations or the expectations of others. Short Stories from the Earthly but Heavenly deals with everyday life problems and many different life situations, such as death, selfishness, encouragement, inspiration, egotism, betrayal, and even issues such as low self-esteem. Short Stories from the Earthly but Heavenly will enlighten you to see that only through God's word lies the solution.

Galilee has been a crossroads of cultures, religions, and languages for centuries, as illustrated in these fascinating Bedouin folktales, which offer excellent examples of the Arabic narrative tradition of the Middle East. Bedouin Folktales from the North of Israel collects nearly 60 traditional folktales, told mostly by women, that have been carefully translated in the same colloquial style in which they were told. These stories are grouped into themes of love and devotion, ghouls and demons, and animal stories. The work also includes phonetic transcription and linguistic annotation. Accompanying each folktale is a comprehensive ethnographic, folkloristic, and linguistic commentary, placing the tales in context with details on Galilee Bedouin dialects and the tribes themselves. A rich, multifaceted collection, Bedouin Folktales from the North of Israel is an invaluable resource for linguists, folklorists, anthropologists, and any reader interested in a tradition of storytelling handed down through the centuries.

All Gold Canyon, The Mexican, The Story of Jees Uck, The White Silence, To Build a Fire.Grammardog Teacher's Guide contains 16 quizzes for these short stories. All sentences are from the stories. London's literary style and themes are examples of Naturalism. Figurative language includes: "the trembling lips of nature," "The White Silence seemed to sneer," "the stars that leaped and danced," "light laughed and life invited," "the leaves, wise with experience," "the stream once more drowsed and whispered," "for generations destiny had had this one end in view."

Beginning in the 1890s, reaching its first full realization by modernist writers in the 1920s, and brought to its heyday during the Canadian Renaissance starting in the 1960s, the short story has become Canada's flagship genre. It continues to attract the country's most accomplished and innovative writers today, among them Margaret Atwood, Mavis Gallant, Alice Munro, Carol Shields, and many others. Yet in contrast to the stature and popularity of the genre and the writers who partake in it, surprisingly little literary criticism and theory has been devoted to the Canadian short story. This collection redresses that imbalance by providing the first collection of critical interpretations of a range of thirty well-known and often-anthologized Canadian short stories from the genre's beginnings through the twentieth century. A historical survey of the genre introduces the volume and a timeline comparing the genre's development in Canada, the US, and Great Britain via representative examples completes it. The collection is geared both to specialists in and to students of Canadian literature. For the latter it is of particular benefit that the volume provides not only a collection of interpretations, but a comprehensive introduction to the history of the Canadian short story. Reingard M. Nischik is professor and chair of American Literature at the University of Constance, Germany.

This volume provides enough information about each story in the Gospel of Mark and about the gospel as a whole, in order to afford an informed understanding of the gospel. The evangelist was not writing a book for submission to a committee for inclusion in the Christian Bible. Rather, he was collecting existing oral and written tradition into a coherent narrative to promote, for his own Christian community, an understanding of the “good news” of Jesus the Messiah. The church to which the evangelist was writing, probably in Antioch of Syria, was likely already familiar with many of the stories from the church’s evolving liturgy. Christians gathered in people’s homes; there were no “churches” as we understand that word as a specific building for Christian worship. It was in such gatherings in homes that stories were told, perhaps as the basis for a message delivered by an elder of the church. Such stories illustrated some truth about Jesus or addressed an issue of importance to the church. In other words, these individual stories were developed to serve the needs of the Christian community. Historical accuracy was not a concern of the evangelist. Proclaiming Jesus as Messiah was his primary purpose.

This book is the first collected volume to be entirely dedicated to the work of contemporary Anglo-American writer Patrick McGrath. It follows the international conference that was held in his presence at Perpignan University, France, in May 2011. It comprises nine chapters (as well as an introduction and an index) written by scholars specializing in Gothic and American literature, each dealing with specific aspects of McGrath’s work. The volume seeks to encompass the author’s whole literary production to date, spanning a 25-year writing career. It also features an exclusive afterword written by the author himself, who attended all the papers given during the conference with great attention and often intensely enthusiastic reactivity. The editor’s intention is twofold. The idea was first to provide a comprehensive survey of Patrick McGrath’s writing, returning to the aspects that are usually associated with the author’s work, such as his artful narrative control, his inclination for stories of “transgression and decay”, as well as his long-lasting reflexive relationship with the Gothic and the Grotesque. Yet the aim of this volume is also to open new directions for the study of McGrath’s texts, taking into account the noticeable evolution of the writer’s literary production, its growing Americanization and gradual distanciation with modes of excess. It seems that it is no longer possible to tag McGrath’s work as neo- or ‘postmodern’ Gothic. His books’ growing complexity and change of horizons call for fresh investigations. This book will be of interest to students of McGrath’s work, scholars of the Gothic and its contemporary manifestations, as well as to all academics specializing in contemporary American fiction.

How do you live out God’s redemptive story in everyday life? It can seem hard to do – how to first connect the pieces and stories of the Bible with your life and then to apply them and live them out through your actions, words, and thoughts. Yet your life is connected to every other story in history and the God who loves you. The Story: Going Deeper reveals this connection through insights into the Bible’s stories about God and his people. Pick up this NIV Bible today, and discover how the sweeping saga of God’s redemptive story transforms your story.