The authors use a long-wave framework to examine the historical evolution of British industrial capitalism since the late-18th century, and present a challenging and distinctive economic history of modern and contemporary Britain. The book is intended for undergraduate courses on the economic history of modern Britain within history, economic and social history, economic history and economic degree schemes, and economic theory courses.

The authors use a long-wave framework to examine the historical evolution of British industrial capitalism since the late-18th century, and present a challenging and distinctive economic history of modern and contemporary Britain. The book is intended for undergraduate courses on the economic history of modern Britain within history, economic and social history, economic history and economic degree schemes, and economic theory courses.

The authors use a long-wave framework to examine the historical evolution of British industrial capitalism since the late-18th century, and present a challenging and distinctive economic history of modern and contemporary Britain. The book is intended for undergraduate courses on the economic history of modern Britain (within history, economic and social history, economic history and economic degree schemes), and economic theory courses.

A primarily historical account of the rise of Renfrewshire in western Scotland as a major force in the European textile industry.

North Staffordshire has been synonymous with the manufacture of pottery for more than 200 years. This book is the first comprehensive business history of the North Staffordshire pottery industry during a critical period in its development, from the nineteenth century to the eve of World War One. Adopting an explicitly regional perspective, the work focuses on the interaction of business structure and business culture in the context of an intensely clustered industry. Major themes include personal capitalism, networks, business strategy and technological change, each explored in terms of the rapidly changing environment faced by the industry in this period. A detailed reconstruction of the structure of the industry is augmented by several important firm case studies, from high-class manufacturers Mintons Ltd to the auxiliary firm of Jesse Shirley & Co. Making a significant contribution to our knowledge of the potteries, the book also provides insights into the nature of industrial districts.

The man who has money will always rule the man who has art... for starving men are weak. Colin Platt's book explores the connection between the great artistic patrons and the artists they commissioned from the Catholic Church in the 11th century to the birth of modernism. It looks at how the great and the rich have used art to bolster political power, ego and at the dependence of princes on great art and writing to shape and claim a historical legacy. The book also examines how changes in socio-economic conditions filter through to artistic endeavour, and why - at any particular time - art flourished in specific geographical locations. There have been patrons of genius in every century: Abbot Desiderius in the 11th, St Bernard in the 12th, Louis IX in the 13th. Tiny, seafaring Portugal has had three. The flourishing of European art is closely linked to periods of economic growth and to peace: in the 18th century, London took over as the commercial capital of the West. When Reynolds, Romney, Gainsborough, Stubbs and West were joined shortly afterwards by William Blake, John Constable and J.M.W. Turner, even the French had to acknowledge the excellence of British art - indisputably

Marching to the beat of punk rock and reggae, Rock Against Racism was a mass movement built in opposition to racism and fascism in 1970s Britain. At a time of severe economic and social crises, RAR, alongside the Anti-Nazi League, organised one of the biggest and most effective political and cultural mobilisations of the post-war period. Expressing itself through spectacular carnivals, concerts, marches and innovative forms of design and communication, RAR combined hard-headed political organisation with the optimism and energy of radical youth culture. Drawing on interviews with activists, supporters and critics, and based on the latest research, Crisis Music explores the nature of this ground-breaking politico-cultural phenomenon. The author explains why RAR seized upon the power and passion of punk and reggae, and how this has helped to shape the boundaries of modern popular music. He also offers, for the first time, a clear picture of the relationship between RAR and its main political sponsor, the Socialist Workers Party. Crisis Music discusses RAR’s place within the left’s often-troubled encounters with popular culture, and draws comparisons with other music-based movements and campaigns, such as the post-war folk revival and Live 8. This book casts light on numerous current debates: about ‘celebrity politics’ and the role of musicians as political spokespeople, for instance, and the links between ethnicity, popular culture and politics. It will be of value to students and researchers in cultural studies, politics and labor history, and to anyone interested in the role of culture in political activity.