What makes somebody a Loser, a person doomed to unfulfilled dreams and humiliation? Nobody is born to lose, and yet failure embodies our worst fears. The Loser is our national bogeyman, and his history over the past two hundred years reveals the dark side of success, how economic striving reshaped the self and soul of America. From colonial days to the Columbine tragedy, Scott Sandage explores how failure evolved from a business loss into a personality deficit, from a career setback to a gauge of our self-worth. From hundreds of private diaries, family letters, business records, and even early credit reports, Sandage reconstructs the dramas of real-life Willy Lomans. He unearths their confessions and denials, foolish hopes and lost faith, sticking places and changing times. Dreamers, suckers, and nobodies come to life in the major scenes of American history, like the Civil War and the approach of big business, showing how the national quest for success remade the individual ordeal of failure. Born Losers is a pioneering work of American cultural history, which connects everyday attitudes and anxieties about failure to lofty ideals of individualism and salesmanship of self. Sandage's storytelling will resonate with all of us as it brings to life forgotten men and women who wrestled with The Loser--the label and the experience--in the days when American capitalism was building a nation of winners.

Everyone was born a Champion, but the labels that society places on individuals make them question their status as a Champion that has a right to achieve massive success. In this book, John Di Lemme digs into the fact that Champions are Born, Losers are Made plus adds a Bonus Section on the Inner Secrets of Leadership.

Canada also tried to exterminate the Indians just like the USA but used subtle methods like diseases, starvation, Residential Schools and oppression. Then when we tried to do something for ourselves we were held back by the Govt. and many Canadians wouldn’t hire us or didn’t treat us very well when we got hired. Canada kept the truth well hidden by not exposing the truth or distorting stories so much that when they were exposing what happened there was very little, if any truth to what they’re saying. My story will expose some of these issues and how we had to struggle against overwhelming odds to do something with our lives but still weren’t able to work to our full potential.

A book about growing up, dealing with siblings, and learning to like yourself. This book is excellent for every little boy who feels like he never measures up.

Ethan Winfield has never been an academic or athletic star like his older brother, Peter. But does that make him a failure? Of course not. Still, Ethan and his best friend, Julius Zimmerman, decide that they qualify to found an exclusive club: Losers, Inc. No sooner have they done this, however, than both boys fall in love with the new student teacher. Ethan knows right away that to impress Ms. Gunderson he has to excel. Instead of reading the shortest book for his report, he has to read the longest. Instead of working with Julius on the worst project for the science fair, he has to make the best one--alone. Unfortunately, it isn't Ms. Gunderson who falls for Ethan, but Lizzie Archer, class nerd. The teasing is unbearable! So without regard for Lizzie's feelings--and over Julius's objections--Ethan helps hatch a plot to prove that he's not Lizzie's boyfriend. The result is that even as he reports on a book that's longer than any Peter read in the sixth grade, and prepares a potentially winning science project, Ethan feels that he doesn't deserve anyone's love--not Ms. Gunderson's, not Lizzie's, not Julius's, not his own. Claudia Mills, creator of Dinah Seabrooke (Dynamite Dinah, Dinah for President, Dinah in Love, Dinah Forever) and other overachievers, portrays a boy who needs a reason to strive, finds one, then realizes that success isn't enough. Smart, funny, and down to earth, this hero engages and entertains as he struggles mightily to grow up.

This is a compilation of hilarious exchanges of correspondence which took place between unsuspecting members of the public, the Water Board and associated organizations. The pieces have been selected from Water Board Files - a series which ran for many years in the weekly magazine New Civil Engineer.

This book summarizes and briefly analyzes over 400 films about the Vietnam War.

Through popular movies starring Bruce Lee and songs like the disco hit "Kung Fu Fighting," martial arts have found a central place in the Western cultural imagination. But what would 'martial arts' be without the explosion of media texts and images that brought it to a wide audience in the late 1960s and early 1970s? In this examination of the media history of what we now call martial arts, author Paul Bowman makes the bold case that the phenomenon of martial arts is chiefly an invention of media representations. Rather than passively taking up a preexisting history of martial arts practices--some of which, of course, predated the martial arts boom in popular culture--media images and narratives actively constructed martial arts. Grounded in a historical survey of the British media history of martial arts such as Bartitsu, jujutsu, judo, karate, tai chi, and MMA across a range of media, this book thoroughly recasts our understanding of the history of martial arts. By interweaving theories of key thinkers on historiography, such as Foucault and Hobsbawm, and Said's ideas on Orientalism with analyses of both mainstream and marginal media texts, Bowman arrives at the surprising insight that media representations created martial arts rather than the other way around. In this way, he not only deepens our understanding of martial arts but also demonstrates the productive power of media discourses.