The television series Buffy and Angel revolve around radical conceptions of family. Indeed, their coherence depends on the establishment of nontraditional families that admit vampires, demons, witches, werewolves, and other bizarre characters without censuring them for their peculiarities. This work argues that what makes these characters enduring and engaging is their critical family connections--for their most involved struggles occur not within the graveyard, but around the dinner table, just as the most challenging adversarial forces that they must face are not demons or vampires but the stuff of everyday life. What does "family" encompass within these two series? How does it relate to concepts of gender, sexuality, power and the supernatural as they emerge from the shows' complex narratives? This book explores such questions. It also examines the "chosen family" (an idea marketed specifically by successful programs such as Friends and Sex in the City within the past ten years), juxtaposing it against various images of the fractured biological family displayed in both Buffy and Angel. Through eight chapters addressing various family-related aspects within both shows, this work plots the trajectory of this unstable notion of family, even as it is transformed, remediated, and rendered unrecognizable from a "family values" perspective by the unique and supernatural relationships that proliferate in Buffy and Angel.

The emergence of symbolic culture is generally linked with the development of the hunger-gatherer adaptation based on a sexual division of labor. This original and ingenious book presents a new theory of how this symbolic domain originated. Integrating perspectives of evolutionary biography and social anthropology within a Marxist framework, Chris Knight rejects the common assumption that human culture was a modified extension of primate behavior and argues instead that it was the product of an immense social, sexual, and political revolution initiated by women. Culture became established, says Knight, when evolving human females began to assert collective control over their own sexuality, refusing sex to all males except those who came to them with provisions. Women usually timed their ban on sexual relations with their periods of infertility while they were menstruating, and to the extent that their solidarity drew women together, these periods tended to occur in synchrony. The result was that every month with the onset of menstruation, sexual relations were ruptured in a collective, ritualistic way as the prelude to each successful hunting expedition. This ritual act was the means through which women motivated men not only to hunt but also to concentrate energies on bringing back the meat. Knight shows how this hypothesis sheds light on the roots of such cultural traditions as totemic rituals, incest and menstrual taboos, blood-sacrifice, and hunters’ atonement rites. Providing detailed ethnographic documentation, he also explains how Native American, Australian Aboriginal, and other magico-religious myths can be read as derivatives of the same symbolic logic.

Blood is messy, dangerous, and charged with meaning. By following it as it circulates through people and institutions, Jenny Bangham explores the intimate connections between the early infrastructures of blood transfusion and the development of human genetics. Focusing on mid-twentieth-century Britain, Blood Relations connects histories of eugenics to the local politics of giving blood, showing how the exchange of blood carved out networks that made human populations into objects of medical surveillance and scientific research. Bangham reveals how biology was transformed by two world wars, how scientists have worked to define racial categories, and how the practices and rhetoric of public health made genetics into a human science. Today, genetics is a powerful authority on human health and identity, and Blood Relations helps us understand how this authority was achieved.

In Blood Relations, Irma Watkins-Owens focuses on the complex interaction of African Americans and African Caribbeans in Harlem during the first decades of the 20th century. Between 1900 and 1930, 40,000 Caribbean immigrants settled in New York City and joined with African Americans to create the unique ethnic community of Harlem. Watkins-Owens confronts issues of Caribbean immigrant and black American relations, placing their interaction in the context of community formation. She draws the reader into a cultural milieu that included the radical tradition of stepladder speaking; Marcus Garvey's contentious leadership; the underground numbers operations of Caribbean immigrant entrepreneurs; and the literary renaissance and emergence of black journalists. Through interviews, census data, and biography, Watkins-Owens shows how immigrants and southern African American migrants settled together in railroad flats and brownstones, worked primarily at service occupations, often lodged with relatives or home people, and strove to "make it" in New York.

In Blood Relations' Janet Adelman confronts her resistance to The Merchant of Venice as both a critic and a Jew. With her distinctive psychological acumen' she argues that Shakespeares play frames the uneasy relationship between Christian and Jew specifically in familial terms in order to recapitulate the vexed familial relationship between Christianity and Judaism. Adelman locates the promise - threat - of Jewish conversion as a particular site of tension in the play. Drawing on a variety of cultural materials' she demonstrates that' despite the triumph of its Christians' The Merchant of Venice reflects Christian anxiety and guilt about its simultaneous dependence on and disavowal of Judaism. In this startling psycho - theological analysis' both the insistence that Shylocks daughter Jessica remain racially bound to her father after her conversion and the depiction of Shylock as a bloody - minded monster are understood as antidotes to Christian uneasiness about a Judaism it can neither own nor disown. In taking seriously the religious discourse of The Merchant of Venice' Adelman offers in Blood Relations an indispensable book on the play and on the fascinating question of Jews and Judaism in Renaissance England and beyond.

In a time when vampires have gained civil rights and walk freely among humans, they must still overcome the factions who seek to take away those rights and return them to the role of the hated, and hunted. Rob Lydell employed by 'Blood Relations', a philanthropic group of wealthy businessmen, is asked to negotiate a meeting with Gabriel Torrance, a powerful vampire. The object of the meeting is to improve relationships between humans and vampires, who have recently gained civil liberties. Rob and Gabriel form a close relationship of their own, but not everyone is happy about vampire civil rights and Rob soon finds himself the target of attacks and threats, while the violence against vampires by members of so-called 'staker gangs' increases. As Rob and Gabriel's blood bond grows, they are startled to discover that the biggest danger they have to face may come from a power play within Blood Relations itself - not to mention some members of the Vampire Council who still regard humans as prey, rather than equals.

In the early hours of 7th August 1985, five members of the Bamber family were shot dead with a .22-calibre Anschutz rifle. Sheila Caffell, who was known to have struggled with mental illness, was at first thought to have murdered her twin sons and adoptive parents and then to have turned the gun on herself. Forensic evidence, however, told a different story and raised such questions as how Sheila could have received two shots in an act of suicide. A year later it was Jeremy Bamber, the only survivor, who was convicted of the callous murders of his entire family. He is currently serving a life sentence, but continues to protest his innocence. In this the first full account of the case, Roger Wilkes bases his story around specially commissioned forensic research, personal interviews with Jeremy Bamber and previously undisclosed accounts and witness statements. Extraordinary and shocking, it is a story that would defy the imagination of fiction writers.

A Study Guide for Sharon Pollock's "Blood Relations," excerpted from Gale's acclaimed Drama For Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama For Students for all of your research needs.

International bounty hunter Ovan Dominguez is hot on the trail of a genius mad scientist who believes he is furthering his research by committing the most heinous of crimes. His next target is a blood relation. Moorman University Dean Rashawn Ams and Professor Chance Davis have a strong bond built on love and admiration. They are also united by a haunting secret involving their son Reggie's biological father. Recovering sex addict Juanita Davis desperately wants her ex-husband, Chance Davis, back. Yearning for his touch again, Juanita is not above using their son, Junior, to accomplish that. What do all of these people have in common? They are all on a mad man's hit list!