Spirituality is the core of our humanness, the essence of who we are and how we express our vitality - our aliveness - whether we are religious or not. In Building Heaven on Earth, Dwight Webb encourages readers to challenge religion's claim to be caretakers of our spiritual life. He argues that we are spiritual beings by nature and that our search must first and foremost be inward, and not skyward. He ask readers to consider that it is our soul self within, that expresses our tangible apirit as we choose to act with kindness, compassion, and forgiveness. Dr Webb draws upon his personal experiences as well as his four decades of teaching and research as a Professor of Counseling Psychology in the Graduate School at the University of New Hampshire. His book ask us to claim our human spirit and not relegate it to any religions, cults or other institutions requiring devotion and unquestioned faith. It is in our inner life that we will sort our values, our purpose, and personal meaning. It is in our inner life where we make the decisions and take responsibility for contributing to the common good, as each person builds his or her own heaven on earth.

An exploration of American ideas of utopia through the lens of one millennial's quest to live a more communal life under late-stage capitalism Told in a series of essays that balance memoir with fieldwork, Heaven Is a Place on Earth is an idiosyncratic study of American utopian experiments—from the Shakers to the radical faerie communes of Short Mountain to the Bronx rebuilding movement—through the lens of one woman’s quest to create a more communal life in a time of unending economic and social precarity. When Adrian Shirk’s father-in-law has a stroke and loses his ability to speak and walk, she and her husband—both adjuncts in their midtwenties—become his primary caretakers. The stress of these new responsibilities, coupled with navigating America’s broken health-care system and ordinary twenty-first-century financial insecurity, propels Shirk into an odyssey through the history and present of American utopian experiments in the hope that they might offer a way forward. Along the way, Shirk seeks solace in her own community of friends, artists, and theologians. They try to imagine a different kind of life, examining what might be replicable within the histories of utopia-making, and what might be doomed. Rather than “no place,” Shirk reframes utopia as something that, according to the laws of capital and conquest, shouldn’t be able to exist—but does anyway, if only for a moment.

A much-overlooked aspect of the Gospel of Matthew is the theme of heaven and earth. Rather than being a reverential circumlocution for God, ‘heaven’ in Matthew is part of a highly developed discourse of heaven and earth language. Matthew’s idiolectic way of using heaven language consists of four aspects: 1) a distinction in meaning between singular and plural forms of ouranos; 2) frequent use of the heaven and earth word pair; 3) regular reference to the Father in heaven; and 4) the recurrent use of the Matthean expression, kingdom of heaven. This book examines the historical precedents for each of these aspects and shows in Matthew how they serve one overriding theological purpose: to highlight the tension that currently exists between heaven and earth or God and humanity, while looking forward to its eschatological resolution.

This 365 devotional provides Bible readings for the whole year from trusted the Bible teachers at the Keswick Convention. Featuring well-known speakers such as Alistair Begg, Don Carson, Jonathan Lamb, Peter Maiden and many more, it offers daily encouragement to draw closer to God through his Word. The book is an omnibus of the Food for the Journey Themes series, with a theme for each month of the year. It features three brand new themes that are only available in this volume: Grace, Suffering and The Holy Spirit, and is expertly edited by Elizabeth McQuoid.

Heaven and Hell On Earth

Genuine art has the power to awaken and liberate. The renowned meditation master and artist Chögyam Trungpa called this type of art "dharma art"—any creative work that springs from an awakened state of mind, characterized by directness, unselfconsciousness, and nonaggression. Dharma art provides a vehicle to appreciate the nature of things as they are and express it without any struggle or desire to achieve. A work of dharma art brings out the goodness and dignity of the situation it reflects—dignity that comes from the artist’s interest in the details of life and sense of appreciation for experience. Trungpa shows how the principles of dharma art extend to everyday life: any activity can provide an opportunity to relax and open our senses to the phenomenal world. An expanded edition of Trungpa's Dharma Art (1996), this book includes a new introduction and essay.