France and Great Britain, so close geographically but separated by language, culture and history, had been exchanging merchandise, visitors, rulers and ideas for hundreds of years before the eighteenth century. The flow of traffic only quickened during this period, and became a flood, in the direction of Great Britain, during the decade following the Revolution. While certain of these exchanges, such as Voltaire’s sojourn abroad, have been studied in detail, others are coming into focus only as scholars study secondary figures in the host country and the interactions of various groups with its citizens. British-French Exchanges in the Eighteenth Century gathers together fourteen recent essays by scholars from Great Britain and the United States who have examined various parameters of the subject. Correspondences and translations are obvious forms of cultural sharing and are in play in many of the essays. Others recount and analyse the stories of persons who actually visited the other country in circumstances ranging from pure tourism to emigration to a hostage exchange. A final group of essays treats intellectual influences in realms as diverse as encyclopaedism, cultural analysis, connoisseurship, and cosmopolitanism in the arts. The volume is appropriate for collections in history, literature, and culture. TABLE OF CONTENTS Part I: Translations and Correspondence 1 Bernardin de Saint-Pierre’s English Correspondents During the French Revolution MALCOLM COOK 2 The English Translations of Voltaire’s La Pucelle J. PATRICK LEE† 3 Enlightened Exchange: The Correspondence of André Morellet and Lord Shelburne DOROTHY MEDLIN and ARLENE P. SHY 4 The Scottish Enlightenment in Action: The Correspondence of William Robertson and J.-B.-A. Suard JEFFREY SMITTEN Part II: Sojourns Abroad 5 ‘The Only Disagreeable Thing in the Whole’: the Selection and Experience of the British Hostages for the Delivery of Cape Breton in Paris, 1748-49 ROBIN EAGLES 6 Peregrinations to the Convent: Hester Thrale Piozzi and Ann Radcliffe TONYA MOUTRAY MCARTHUR 7 Friend or Foe? French Émigrés Discover Britain ROSENA DAVISON 8 ‘Genuine Anecdotes’: Mary Charlton and Revolutionary Celebrity GILLIAN DOW Part III: Intellectual and Artistic Exchanges 9 Two Partial English-Language Translations of the Encyclopédie: The Encyclopedias of John Barrow and Temple Henry Croker JEFF LOVELAND 10 British Biography in the Encyclopédie méthodique: Histoire KATHLEEN HARDESTY DOIG 11 Diderot, Dentistry and British Politics: Two Neglected Pamphlets DAVID ADAMS 12 British and French Influences on Hector St. John de Crèvecoeur’s Letters from an American Farmer DEIDRE DAWSON 13 A Commonwealth of Connoisseurs: British Humanism in the Art and Science of the Ancien Régime ELIZABETH LIEBMAN 14 An Anglo-Swiss Connection in the Age of Voltaire: Jean Huber’s British Friends and Relations GARRY APGAR

Gesa Stedman's ambitious new study is a comprehensive account of cross-channel cultural exchanges between seventeenth-century France and England, and includes discussion of a wide range of sources and topics. Literary texts, garden design, fashion, music, dance, food, the book market, and the theatre as well as key historical figures feature in the book. Importantly, Stedman concentrates on the connection between actual, material transfer and its symbolic representation in both visual and textual sources, investigating material exchange processes in order to shed light on the connection between actual and symbolic exchange. Individual chapters discuss exchanges instigated by mediators such as Henrietta Maria and Charles II, and textual and visual representations of cultural exchange with France in poetry, restoration comedies, fashion discourse, and in literary devices and characters. Well-written and accessible, Cultural Exchange in Seventeenth-Century France and England provides needed insight into the field of cultural exchange, and will be of interest to both literary scholars and cultural historians.

This book examines the intersections between the ways that marriage was represented in eighteenth-century writing and art, experienced in society, and regulated by law. The interdisciplinary and comparative essays explore the marital experience beyond the ‘matrimonial barrier’ to encompass representations of married life including issues of spousal abuse, parenting, incest, infidelity and the period after the end of marriage, to include annulment, widowhood and divorce. The chapters range from these focuses on legal and social histories of marriage to treatments of marriage in eighteenth-century periodicals, to depictions of married couples and families in eighteenth-century art, to parallels in French literature and diaries, to representations of violence and marriage in Gothic novels, and to surveys of same-sex partnerships. The volume is aimed towards students and scholars working in the long eighteenth century, gender studies, women’s writing, publishing history, and art and legal historians.

In this ambitious and original study, Lynn Festa examines how and why sentimental fiction became one of the primary ways of representing British and French relations with colonial populations in the eighteenth century. Drawing from novels, poetry, travel narratives, commerce manuals, and philosophical writings, Festa shows how sentimentality shaped communal and personal assertions of identity in an age of empire. Read in isolation, sentimental texts can be made to tell a simple story about the emergence of the modern psychological self. Placed in conversation with empire, however, sentimentality invites both psychological and cultural readings of the encounter between self and other. Sentimental texts, Festa claims, enabled readers to create powerful imagined relations to distant people. Yet these emotional bonds simultaneously threatened the boundaries between self and other, civilized and savage, colonizer and colonized. Festa argues that sentimental tropes and figures allowed readers to feel for others, while maintaining the particularity of the individual self. Sentimental identification thus operated as a form of differentiation as well as consolidation. Festa contends that global reach increasingly outstripped imaginative grasp during this era. Sentimentality became an important tool for writers on empire, allowing conquest to be portrayed as commerce and scenes of violence and exploitation to be converted into displays of benevolence and pity. Above all, sentimental texts used emotion as an important form of social and cultural distinction, as the attribution of sentience and feeling helped to define who would be recognized as human.

