On the Boston Common stands one of the great Civil War memorials, a magnificent bronze sculpture by Augustus Saint-Gaudens. It depicts the black soldiers of the Fifty-fourth Massachusetts Infantry marching alongside their young white commander, Colonel Robert Gould Shaw. When the philosopher William James dedicated the memorial in May 1897, he stirred the assembled crowd with these words: "There they march, warm-blooded champions of a better day for man. There on horseback among them, in the very habit as he lived, sits the blue-eyed child of fortune." In this book Shaw speaks for himself with equal eloquence through nearly two hundred letters he wrote to his family and friends during the Civil War. The portrait that emerges is of a man more divided and complex--though no less heroic--than the Shaw depicted in the celebrated film Glory. The pampered son of wealthy Boston abolitionists, Shaw was no abolitionist himself, but he was among the first patriots to respond to Lincoln's call for troops after the attack on Fort Sumter. After Cedar Mountain and Antietam, Shaw knew the carnage of war firsthand. Describing nightfall on the Antietam battlefield, he wrote, "the crickets chirped, and the frogs croaked, just as if nothing unusual had happened all day long, and presently the stars came out bright, and we lay down among the dead, and slept soundly until daylight. There were twenty dead bodies within a rod of me." When Federal war aims shifted from an emphasis on restoring the Union to the higher goal of emancipation for four million slaves, Shaw's mother pressured her son into accepting the command of the North's vanguard black regiment, the Fifty-fourth Massachusetts. A paternalist who never fully reconciled his own prejudices about black inferiority, Shaw assumed the command with great reluctance. Yet, as he trained his recruits in Readville, Massachusetts, during the early months of 1963, he came to respect their pluck and dedication. "There is not the least doubt," he wrote his mother, "that we shall leave the state, with as good a regiment, as any that has marched." Despite such expressions of confidence, Shaw in fact continued to worry about how well his troops would perform under fire. The ultimate test came in South Carolina in July 1863, when the Fifty-fourth led a brave but ill-fated charge on Fort Wagner, at the approach to Charleston Harbor. As Shaw waved his sword and urged his men forward, an enemy bullet felled him on the fort's parapet. A few hours later the Confederates dumped his body into a mass grave with the bodies of twenty of his men. Although the assault was a failure from a military standpoint, it proved the proposition to which Shaw had reluctantly dedicated himself when he took command of the Fifty-fourth: that black soldiers could indeed be fighting men. By year's end, sixty new black regiments were being organized. A previous selection of Shaw's correspondence was privately published by his family in 1864. For this volume, Russell Duncan has restored many passages omitted from the earlier edition and has provided detailed explanatory notes to the letters. In addition he has written a lengthy biographical essay that places the young colonel and his regiment in historical context.

From Birth of a Nation to Cold Mountain, hundreds of directors, actors, and screenwriters have used the Civil War to create compelling cinema. However, each generation of moviemakers has resolved the tug of war between entertainment value and historical accuracy differently. Historian Brian Steel Wills takes readers on a journey through the portrayal of the war in film, exploring what Hollywood got right and wrong, how the films influenced each other, and, ultimately, how the movies reflect America's changing understandings of the conflict and of the nation.

COMBEE is based upon original research and offers the first full account of Tubman's Civil War service and the Combahee River Raid. In the process, it also offers the story of enslaved families living in bondage and fighting for their freedom, and does so using their own distinct and individual voices.

Inspired and informed by the latest research in African American, military, and social history, the fourteen original essays in this book tell the stories of the African American soldiers who fought for the Union cause. An introductory essay surveys the history of the U.S. Colored Troops (USCT) from emancipation to the end of the Civil War. Seven essays focus on the role of the USCT in combat, chronicling the contributions of African Americans who fought at Port Hudson, Milliken's Bend, Olustee, Fort Pillow, Petersburg, Saltville, and Nashville. Other essays explore the recruitment of black troops in the Mississippi Valley; the U.S. Colored Cavalry; the military leadership of Colonels Thomas Higginson, James Montgomery, and Robert Shaw; African American chaplain Henry McNeal Turner; the black troops who occupied postwar Charleston; and the experiences of USCT veterans in postwar North Carolina. Collectively, these essays probe the broad military, political, and social significance of black soldiers' armed service, enriching our understanding of the Civil War and African American life during and after the conflict. The contributors are Anne J. Bailey, Arthur W. Bergeron Jr., John Cimprich, Lawrence Lee Hewitt, Richard Lowe, Thomas D. Mays, Michael T. Meier, Edwin S. Redkey, Richard Reid, William Glenn Robertson, John David Smith, Noah Andre Trudeau, Keith Wilson, and Robert J. Zalimas Jr.

A controversial character largely known (as depicted in the movie Glory) as a Union colonel who led Black soldiers in the Civil War, James Montgomery (1814–71) waged a far more personal and radical war against slavery than popular history suggests. It is the true story of this militant abolitionist that Todd Mildfelt and David D. Schafer tell in Abolitionist of the Most Dangerous Kind, summoning a life fiercely lived in struggle against the expansion of slavery into the West and during the Civil War. This book follows a harrowing path through the turbulent world of the 1850s and 1860s as Montgomery, with the fervor of an Old Testament prophet, inflicts destructive retribution on Southern slaveholders wherever he finds them, crossing paths with notable abolitionists John Brown and Harriet Tubman along the way. During the tumultuous years of “Bleeding Kansas,” he became a guerilla chieftain of the antislavery vigilantes known as Jayhawkers. When the war broke out in 1861, Montgomery led a regiment of white troops who helped hundreds of enslaved people in Missouri reach freedom in Kansas. Drawing on regimental records in the National Archives, the authors provide new insights into the experiences of African American men who served in Montgomery’s next regiment, the Thirty-Fourth United States Colored Troops (formerly Second South Carolina Infantry). Montgomery helped enslaved men and women escape via one of the least-explored underground railways in the nation, from Arkansas and Missouri through Kansas and Nebraska. With support of abolitionists in Massachusetts, he spearheaded resistance to the Fugitive Slave Act in Kansas. And, when war came, he led Black soldiers in striking at the very heart of the Confederacy. His full story thus illuminates the actions of both militant abolitionists and the enslaved people fighting to destroy the peculiar institution.

Beloved romance author Sandra Chastain delivers a seductive tale of passion that blazes hotter than the Georgia sun—as Fortune smiles on a lonely Hunter. Hunky cowboy Hunter Kincaid is bruised, broke, and brash enough to think that he can win the top prize in a motorcycle scavenger hunt through the backwoods of Georgia. What he doesn’t count on is being saddled with Fortune Dagosta as a partner. After locking horns with the back-seat driver, Hunter soon hopes to lock lips. Can a loner of the open road be a lover with an open heart? Fortune has no idea how she’ll survive a week on the road with a smartass like Hunter. But she needs the money from the race to put a new roof on her halfway house for troubled kids—and Hunter’s her best shot at first place. Despite a few bumps on the way, Fortune finds herself lost in Hunter’s deep blue eyes. Neither expects the attraction to last, but Hunter and Fortune have embarked on the ride of their lives. Includes a special message from the editor, as well as excerpts from these Loveswept titles: The Reluctant Countess, Wild Rain, and Silk on the Skin.

Gathering together contributions from the academic world and personal memories, this work examines the lasting influence of the most famous black military unit of the American Civil War, the 54th Massachusetts Regiment.