The unmissable follow-up to BOB VS THE SELFIE ZOMBIES, perfect for fans of DAVID SOLOMONS, DAVID BADDIEL and GREG JAMES & CHRIS SMITH. AI is threatening to take over the world, and our last hope is a 12-year-old boy called Bob. Bob, an accidental time-traveller, should be doing his homework but instead he's bouncing in and out of the year 2049 - and life in the future seriously stinks! When Bob's science-class experiment goes wrong, he causes a global aroma-virus pandemic - also known as the farting flu. The grumpy school inspector has his eye on Bob and detention looms. But Bob's got bigger problems. He must face robot gorillas, an evil computer and giant patrol insects to save the world from a very farty future . . . ? Hold your noses for an adventure to the year 2049 and back!

A unique testimony to modern literature's most celebrated and enduring marriage. 'I first saw Harold across a crowded room, but it was lunchtime, not some enchanted evening, and we did not speak.' When Antonia Fraser met Harold Pinter she was a celebrated biographer and he was Britain's finest playwright. Both were already married - Pinter to the actress Vivien Merchant and Fraser to the politician Hugh Fraser - but their union seemed inevitable from the moment they met: 'I would have found you somehow', Pinter told Fraser. Their relationship flourished until Pinter's death on Christmas Eve 2008 and was a source of delight and inspiration to them both until the very end. Fraser uses her Diaries and her own recollections to tell a touching love story. But this is also a memoir of a partnership between two of the greatest literary talents, with fascinating glimpses into their creativity and their illustrious circle of friends from the literary, political and theatrical world.

Enjoy this meticulously edited SF Collection, jam-packed with space adventures, dystopian apocalyptic tales and the greatest sci-fi classics: H. G. Wells: The Time Machine The War of the Worlds The Island of Doctor Moreau The Invisible Man… Jules Verne: Journey to the Center of the Earth 20.000 Leagues under the Sea The Mysterious Island… Mary Shelley: Frankenstein The Last Man Edgar Wallace: Planetoid 127 The Green Rust… Otis Adelbert Kline: The Venus Trilogy The Mars Series Malcolm Jameson: Captain Bullard Series Garrett P. Serviss: Edison's Conquest of Mars A Columbus of Space The Sky Pirate… Arthur Conan Doyle: The Professor Challenger Series Francis Bacon: New Atlantis Edwin A. Abbott: Flatland Jack London: Iron Heel The Scarlet Plague The Star Rover… Robert Louis Stevenson: Dr Jekyll and Mr Hyde George MacDonald: Lilith H. Rider Haggard: King Solomon's Mines She William H. Hodgson: The House on the Borderland The Night Land… Edgar Allan Poe: Some Words with a Mummy Mellonta Tauta… H. P. Lovecraft: Beyond the Wall of Sleep The Cats of Ulthar Celephaïs Edward Bellamy: Looking Backward: 2000–1887 Equality… Mark Twain: A Connecticut Yankee in King Arthur's Court Owen Gregory: Meccania the Super-State Margaret Cavendish: The Blazing World Jonathan Swift: Gulliver's Travels William Morris: News from Nowhere Samuel Butler: Erewhon Edward Bulwer-Lytton: The Coming Race James Fenimore Cooper: The Monikins Hugh Benson: Lord of the World Fred M. White: The Doom of London Ignatius Donnelly: Caesar's Column Ernest Bramah: The Secret of the League Arthur D. Vinton: Looking Further Backward Robert Cromie: The Crack of Doom Anthony Trollope: The Fixed Period Cleveland Moffett: The Conquest of America Richard Jefferies: After London Francis Stevens: The Heads of Cerberus Percy Greg: Across the Zodiac David Lindsay: A Voyage to Arcturus Stanley G. Weinbaum: Stories from the Solar System Edward Everett Hale: The Brick Moon Abraham Merritt: The Moon Pool The Metal Monster… C. J. Cutcliffe Hyne: The Lost Continent Lewis Grassic Gibbon: Three Go Back

First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.

That set of stamps the murdered man had been mounting in his book when someone knifed him was worth dough. Anyone could have turned it over for a small fortune. Yet, the only pasteboard missing from the set was the cheapest single stamp in the lot!

Out on that hallowed ground I felt my own consciousness go, not into exile or oblivion but into what was round about . . . like McCahon when he was lost in here, I had surrendered my identity; I had, like him, become just another entity among entities: as the trees pulled up moisture from the earth and exhaled it through their leaves into the air, so too did I inhale and exhale, so too did the insects, the birds, the animals; clouds and stars were likewise mortal bodies that expanded and contracted rhythmically for a long or short while then passed away. In 1984, in the palm grove in Sydney's Botanic Gardens, the artist Colin McCahon went missing. He was found by police early next morning in Centennial Park, kilometres away, with no memory of who he was or where he had been. They took him to St Vincent's Hospital where he remained, a complete unknown, while a major retrospective exhibition of his paintings opened on the other side of town. In Dark Night, Martin Edmond walks in McCahon's footsteps, past pubs and monuments, art galleries and churches, barracks and parks: to accompany him some way into the darkness of his end. Edmond's record of the journey is a brilliant exploration of a city and its denizens; of the nature of art and the foundations of faith; and of the shadowy crossroads where they intersect.

Biography of the man who killed Billy the Kid, this thorough and well-written analysis deals effectively with almost every question that has been raised about the controversial life and death of Pat Garrett.