The first modern biography of William Robertson, a key figure of the Scottish EnlightenmentA prominent figure in the Scottish Enlightenment, William Robertson differed from his contemporaries, such as Voltaire, Hume and Gibbon, because he used the critical tools of the Enlightenment to strengthen religion, not to attack it. As an historian, he helped shape 18th-century historiography. As a minister of the Church of Scotland, he sought to make the church fit for a polite age. And, as principal of the University of Edinburgh, he presided over a flourishing of intellectual inquiry in the midst of the Enlightenment. But despite his European fame, he was a controversial figure. Drawing extensively on his unpublished correspondence, Jeffrey Smitten captures both the man and his work in his own words. By foregrounding Robertsons religious outlook, Smitten gives us a more contextualised and nuanced interpretation of Robertson's motives, intentions and beliefs than we have had before.Key Features:Includes new biographical information drawn from archival sources and from all Robertson's largely unpublished correspondenceDiscusses Robertson's works, published and unpublishedAssesses Robertson's achievement based on fresh consideration of all facets of his career as minister, historian and principal

This collection of essays amounts to the definitive guide to eighteenth century economics and is a must for any economist's bookshelves. This book represents four decades of Peter Groenewegen's research of the eighteenth century.

Europe and the British Geographical Imagination, 1760-1830 explores what literate British people understood by the word 'Europe' in the late eighteenth and early nineteenth centuries. Was Europe unified by shared religious heritage? Where were the edges of Europe? Was Europe primarily a commercial network or were there common political practices too? Was Britain itself a European country? While intellectual history is concerned predominantly with prominent thinkers, Paul Stock traces the history of ideas in non-elite contexts, offering a detailed analysis of nearly 350 geographical reference works, textbooks, dictionaries, and encyclopaedias, which were widely read by literate Britons of all classes, and can reveal the formative ideas about Europe circulating in Britain: ideas about religion; the natural environment; race and other theories of human difference; the state; borders; the identification of the 'centre' and 'edges' of Europe; commerce and empire; and ideas about the past, progress, and historical change. By showing how these and other questions were discussed in eighteenth- and nineteenth-century British culture, Europe and the British Geographical Imagination, 1760-1830 provides a thorough and much-needed historical analysis of Britain's enduringly complex intellectual relationship with Europe.

In this book, Maxine Berg explores the invention, making, and buying of new, semi-luxury, and fashionable consumer goods during the eighteenth century. It follows these goods, from china tea ware to all sorts of metal ornaments such as candlesticks, cutlery, buckles, and buttons, as they were made and shopped for, then displayed in the private domestic settings of Britain's urban middling classes. It tells the stories and analyses the developments that led from a global trade in Eastern luxuries beginning in the sixteenth century to the new global trade in British-made consumer goods by the end of the eighteenth century. These new products, regarded as luxuries by the rapidly growing urban and middling-class people of the eighteenth century, played an important part in helping to proclaim personal identities,and guide social interaction. Customers enjoyed shopping for them; they took pleasure in their beauty, ingenuity or convenience. All manner of new products appeared in shop windows; sophisticated mixed-media advertising seduced customers and created new wants. This unparalleled 'product revolution' provoked philosophers and pundits to proclaim a 'new luxury', one that reached out to the middling and trading classes, unlike the elite and corrupt luxury of old. Luxury and Pleasure in Eighteenth Century Britain is cultural history at its best, built on a fresh empirical base drawn directly from customs accounts, advertising material, company papers, and contemporary correspondence. Maxine Berg traces how this new consumer society of the eighteenth century and the products first traded, then invented to satisfy it, stimulated industrialization itself. Global markets for the consumer goods of private and domestic life inspired the industrial revolution and British products 'won the world'.

The essays in this collection examine religion, politics and commerce in Scotland during a time of crisis and turmoil. Contributors look at the effect of the Union on Scottish trade and commerce, the Scottish role in tobacco and sugar plantations, Robert Burns’s early poetry on his planned emigration to Jamaica and Scottish anti-abolitionists.

This book is a sweeping global and intellectual history that radically recasts our understanding of Malthus's Essay on the Principle of Population, the most famous book on population ever written or ever likely to be. Malthus's Essay is also persistently misunderstood. First published anonymously in 1798, the Essay systematically argues that population growth tends to outpace its means of subsistence unless kept in check by factors such as disease, famine, or war, or else by lowering the birth rate through such means as sexual abstinence. Challenging the widely held notion that Malthus's Essay was a product of the British and European context in which it was written, Alison Bashford and Joyce Chaplin demonstrate that it was the new world, as well as the old, that fundamentally shaped Malthus's ideas.