The heart of this working guide is the three chapters dealing with techniques and the chapter on conservation. "Basic Techniques" detail the fundamental skills that are applicable to all hand bookbinding. "General Techniques" include those practices that, with minor variations, cover the early stages in all types of bindings. "Specific Techniques" describe the steps primarily used is producing a specific type of hand binding. The basic principles of conservation work cover one of the more important areas in the field of hand bookbinding today.

Conservation of Books is the highly anticipated reference work on global book structures and their conservation, offering the first modern, comprehensive overview on this subject. The volume takes an international approach to its subject. Written by over 70 specialists in conservation and conservation science based in 19 countries, its 26 chapters cover traditional book structures from around the world, the materials from which they are made and how they degrade, and how to preserve and conserve them. It also examines the theoretical underpinnings of conservation: what and how to treat, and the ethical, cultural, and economic implications of treatment. Technical drawings and photographs illustrate the structures and treatments examined throughout the book. Ultimately, readers gain an in-depth understanding of the materiality of books in numerous global contexts and reflect on the practical considerations involved in their analysis and treatment. Conservation of Books is a quintessential reference work for book conservators and anyone working with books, such as collection managers, librarians, curators, dealers, collectors, historians, and related professionals. It is also an indispensable text for students to complement hands-on training in this field.

Don't throw them out-repair them! This practical manual shows you how to preserve cloth-bound library books. Schechter gives detailed instructions for the cleaning and mending of paper, book hinge repair, case and textblock reattachment, cloth rebacking, and retitling. He describes procedures chronologically and illustrates them with black-and-white photographs. Supply lists are provided with each procedure and a bibliography of supporting literature is also included. These simple-to-learn steps are geared primarily to nonvaluable material and can be used as easily by nonprofessionals as professionals. The book can be used as a repair manual in libraries or as a training tool.

In-House Bookbinding and Repair is a working document that contains information on setting up both a basic bookbindery and repair lab (i.e. the design, equipment, tools, and supplies needed) and instructions on rebinding and repairing cloth-bound books. Highly illustrated to greater enhance its usefulness, this manual also covers various aspects of book repair and conservation, and contains appendixes on manufacturers and suppliers of materials and products discussed in the text, an extensive Glossary of terms, a separate section on World Wide Web Resources, and a helpful bibliography. This manual will prove valuable to libraries of all sizes and locations.

Intended for bookbinders and conservators of library and archival material and for those working in related fields, such as bibliography and librarianship, this dictionary contains definitions for the nomenclature of bookbinding and the conservation of archival material, illustrations of bookbinding equipment and processes, and biographical vignettes of notable binders. Details of the history of bookbinding and discussions of materials used are included, where applicable, in the definitions. In addition, definitions provide answers to questions, e.g., the best treatment for leather bindings, and useful items of information, e.g., the standard sizes of paper. It is noted that the definitions were drawn, whenever possible, from the most authoritative sources available. Sources for definitions are indicated by numbers which refer to the 373-item bibliography included at the end of the dictionary. A series of 13 color photographs of various bindings and endpapers is also included. (ESR)

"The Grove Encyclopedia of Materials and Techniques deals with all aspects of materials, techniques, conservation, and restoration in both traditional and nontraditional media, including ceramics, sculpture, metalwork, painting, works on paper, textiles, video, digital art, and more. Drawing upon the expansive scholarship in The Dictionary of Art and adding new entries, this work is a comprehensive reference resource for artists, art dealers, collectors, curators, conservators, students, researchers, and scholars." "Similar in design to The Grove Encyclopedia of Decorative Arts, this one-volume reference work contains articles of various lengths in alphabetical order. The shorter, more factual articles are combined with larger, multi-section articles tracing the development of materials and techniques in various geographical locations. The Encyclopedia provides unparalleled scope and depth, and it offers fully updated articles and bibliography as well as over 150 illustrations and color plates." "The Grove Encyclopedia of Materials and Techniques offers scholarly information on materials and techniques in art for anyone who studies, creates, collects, or deals in works of art. The entries are written to be accessible to a wide range of readers, and the work is designed as a reliable and convenient resource covering this essential area in the visual arts."

This pamphlet succinctly, clearly, and vividly details the colonial practice of the ancient "art and mystery" of turning written words into durable, portable, and beautiful records.

Thomas K. Ford's 'The Bookbinder in Eighteenth-Century Williamsburg' is a captivating exploration of the evolving bookbinding trade in colonial America. Through meticulous research and engaging storytelling, Ford sheds light on the importance of bookbinding in shaping literary culture and disseminating knowledge during this period. The book is written in a clear and accessible style, making it an essential read for scholars and history enthusiasts alike. Ford expertly weaves together historical facts and personal anecdotes to bring the world of bookbinding to life, providing a detailed look at the tools, techniques, and significance of this craft in eighteenth-century Williamsburg. The book also delves into the social and economic factors that influenced the development of bookbinding as a profession, offering valuable insights into the lives of bookbinders and their contributions to society. Overall, 'The Bookbinder in Eighteenth-Century Williamsburg' is a must-read for anyone interested in the history of bookmaking and the impact of books on early American society.

The conservation of skin, leather and related materials is an area that, until now, has had little representation by the written word in book form. Marion Kite and Roy Thomson, of the Leather Conservation Centre, have prepared a text which is both authoritative and comprehensive, including contributions from the leading specialists in their fields, such as Betty Haines, Mary Lou Florian, Ester Cameron and Jim Spriggs. The book covers all aspects of Skin and Leather preservation, from Cuir Bouillie to Bookbindings. There is significant discussion of the technical and chemical elements necessary in conservation, meaning that professional conservators will find the book a vital part of their collection. As part of the Butterworth-Heinemann Black series, the book carries the stamp of approval of the leading figures in the world of Conservation and Museology, and as such it is the only publication available on the topic carrying this immediate mark of authority.