In 'Bohemian Paris of To-day', editors W.C. Morrow and Edward Cucuel present a vivid mosaic of essays, narratives, and illustrations that plunge the reader into the heart of late 19th-century Parisian bohemia. This collection is distinguished not only by its rich thematic diversityencompassing art, literature, and the uniquely liberated lifestyle of the Parisian bohemianbut also by its commitment to showcasing a range of literary and artistic styles. Through its pages, the anthology captures the essence of a period marked by radical artistic innovation and intense cultural dynamism, offering readers an intimate glimpse into the lives of those who defined the boundaries of creative freedom and expression. The work stands as a testament to the enduring allure and complexity of bohemian Paris, inviting readers to explore this vibrant world through a blend of narrative vignettes and artistic representations. The contributors, W.C. Morrow and Edward Cucuel, themselves embody the spirit of the collection, having navigated the artistic and literary circles of their time. Their firsthand experiences and observations lend authenticity and depth to the anthology, bridging the gap between observer and participant. The collection aligns with the broader cultural and artistic movements of the erasuch as Symbolism and Decadencecapturing the zeitgeist of a period characterized by a fervent quest for aesthetic and philosophical liberation. The fusion of Morrow's narrative prowess with Cucuel's artistic vision creates a holistic portrayal of bohemian Paris, emphasizing the collective's contribution to the rich tapestry of cultural and artistic history. 'Bohemian Paris of To-day' is an essential read for anyone intrigued by the allure of bohemian culture, the evolution of modern art, and the literary movements of the late 19th century. Through its diverse array of perspectives and styles, the collection offers a unique opportunity to dive deep into the lifeblood of Parisian bohemia, enriching the reader's understanding and appreciation of this pivotal era in artistic and cultural history. This anthology is not merely a collection of works; it is an invitation to explore the intersection of art, life, and liberty as experienced by the bohemians of Paris, making it a valuable addition to the libraries of scholars, enthusiasts, and anyone fascinated by the confluence of creativity and rebellion.

ÊFor two weeks we had been lodging temporarily in the top of a comfortable little hotel, called the Grand something (most of the Parisian hotels are Grand), the window of which commanded a superb view of the great city, the vaudeville playhouse of the world. Pour la premi�re fois the dazzle and glitter had burst upon us, confusing first, but now assuming form and coherence. If we and incomprehensible at could have had each a dozen eyes instead of two, or less greed to see and more patience to learn! Day by day we had put off the inevitable evil of finding a studio. Every night found us in the cheapest seats of some theatre, and often we lolled on the terraces of the CafŽ de la Paix, watching the pretty girls as they passed, their silken skirts saucily pulled up, revealing dainty laces and ankles. From the slippery floor of the Louvre galleries we had studied the masterpieces of David, Rubens, Rembrandt, and the rest; had visited the PanthŽon, the MusŽe Cluny; had climbed the Eiffel Tower, and traversed the Bois de Boulogne and the Champs-ElysŽes. Then came the search for a studio and the settling to work. It would be famous to have a little home of our very own, where we could have little dinners of our very own cooking! It is with a shudder that I recall those eleven days of ceaseless studio-hunting. We dragged ourselves through miles of Quartier Latin streets, and up hundreds of flights of polished waxed stairs, behind puffing concierges in carpet slippers, the puffing changing to grumbling, as, dissatisfied, the concierges followed us down the stairs. The Quartier abounds with placards reading, "Atelier d'Artiste ˆ Louer!" The rentals ranged from two hundred to two thousand francs a year, and the sizes from cigar-boxes to barns. But there was always something lacking. On the eleventh day we found a suitable place on the sixth (top) floor of a quaint old house in a passage off the Rue St.- AndrŽ-des-Arts. There were overhead and side lights, and from the window a noble view of Paris over the house-tops.

Explores how the atmosphere and people of Paris lead to the development of modern art at the beginning of the twentieth century and profiles influential artists and writers of the era.

DigiCat Publishing presents to you this special edition of "Vie de Bohème: A Patch of Romantic Paris" by Orlo Williams. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

DigiCat Publishing presents to you this special edition of "Bohemian Days: Three American Tales" by George Alfred Townsend. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Across centuries, France -and especially its capital city, Paris- established itself as a major source of influence across the Americas through colonization, diplomacy and political influence, but also through intellectualism and cultural productions of all sorts, either by imposition, exportation or as a trend of fashion via a bilateral transatlantic movement of people and ideas. In itself, the influence of Paris, the “capital of the world,” as Patrice Higonnet (2002) analyzes it, is similar to a phantasmagoria, which results in a transatlantic fascination for the city of lights and all the tangible or intangible elements that function as its embodiment. As Stuart Hall explains, understanding cultures and languages and their representations through various manifestations presupposes that we can identify, understand and interpret the signs that constitute their core identity. (Hall 2013). In an interdisciplinary approach, this multi-authored, edited volume examines the long-established relationships between Paris and cities across the American continent, in the past as well as in the present time. In order to explore all aspects of Paris’s influence(s) in the Americas, this volume is organized around two main axes of analysis: first, in a geographical progression from North to South, the reader is invited to reflect upon cultural productions that demonstrate the many influences of Paris in the Americas through theater, literature, philosophy, fashion and cinema (chapters 1 to 6). In the following chapters (7 to 11), the volume focuses particularly on a variety of urban connections that take the reader from South to North this time, analyzing tangible architectural and urban design influences of Paris in major cities such as Rio de Janeiro, Buenos Aires, Mexico City, New York, or Washington D.C. In today’s global world, this multifaceted study of Paris’ visible and invisible influences in the Americas clearly reveals the transnational intersections of spaces, languages, people and cultures.

Exotic and yet familiar, rife with passion, immorality, hunger, and freedom, Bohemia was an object of both worry and fascination to workaday Parisians in the nineteenth century. No mere revolt against middle-class society, the Bohemia Seigel discovers was richer and more complex, the stage on which modern bourgeois acted out the conflicts of their social identities, testing the liberation promised by post-revolutionary society against the barriers set up to contain it. Turning life into art, Bohemia became a space where many innovative and original figures—some famous, some obscure—found a home.