For forty crucial days they fought a bloody struggle. When it was over, the Civil War's tide had turned. In the spring of 1864, Virginia remained unbroken, its armies having repelled Northern armies for more than two years. Robert E. Lee's Army of Northern Virginia had defeated the campaigns of four Union generals, and Lee's veterans were confident they could crush the Union offensive this spring, too. But their adversary in 1864 was a different kind of Union commander -- Ulysses S. Grant. The new Union general-in-chief had never lost a major battle while leading armies in the West. A quiet, rumpled man of simple tastes and a bulldog's determination, Grant would lead the Army of the Potomac in its quest to destroy Lee's army. During six weeks in May and June 1864, Grant's army campaigned as no Union army ever had. During nearly continual combat operations, the Army of the Potomac battered its way through Virginia, skirting Richmond and crossing the James River on one of the longest pontoon bridges ever built. No campaign in North American history was as bloody as the Overland Campaign. When it ended outside Petersburg, more than 100,000 men had been killed, wounded, or captured on battlefields in the Wilderness, near Spotsylvania Court House, and at Cold Harbor. Although Grant's casualties were nearly twice Lee's, the Union could replace its losses. The Confederacy could not. Lee's army continued to fight brilliant defensive battles, but it never mounted another major offensive. Grant's spring 1864 campaign had tipped the scales permanently in the Union's favor. The war's denouement came less than a year later with Lee's surrender at Appomattox Court House.

More than once during his yearlong duty, thirty-two-year-old Paul J. Pitlyk wondered what had possessed him to leave the security of a neurosurgery practice in the Midwest to experience the blood, guts, and gore of brain surgery at a forward marine hospital during the Vietnam War. In Blood on China Beach, Pitlyk, a neurosurgeon from the Mayo Clinic, shares the story of how he learned his craft in a rudimentary hospital in Vietnam, twelve thousand miles from home. This memoir picks up where most Vietnam battlefield memoirs leave offwhen the choppers deliver the dead and gravely wounded to the field hospitals and the dedicated doctors and medical staff struggle under primitive and unsterile conditions to preserve life. In this environment, Pitlyk was charged with carrying out emergency neurosurgery on those soldiers sustaining head injuries. He details both the emotional and professional factors that played a role in his service and provides a unique perspective to the Vietnam War. Insightful and historically significant, Blood on China Beach shows Pitlyks reverence for life and his admiration for the bravery of the marines he operated on, even as he questioned his own ability to make a difference. This memoir shows Pauls evolution from child to man and from neophyte to surgeon.

In his book, poet Yousof Jamil take his readers on a journey filled with love and perseverance. This book will leave you in silence.

Using wide-ranging evidence, Martyn Whittock shines a light on Britain in the Middle Ages, bringing it vividly to life in this fascinating new portrait that brings together the everyday and the extraordinary. Thus we glimpse 11th-century rural society through a conversation between a ploughman and his master. The life of Dick Whittington illuminates the rise of the urban elite. The stories of Roger 'the Raker' who drowned in his own sewage, a 'merman' imprisoned in Orford Castle and the sufferings of the Jews of Bristol reveal the extraordinary diversity of medieval society. Through these characters and events - and using the latest discoveries and research - the dynamic and engaging panorama of medieval England is revealed.

Third Language Dictionary is a guide to everyday language that is peculiar to and used by Australian folks from all walks of life no matter what or who they are or the level of success, education, credence, or place in society they have attained.

London is becoming an alien landscape to Sydney Stock; a man who has lived for over fifty years cooped with his mother Nell in her grubby East End home. Theirs is a relationship of mutually assured destruction where the ghosts of the past continue to stalk and accuse. As the twisted game around family inheritance reaches breaking point, Irish care worker Marion Fee finds herself an unwitting pawn being played from both sides. At the centre of Eugene O'Hare's second full-length black comedy is a family's obsession with versions of the past and a paranoia about a future in a city which no longer feels like home. This edition was published to coincide with the world premiere at Park Theatre, London in November 2019.