Schooling and cultural politics - Cultural workers and cultural pedagogy_

"The International Appalachian Trail runs north from Mount Katahdin seven hundred miles to the end of the Gaspé Peninsula. Inspired by Basho, Ian Marshall hiked it for six summers, probing the poetics of haiku while exploring a vast and beautiful wilderness little known in the US. Marshall is an engaging trail companion and a superb story teller, with a self deprecating wit and sharp intellect that spice up his observations and ideas. Like Basho, he finds the miraculous in the common and elevates the humble walk into a spiritual practice, sprinkling his narrative with lovely original haiku that seem to have condensed in the moment, like droplets of dew. Backpackers will appreciate his pungent descriptions of life on the trail, and ecocritics will savor his abundant insights on poetry, nature, and culture. This lively book serves up a classic blend of high adventure, literary pilgrimage, and self discovery. It tastes as tart and fresh as wild raspberries."--John Tallmadge, past-president of the Association for the Study of Literature and Environment and author of The Cincinnati Arch: Learning from Nature in the City

This book brings together a group of feminist activists, psychologists, and peace workers from countries on every continent who describe how they apply global/transnational feminism in their activist peace and justice projects in the cultures and countries in which they live and work. The contributors, who are from different locations in the “global village”, reflect on their engagement in Global South/North border crossings and partnerships, taking into consideration such variables as the gender, economic/class, ethnic, racial, political and imperializing/colonizing tensions inherent in the work. Authors discuss the feminist principles that guide their work, describe a project or set of projects illustrating how they apply feminist theory and practice, and reflect on the complexitites, tensions and conundrums inherent in negotiating cross-national feminist partnerships in research, practice, and activism. This book was originally published as a special issue of Women & Therapy.

Thomas King is the first Native writer to generate widespread interest in both Canada and the United States. He has been nominated twice for Governor General's Awards, and his first novel, Medicine River, has been transformed into a CBC movie. His books have been reviewed in publications such as The New York Times Book Review, The Globe and Mail, and People magazine. King is also the author of the serialized radio series The Dead Dog Café and is an accomplished photographer. Border Crossings is the first full-length study to explore King's art. Davidson, Walton, and Andrews employ a framework of postcolonial and border studies theory to examine the concepts of nation, race, and sexuality in King's work. They examine how King's art routinely explores cross-cultural dynamics, including Native rights and race relations, American and Canadian cultural interaction, and the artistic traditions of Europe and North America. The authors argue that, by situating these concepts within a comic framework, King avoids the polemics that often surface in cultural critiques. His writing engages, entertains, and educates. This provocative analysis of King's art reads across cultures and between borders, and makes an important contribution to the study of Native writing, Canadian and American literature, border studies, and humour studies.

This is a collection of essays on the evolving focus and perspective of anthropologists and anthropology of North and South America. It looks at how modern scholars are rethinking both how and why they study culture as they gain a new appreciation for the impact they have on the people they study.

Borderlands, boundaries and frontiers are crucibles for diverse cultures and multiple alternative histories. Nowhere is this truer than in the debateable lands between nation states in what is commonly known as the British Isles. This collection takes the reader on an imaginative journey inside the borders, offering a fresh perspective on the liminality of these porous and contested terrains and the liminal peoples therein. Implicitly or explicitly, the contributors to this volume, in one way or another acknowledge that the term ‘borderland’ is imprecise, ambiguous and never neutral, and due to its liminal status, a crucible for multiple and competing identities. As the essays in this collection show, these borders don’t have to be geographical, but can extend to any cultural, psychic or social terrain which exists beyond or between accepted categories, power structures, nations or states. This collection concerns itself with Borders Theory in its multifarious manifestations from pre-history to the present day. Border Crossings draws together a number of key researchers in their respective fields and enables a dialogue between different disciplines and theoreticians. More generally, in its disciplinary and theoretical scope, the collection links with a number of other works, whilst its focus on England, Ireland and Scotland maintains its distinctiveness and addresses an area of comparative critical neglect.

Romantic Border Crossings participates in the important movement towards 'otherness' in Romanticism, by uncovering the intellectual and disciplinary anxieties that surround comparative studies of British, American, and European literature and culture. As this diverse group of essays demonstrates, we can now speak of a global Romanticism that encompasses emerging critical categories such as Romantic pedagogy, transatlantic studies, and transnationalism, with the result that 'new' works by writers marginalized by class, gender, race, or geography are invited into the canon at the same time that fresh readings of traditional texts emerge. Exemplifying these developments, the authors and topics examined include Elizabeth Inchbald, Lord Byron, Gérard de Nerval, English Jacobinism, Goethe, the Gothic, Orientalism, Emily Dickinson, Walt Whitman, Anglo-American conflicts, manifest destiny, and teaching romanticism. The collection constitutes a powerful rethinking of the divisions that continue to haunt Romantic studies.

Globalization and transnationalism have reshaped our communities and their borderlines. Communities exceed fixed boundaries, existing instead in the liminal spaces where narratives intersect, clash, or cooperate. These liminal spaces—physical and virtual, local and global—provide opportunities for diversifying discussions on diaspora, cultural hybridity, and ethnic identity. Ethnic women writers make significant contributions to this dialogue regarding the reconfiguration of people and their perimeters. A multigenre and multicultural text, Community Boundaries and Border Crossings explores the novels, short stories, essays, autobiographies, testimonios, plays, poems, and hybrid poetics of established and emerging ethnic women writers. This collection of critical essays highlights the new zones of cultural contact and exchange that are defining the twenty-first century. Each chapter reflects an awareness of cultural changes and challenges, engaging readers in a richly productive conversation concerning the interconnectedness of border crossings and community boundaries.

This book represents a contribution to both border studies and short story studies. In today’s world, there is ample evidence of the return of borders worldwide: as material reality, as a concept, and as a way of thinking. This collection of critical essays focuses on the ways in which the contemporary British short story mirrors, questions and engages with border issues in national and individual life. At the same time, the concept of the border, as well as neighbouring notions of liminality and intersectionality, is used to illuminate the short story’s unique aesthetic potential. The first section, “Geopolitics and Grievable Lives”, includes chapters that address the various ways in which contemporary stories engage with our newly bordered world and borders within contemporary Britain. The second section examines how British short stories engage with “Ethnicity and Liminal Identities”, while the third, “Animal Encounters and Metamorphic Bodies”, focuses on stories concerned with epistemological borders and borderlands of existence and identity. Taken together, the chapters in this volume demonstrate the varied and complex ways in which British short stories in the twenty-first century engage with the concept of the border.

This volume is the second Annual of the Konitsa Summer School in Anthropology, Ethnography and Comparative Folklore of the Balkans containing the proceedings of two years, 2007 and 2008. It includes papers written by members of the teaching staff, papers delivered as lectures or especially prepared for the Annual, papers written by students based principally on their fieldwork exercise in Greece and Albania, presentations of ongoing PhD theses and, finally, the syllabi of the subjects of instruction.