While no single volume can fully explain this issue, Bridges and Boundaries: African Americans and American Jews provides us with a means to challenge, and perhaps even to verify, our sense of the past - and in so doing to better understand the present. Fifteen critical essays by leading historians, scholars, and political and religious figures of this century provide historical overviews of the relationships between African Americans and American Jews. They also represent the diverse attitudes within the two groups, and reflect the multiple voices that have themselves shaped these attitudes. A visual essay that follows links texts and images of more than one hundred works of art and artifacts, first seen in an exhibit at The Jewish Museum, to explore the historical places at which the paths of African Americans and American Jews have crossed in meaningful ways during this century.

While no single volume can fully explain this issue, Bridges and Boundaries: African Americans and American Jews provides us with a means to challenge, and perhaps even to verify, our sense of the past - and in so doing to better understand the present. Fifteen critical essays by leading historians, scholars, and political and religious figures of this century provide historical overviews of the relationships between African Americans and American Jews. They also represent the diverse attitudes within the two groups, and reflect the multiple voices that have themselves shaped these attitudes. A visual essay that follows links texts and images of more than one hundred works of art and artifacts, first seen in an exhibit at The Jewish Museum, to explore the historical places at which the paths of African Americans and American Jews have crossed in meaningful ways during this century.

A celebration of the acclaimed African American modern sculptor

A glimpse into the diverse stories of Black Jews in the United States What makes a Jew? This book traces the history of Jews of African descent in America and the counter-narratives they have put forward as they stake their claims to Jewishness. The Soul of Judaism offers the first exploration of the full diversity of Black Jews, including bi-racial Jews of both matrilineal and patrilineal descent; adoptees; black converts to Judaism; and Black Hebrews and Israelites, who trace their Jewish roots to Africa and challenge the dominant western paradigm of Jews as white and of European descent. Blending historical analysis and oral history, Haynes showcases the lives of Black Jews within the Orthodox, Conservative, Reconstruction and Reform movements, as well as the religious approaches that push the boundaries of the common forms of Judaism we know today. He illuminates how in the quest to claim whiteness, American Jews of European descent gained the freedom to express their identity fluidly while African Americans have continued to be seen as a fixed racial group. This book demonstrates that racial ascription has been shaping Jewish selfhood for centuries. Pushing us to reassess the boundaries between race and ethnicity, it offers insight into how Black Jewish individuals strive to assert their dual identities and find acceptance within their respective communities. Putting to rest the simplistic notion that Jews are white and that Black Jews are therefore a contradiction, the volume argues that we can no longer pigeonhole Black Hebrews and Israelites as exotic, militant, and nationalistic sects outside the boundaries of mainstream Jewish thought and community life. The volume spurs us to consider the significance of the growing population of self-identified Black Jews and its implications for the future of American Jewry.

Despite the Enlightenment's promise of utopian belonging among all citizens, blacks and Jews were excluded from the life of their host countries. In their diasporic exile both groups were marginalized as slaves, aliens, unbelievers, and frequently not fully human. The Identity Question: Blacks and Jews in Europe and America explores the effects of diaspora upon black and Jewish consciousness, demonstrating similar histories of marginality and oppression. Casting off the fixed social categories of an earlier age, Enlightenment thinkers argued that all men in their capacity as citizens of a secular state had the right to full civic participation and equal protection under the law. In theory, such an ideology did not recognize classes or races of men automatically excluded from citizenship. In fact, negative images of blacks and Jews continued to inform European thought and policy, providing a rationale for a thriving slave trade abroad and continued oppression of Jews at home. Thus blacks and Jews were forced to define themselves in accordance with or in opposition to European ideas about who they were. Of necessity, blacks struggled against the stereotypes of black barbarism and bestiality. Jewish intellectuals protested their alleged moral unfitness to participate in society, while proclaiming primary allegiance to their host country rather than to other Jews. Central to this examination are four key autobiographies, two from the late 1700s and two from recent history. The autobiographies of Richard Wright and Alfred Kazin, taken as prime twentieth-century American expressions of racial and ethnic identity, reveal striking similarities to their Enlightenment counterparts in Europe, the black Olaude Equiano and the Jewish Salomon Maimon. Equiano, Maimon, Kazin, and Wright all accept the ultimate desirability of Western culture. All believe in the Enlightenment promise. All were ostracized by the larger political cultures of Great Britain, Germany, and America, but each made an arduous journey from the ethnic margins of language, culture, and "tribal" loyalty to the cosmopolitan center of London, Berlin, Chicago, or New York. These modern European conceptions of black and Jewish identity, as well as the modern forms of racism that came to term in the eighteenth century, entered America whole cloth. Consequently, American intellectual and social history of the twentieth century mirrors the same movements toward acceptance and ostracism that had existed in Enlightenment Europe.

