Is conflict inherent to the politics of borders? Recent global events, erupting from national, religious, class, racial and gender boundaries would suggest it is. From the inhumanity of post-Brexit British immigration policy to the violent suppression of women's freedom in Iran, to Russia's territorial invasion of Ukraine, and most immediately to the violent conflagration engulfing Palestine, border hostilities seem everywhere characterised by fearful and toxic intolerance of what is deemed other. This book examines the writing of award-winning European novelists to suggest an alternative perspective, one that redresses time-sanctioned hierarchies of mind over body, of ideals over physical reality. It explores novelistic representations of power, war, sacrifice, heroism, national history and identity, all issues more conventionally viewed within a male consensus. The fiction offers a cultural and imaginative response to border conflicts of all kinds, ethical, bodily, religious, and geographical, often drawing upon the writers' own personal experience of threatening divisions. Examining works by Virginia Woolf, Jenny Erpenbeck, Olga Tokarczuk, Herta Müller, Anna Burns, Chika Unigwe, Maylis de Kerangal, Magda Szabó, Elena Ferranti, Alki Zei, Elif Shafak, and Oksana Zabuzhko, it uses an integrated interdisciplinary approach to combine literary readings with detailed historical and political understanding of cultural context. Coming from many different cultures and histories, these writers speak a common condemnation of all hierarchies of worth and of exceptionalist identities whether sanctified by religion, nature, or tradition. Morris shows how their stories, read here in translation, also articulate a strikingly unified vision of a radical ecological understanding of human relations based on physical continuity and co-existence rather than borders dividing an idealised 'us' from a denigrated 'them'.

This anthology indicates the many and multi-layered ways in which women's movements have developed in the past and the challenges that face women's movements today. Covering a broad range of issues, the book strives for re-narration and re-location of one of the major social movements of the 20th century and for fresh analysis of the latest trends. The framework for the texts has been set by recent structural, ideological and cultural changes towards globalization (including the end of the Cold War bipolarization), immigration, and multiculturalism. The changes have produced new fields of cooperation and conflicts within the women's movements and generated new questions that are dealt with in four main sections. - Choice Outstanding Academic Title 2005

A multidisciplinary, and multilingual bibliography on "Women and Gender in East Central Europe and the Balkans (Vol. 1)" and "The Lands of the Former Soviet Union (Vol. 2)". This two-volume set deals with the topics ranging from legal status and marital customs to economic participation and gender roles.

Provides biographies, novel synopses, poems, plays, and essays by or about women, and discusses feminist literature.

Womenâ (TM)s writing has, in recent decades, been one of the most exciting and productive areas of literary creativity and critical analysis. Thirty years on from the initial, spectacular blossoming of womenâ (TM)s writing and from pioneering critical projects to (re)construct a female literary tradition, Womenâ (TM)s Writing in Western Europe: Gender, Generation and Legacy is the first study to investigate the legacy of this earlier generation of writers, texts and theories for contemporary women writers from across western Europe. This important and timely book brings together original analyses by different generations of critics from around the globe, from internationally renowned feminist scholars to promising doctoral students. Their sophisticated studies uncover a complex web of explicit and implicit intertextual links between contemporary writers and such iconic figures as Aleramo, Beauvoir, Colette, Cixous, Duras, Irigaray, Kristeva, Morante, Morgner, Wolf and Woolf, so attesting to the existence of a truly international womenâ (TM)s culture across ever more fluid national borders. Womenâ (TM)s Writing in Western Europe is a major intervention in the field of feminist literary criticism which offers new, comparative understandings of such key theoretical concepts as intertextuality, intergenerational relations, gender, identity and legacy. â oeCovering an enormous range of writers and national traditions, Womenâ (TM)s Writing in Western Europe: Gender, Generation and Legacy attests to the vibrancy and the currency of feminist criticism and theory in the new Europe. These essays give us new paradigms to think and read with in the future.â â "Professor Marianne Hirsch, Columbia University, New York. â oeThirty years after the creative outburst of womenâ (TM)s writing and feminist theory of the early 1970s, can we still speak of a womenâ (TM)s tradition of writing, of gender and generation, of the iconic role of the mother figure? This dense and wide ranging collection of essays engages with the dynamics of legacy and conflict, of recognition and denial, to map out some of the many complex strands and relationships marking the textual relations of womenâ (TM)s writing across time and geographic boundaries. No simple tradition of womenâ (TM)s writing emerges, but the powerful hold exerted by some of the most canonical writers â " Beauvoir, Woolf, Cixous, Irigaray, Kristeva, Rich â " and the evidence of the construction of new relationships between and across texts by women points to a continuing network of transmission in which womenâ (TM)s texts are enmeshed. This is an important collection and a large readership will be grateful for this probing of issues which are at the heart of the reading of womenâ (TM)s writing.â â "Professor Elizabeth Fallaize, St. Johnâ (TM)s College Oxford