Trisha- Beautiful Bollywood Actress whose heart gets stolen by Underworld Don- Rocky Dhillon. Rocky Dhillon -The deadly Underworld Don who has links with Bollywood. Vijay Bhonsale- The Encounter Specialist whose aim is to destroy Rocky Dhillon. Poonam- The dominating mother of Trisha believes that the surest way to stardom is the casting couch. Ankita- The beautiful, High Class, Escort Service call girl who’s obsessed with Rocky Dhillon. The major players in this action packed tale search for Love and Happiness and it concludes with a surprising climax.

Stephenie Meyer's Twilight saga has maintained a tight grip on the contemporary cultural imagination. This timely and critical work examines how the Twilight series offers addictively appealing messages about love, romance, sex, beauty and body image, and how these charged themes interact with cultural issues regarding race, class, gender and sexuality. Through a careful analysis of the texts, the fandom and the current socio-historical climate, this work argues that the success of the Twilight series stems chiefly from Meyer's negotiation of cultural mores.

In the wake of the debates over high/low culture distinction spilling into the effective dismantling of the boundary that once separated them, the past decade has seen the explosion of ‘bad taste’ production on screen. Starting with paracinema or ‘badfilm’ – a movement that has grown up around sleazy, excessive, or poorly executed B-movies and has come to encompass disreputable and unworthy films – this trend has been evident in various formats: on television and in video-art, low-budget and straight to TV films, amateur and home movies. The proliferation of trash on screen can be seen as delivering the final blow to the vexed issue of taste. More importantly, it prompts a reconsideration of some critical issues surrounding production, circulation, understanding and teaching of ‘bad objects’ in the media. This collection of essays, written by international film and television scholars, provides detailed critical analysis of the issues surrounding judgements of cultural value and taste, feeling and affect, cultural morals and politics, research methodologies and teaching strategies in the new landscape of ‘after taste’ media. Addressing global and local developments – from global Hollywood to Australian indigenous film and television, through auteurs Sergei Eisenstein to Jerry Bruckheimer, on to examples such as Twilight to Sukiyaki Western Django – the essays in this book offer a range of critical tools for understanding the recent shifts affecting cultural, aesthetic and political value of the moving image. This book was originally published as a special issue of Continuum: Journal of Media & Cultural Studies.

TWILIGHT ZONE is a collection of TWELVE short stories,all written by the same author,Ranganathan Magadi.The stories relate to murder,love, homosexuality, AIDS, gang war, terrorism, patriotism, filial affection, marital fraud and medical negligence.The themes are very new and the mode of presentation is different.

A story that unashamedly promotes death with dignity, currently practiced overseas but not widely in Australia. A nursing home in a rural town. Residents are inexplicably dying earlier than expected, much to the concern of Twilight’s Board. Who is behind these mysterious deaths? And why? How will they be held to account? And when will the Australian public be given a voice in this crucial issue of end-of-life choice and empowerment.

Lonavala, a hill station of scenic beauty. However, a serial killer is at loose. Nikki- a young woman running from an unhappy love affair finds her heart stolen amidst this turbulent time. Inspector Amin- a sincere police officer who is in search of a cunning serial killer Will the elusive serial killer be caught? Does Nikki find love again?

When intelligent, beautiful Ishilla meets Veer there is instant attraction. But Veer is harbouring a secret that could mar their relationship. Will Ishilla find love or will she be a victim of a dangerous, cruel game that could cost her life?

Shanaya and Ritika are two identical twins but Rikita drowns accidentally. Years later, a ghost haunts the Agarwal residence. Laila, the new beautiful bride, is determined to get to the bottom of this new haunting. Will she succeed? Will she find true love in her quest to discover the truth?

At the turn of the twelfth-century into the thirteenth, at the court of King Laksmanasena of Bengal, Sanskrit poetry showed profound and sudden changes: a new social scope made its definitive entrance into high literature. Courtly and pastoral, rural and urban, cosmopolitan and vernacular confronted each other in a commingling of high and low styles. A literary salon in what is now Bangladesh, at the eastern extreme of the nexus of regional courtly cultures that defined the age, seems to have implicitly reformulated its entire literary system in the context of the imminent breakdown of the old courtly world, as Turkish power expanded and redefined the landscape. Through close readings of a little-known corpus of texts from eastern India, this ambitious book demonstrates how a local and rural sensibility came to infuse the cosmopolitan language of Sanskrit, creating a regional literary idiom that would define the emergence of the Bengali language and its literary traditions.