The story of urban growth, the politics of labour, and the relationships among the many immigrant groups who have come to work on the sewing machines of the women's garment industry over the last century. This book is of interest to a range of scholars, including those engaged in labour, immigrant, and women's history.

Youre Jewish, arent you? This blunt question is the way that college freshman Richard Cohn is introduced to an outspoken fellow student named Dov Epstein, who calls himself a Messianic Jew, and believes that God has a special purpose for the Jewish people in these Last Days. Raised by secular Jewish parents, Richard is completely oblivious to his own Jewish background, until this ongoing dialogue forces him to confront his own heritage. The two young men vigorously argue with each other over the interpretation of the Hebrew Bible (particularly its reputed predictions of a Messiah), Christian doctrines such as the Trinity, and most significantly, about the identity and significance of Jesus of Nazareth. The rigorous process of self-examination this initiates leads Richard to embrace his Jewish identity, even as he vehemently denies the same for Dov. The two ultimately become fast friends; but as they progress from an academic environment to the professional world, they are challenged by racist statements made by prominent national figures, anti-Semitic doctrines such as Christian Identity?which teaches that white Anglo-Saxons are the true Israel?and also purported scholars who deny the reality of the Holocaust itself. Circumstances in life connect them with a young Iranian migr named Jahangir Khatami, whose Muslim beliefs conflict strongly with their own. Yet when a violent incident brings the three of them together, they are forced to reexamine not just their differences, but their similarities. While they clash over the ideals of Zionism and its ramifications in the modern State of Israel, they are united in their horror over the terrorist attacks of September 11, 2001. Join a diverse cast of characters (some of whom appeared in the authors earlier book, Beyond Heaven and Earth) in a probing exploration that may help you reconsider just what it means to be Jewish, Christian, or Muslim in the modern world.

In the 1950s, America was seen as a vast melting pot in which white ethnic affiliations were on the wane and a common American identity was the norm. Yet by the 1970s, these white ethnics mobilized around a new version of the epic tale of plucky immigrants making their way in the New World through the sweat of their brow. Although this turn to ethnicity was for many an individual search for familial and psychological identity, Roots Too establishes a broader white social and political consensus arising in response to the political language of the Civil Rights and Black Power movements. In the wake of the Civil Rights movement, whites sought renewed status in the romance of Old World travails and New World fortunes. Ellis Island replaced Plymouth Rock as the touchstone of American nationalism. The entire culture embraced the myth of the indomitable white ethnics—who they were and where they had come from—in literature, film, theater, art, music, and scholarship. The language and symbols of hardworking, self-reliant, and ultimately triumphant European immigrants have exerted tremendous force on political movements and public policy debates from affirmative action to contemporary immigration. In order to understand how white primacy in American life survived the withering heat of the Civil Rights movement and multiculturalism, Matthew Frye Jacobson argues for a full exploration of the meaning of the white ethnic revival and the uneasy relationship between inclusion and exclusion that it has engendered in our conceptions of national belonging.

Discusses the involvement of Jews in the African American struggle for civil rights in the United States, from the first settlers up to the 1990s.

From the colonial era to the present, Marcie Cohen Ferris examines the expressive power of food throughout southern Jewish history. She demonstrates with delight and detail how southern Jews reinvented culinary traditions as they adapted to the customs, landscape, and racial codes of the American South. Richly illustrated, this culinary tour of the historic Jewish South is an evocative mixture of history and foodways, including more than thirty recipes to try at home.