From the much-acclaimed novelist and essayist, a beautifully rendered, poignant collection of personal essays, chronicling immigrant and Iranian-American life in our contemporary moment. Novelist Porochista Khakpour's family moved to Los Angeles after fleeing the Iranian Revolution, giving up their successes only to be greeted by an alienating culture. Growing up as an immigrant in America means that one has to make one's way through a confusing tangle of conflicting cultures and expectations. And Porochista is pulled between the glitzy culture of Tehrangeles, an enclave of wealthy Iranians and Persians in LA, her own family's modest life and culture, and becoming an assimilated American. Porochista rebels--she bleaches her hair and flees to the East Coast, where she finds her community: other people writing and thinking at the fringes. But, 9/11 happens and with horror, Porochista watches from her apartment window as the towers fall. Extremism and fear of the Middle East rises in the aftermath and then again with the election of Donald Trump. Porochista is forced to finally grapple with what it means to be Middle-Eastern and Iranian, an immigrant, and a refugee in our country today. Brown Album is a stirring collection of essays, at times humorous and at times profound, drawn from more than a decade of Porochista's work and with new material included. Altogether, it reveals the tolls that immigrant life in this country can take on a person and the joys that life can give.

This is the definitive biography of this extraordinary and controversial superstar, written by Geoff Brown, a former editor of Black Music magazine. For three decades James Brown dominated the changing face of post-war popular black music. Others were as inspirational in the short term, and several of his successors have been bigger pop stars, but none matched Brown's independent authority, sustained influence or commercial longevity. But while another generation danced to the pulse of James Brown, at the end of the eighties the man himself was back in a southern US jail, a country mile or so from where he was incarcerated in his teens. between the two internments is the compelling story if a man who, by reaching from his roots and striving determinedly for himself, came to represent in music and personal power the post-war emancipation of black America. Illustrated with many rare photographs and includes a comprehensive discography.

Nelson George and Alan Leeds have assembled the first comprehensive collection of writings about the late, great Godfather of Soul, creating a fascinating mosaic of the man and the musician. Known as the hardest-working man in show business, James Brown embodied rhythm and blues, funk and soul, and sensuality. His musical innovations in such indelible grooves as “Get Up (I Feel Like Being a) Sex Machine,” “I Got You (I Feel Good),” and “Papa’s Got a Brand New Bag,” transformed American music. To appreciate Brown’s immeasurable influence, to chronicle his professional and personal triumphs and struggles, and to capture his essence, writers from four decades weigh in on the legendary Soul Brother Number One. What emerges is a tribute to a trailblazer—one that no dedicated fan or music history buff will want to be without.

'Will you write in my album?' Many Romantic poets were asked this question by women who collected contributions in their manuscript books. Those who obliged included Byron, Scott, Wordsworth, and Lamb, but also Felicia Hemans, Amelia Opie, and Sara Coleridge. Album Verses and Romantic Literary Culture presents the first critical and cultural history of this forgotten phenomenon. It asks a series of questions. Where did 1820s 'albo-mania' come from, and why was it satirized as a women's 'mania'? What was the relation between visitors' books associated with great institutions and country houses, personal albums belonging to individuals, and the poetry written in both? What caused albums' re-gendering from earlier friendship books kept by male students and gentlemen on the Grand Tour to a 'feminized' practice identified mainly with young women? When albums were central to women's culture, why were so many published album poems by men? How did amateur and professional poets engage differently with albums? What does album culture's privileging of 'original poetry' have to say about attitudes towards creativity and poetic practice in the age of print? This volume recovers a distinctive subgenre of occasional poetry composed to be read in manuscript, with its own characteristic formal features, conventions, themes, and cultural significance. Unique albums examined include that kept at the Grande Chartreuse, those owned by Regency socialite Lady Sarah Jersey, and those kept by Lake poets' daughters. As Album Verses and Romantic Literary Culture shows, album poetry reflects changing attitudes to identity, gender, class, politics, poetry, family dynamics, and social relations in the Romantic period.

Relays the events that took place in October 1962 at a James Brown performance at the Apollo giving background on the Cold War tensions of the time period.

The perfect coming-of-age romance by the most spectacularly funny and original debut voice.My name is Ellie. Ellie Pillai . . . And I suppose I am a little bit weird, but then, aren't we all, just a little bit?Most days, Ellie Pillai is somewhere between invisible, and not very cool - and usually she's okay with that. But suddenly, Ellie feels different. Maybe it's the new boy at school who makes her brain explode into rainbows every time she sees him (and also happens to be going out with her best friend), or maybe it's her new drama teacher, the one who seems to have noticed she exists. Suddenly, her misfit style, her skin colour, her songwriting and all that getting lost in the music in her head seem to be okay too. Because maybe standing out isn't a bad thing after all.'I adored this.' Simon James Green, author of Alex in Wonderland'I loved the fresh and original voice.' Bookseller, Highlights of the Season'A hilarious and heart-warming story.' Aisha Bushby, author of A Pocketful of Stars'Warm, funny and hopeful.' A M Dassu, author of Boy, Everywhere'A fresh, funny, feel-good story.' Rashmi Sirdeshpande

A listing of over 7,500 rock songs presented alphabetically by artist that notes the album the song appeared on, its year of release, the producer, record company, and songwriters. Also briefly describes the song or its popularity and features an index alphabetized by song title.