Discusses how activists in Boston upheld their anti-slavery tradition and promoted an equal rights agenda during the years between 1890 and 1920, a period in which African-Americans throughout the country were being deprived of civil and political justice.

A People's Guide to Greater Boston reveals the region’s richness and vibrancy in ways that are neglected by traditional area guidebooks and obscured by many tourist destinations. Affirming the hopes, interests, and struggles of individuals and groups on the receiving end of unjust forms of power, the book showcases the ground-level forces shaping the city. Uncovering stories and places central to people’s lives over centuries, this guide takes readers to sites of oppression, resistance, organizing, and transformation in Boston and outlying neighborhoods and municipalities—from Lawrence, Lowell, and Lynn to Concord and Plymouth. It highlights tales of the places and people involved in movements to abolish slavery; to end war and militarism; to achieve Native sovereignty, racial equity, gender justice, and sexual liberation; and to secure workers’ rights. In so doing, this one-of-a-kind guide points the way to a radically democratic Greater Boston, one that sparks social and environmental justice and inclusivity for all.

As movies took the country by storm in the early twentieth century, Americans argued fiercely about whether municipal or state authorities should step in to control what people could watch when they went to movie theaters, which seemed to be springing up on every corner. Many who opposed the governmental regulation of film conceded that some entity—boards populated by trusted civic leaders, for example—needed to safeguard the public good. The National Board of Review of Motion Pictures (NB), a civic group founded in New York City in 1909, emerged as a national cultural chaperon well suited to protect this emerging form of expression from state incursions. Using the National Board's extensive files, Monitoring the Movies offers the first full-length study of the NB and its campaign against motion-picture censorship. Jennifer Fronc traces the NB's Progressive-era founding in New York; its evolving set of "standards" for directors, producers, municipal officers, and citizens; its "city plan," which called on citizens to report screenings of condemned movies to local officials; and the spread of the NB's influence into the urban South. Ultimately, Monitoring the Movies shows how Americans grappled with the issues that arose alongside the powerful new medium of film: the extent of the right to produce and consume images and the proper scope of government control over what citizens can see and show.

Sport often mirrored the racial climate of the time, but it also informed and encouraged equality on and off the field. In Boston, the Black athletic body historically represented a challenge to the city’s liberal image. Boston's Black Athletes: Identity, Performance, and Activism interprets Boston’s contested racial history through the diverse experiences of the city’s African American sports figures who directed their talent toward the struggle for social justice. Editors Robert Cvornyek and Douglas Stark and the contributors explore a variety of representative athletes, such as Kittie Knox, Louise Stokes, and Medina Dixon, that negotiated Boston’s racial boundaries at sequential moments during the nineteenth and twentieth centuries to demonstrate Boston’s long and troubled racial history. The contributors’ biographical sketches are grounded in stories that have remained memorable within Boston’s Black neighborhoods. In recounting the struggles and triumphs of these individuals, this book amplifies their stories and reminds readers that Boston’s Black sports fans found a historic consistency in their athletes to shape racial identity and cultural expression.

During the first quarter of the twentieth century, the intersection of support for Irish freedom and the principles of Catholic social justice transformed Irish ethnicity in Boston. Prior to World War I, Boston’s middle-class Irish nationalist leaders sought a rapprochement with local Yankees. However, the combined impact of the Easter 1916 Rising and the postwar campaign to free Ireland from British rule drove a wedge between leaders of the city’s two main groups. Irish-American nationalists, emboldened by the visits of Irish leader Eamon de Valera, rejected both Yankees’ support of a postwar Anglo-American alliance and the latter groups’ portrayal of Irish nationalism as a form of Bolshevism. Instead, ably assisted by Catholic Church leaders such as Cardinal William O’Connell, Boston’s Irish nationalists portrayed an independent Ireland as the greatest bulwark against the spread of socialism. As the movement’s popularity spread locally, it attracted the support not only of Irish immigrants, but also that of native-born Americans of Irish descent, including businessman, left-leaning progressives, and veterans of the women’s suffrage movement. For a brief period after World War I, Irish-American nationalism in Boston became a vehicle for the promotion of wider democratic reform. Though the movement was unable to survive the disagreements surrounding the Anglo-Irish Treaty of 1921, it had been a source of ethnic unity that enabled Boston’s Irish community to negotiate the challenges of the postwar years including the anti-socialist Red Scare and the divisions caused by the Boston Police Strike in the fall of 1919. Furthermore, Boston’s Irish nationalists drew heavily on Catholic Church teachings such that Irish ethnicity came to be more clearly identified with the advocacy of both cultural pluralism and the rights of immigrant and working families in Boston and America.

A drunken Irish maid slips and falls. A greedy Jewish pawnbroker lures his female employee into prostitution. An African American man leers at a white woman. These and other, similar images appeared widely on stages and screens across America during the early twentieth century. In this provocative study, M. Alison Kibler uncovers, for the first time, powerful and concurrent campaigns by Irish, Jewish and African Americans against racial ridicule in popular culture at the turn of the twentieth century. Censoring Racial Ridicule explores how Irish, Jewish, and African American groups of the era resisted harmful representations in popular culture by lobbying behind the scenes, boycotting particular acts, and staging theater riots. Kibler demonstrates that these groups' tactics evolved and diverged over time, with some continuing to pursue street protest while others sought redress through new censorship laws. Exploring the relationship between free expression, democracy, and equality in America, Kibler shows that the Irish, Jewish, and African American campaigns against racial ridicule are at the roots of contemporary debates over hate speech.

Compiles information and interpretations on the past 500 years of African American history, containing essays on historical research aids, bibliographies, resources for womens' issues, and an accompanying CD-ROM providing bibliographical entries.

This book punctures the myth that important national civil rights organizing in the United States began with the NAACP, showing that earlier national organizations developed key ideas about law and racial justice activism that the NAACP later pursued.

Shut Out is the compelling story of Boston's racial divide viewed through the lens of one of the city's greatest institutions - its baseball team, and told from the perspective of Boston native and noted sports writer Howard Bryant. This well written and poignant work contains striking interviews in which blacks who played for the Red Sox speak for the first time about their experiences in Boston, as well as groundbreaking chapter that details Jackie Robinson's ill-fated tryout with the Boston Red Sox and the humiliation that followed.