Across American history, the question of whose lives are long and healthy and whose lives are short and sick has always been shaped by the social and economic order. From the dispossession of Indigenous people and the horrors of slavery to infectious diseases spreading in overcrowded tenements and the vast environmental contamination caused by industrialization, and through climate change and pandemics in the twenty-first century, those in power have left others behind. Through the lens of death and disease, Building the Worlds That Kill Us provides a new way of understanding the history of the United States from the colonial era to the present. David Rosner and Gerald Markowitz demonstrate that the changing rates and kinds of illnesses reflect social, political, and economic structures and inequalities of race, class, and gender. These deep inequities determine the disparate health experiences of rich and poor, Black and white, men and women, immigrant and native-born, boss and worker, Indigenous and settler. This book underscores that powerful people and institutions have always seen some lives as more valuable than others, and it emphasizes how those who have been most affected by the disparities in rates of disease and death have challenged and changed these systems. Ultimately, this history shows that unequal outcomes are a choice—and we can instead collectively make decisions that foster life and health.

Four different Earths in four different dimensions were left as nothing but lifeless balls of rock and sand after their moons were destroyed. Massive hunks of debris slammed into the planets, ripping away their atmospheres, and extinguishing every last bit of life. With a near infinite number of dimensions, was it beyond the realm of possibility that these four ghost worlds were nothing more than a coincidence, or was it perhaps a coordinated attack, the goal of which was to destroy whoever, or whatever inhabited those worlds? Suspicions and theories abound, but they'll never find the answers they're looking for unless they put boots on the ground. In order for them to do that however, they're going to need some new gear, including space suits, metal detectors and ground penetrating radar. If, as they suspect, these dead worlds truly were inhabited by the race they called the creators, then they not only need to find evidence of their presence on those worlds, but they also need to find out just who it was that attacked them, and more importantly, the reason why. Also, in an effort to repair a relationship that had grown somewhat distant over the years, Jarrod, Derek, Tina, and Sarah invite Patricia to come down to the cabin with them for a little vacation, so they can get things back to the way they were in the early days. While there, they head out to explore an as of yet unexplored dimension. In the process, they find a world that's beautiful beyond anything they could have possibly imagined, but they also find a large supply of an incredibly rare mineral that could just be the key to producing limitless energy. Ghost Worlds is the 8th book in the Unseen Things series.

You live in York UK, you’re thinking of paying a visit, or you just like buildings? Then this new work from John Brooke Fieldhouse is a must have! It’s a guide book. But it’s completely different, it’s not what you’d expect from the city of Vikings, Romans, the medieval, the Civil War, the Georgians, and the Victorians. It’s about the twentieth century and later – right up to 2018. Its buildings – public and private - how they’re designed, engineered, lit, heated, ventilated...and not just buildings, there are 130 plus items, including bridges, a flood barrier, details like windows, seating, handrails, landscaping, paving, all the things we touch when we move through a city, the things that make us feel good or bad. It’s 260 pages, 360 colour photographs, fifteen pages of indexes and an introduction, consisting of unsentimental and unvarnished answers by the author to over 30 questions on the book and York. Answering questions and always asking more. It’s not just the past, it’s all about the present and the future. We spend most of our lives in buildings, they are art, science, psychology and politics so it’s essential we all have our own view about them.

From a New York Times bestseller, a sci-fi “novel of great charm and freshness, with improbable situations, weird complications, vital characters . . . ” (Kirkus Reviews). What if the entire universe happened to be the creation of alien minds? Dreens are extraordinary storytellers—and they can actually make the worlds they imagine come to life—and this is the origin of Earth and the entire known universe. Even though Dreens live far across the universe, the human race has the technology for interstellar travel and the military power to destroy the aliens’ core planet. But Earth itself is only sustained by the continued existence of the Dreens. If the last Dreen dies, all of humanity will disappear! A science fiction adventure showcasing the imagination that made Frank Herbert famous and the wry wit and satire that brought Brian Herbert critical acclaim.

Enjoy this meticulously edited SF Collection, jam-packed with space adventures, dystopian apocalyptic tales and the greatest sci-fi classics: H. G. Wells: The Time Machine The War of the Worlds The Island of Doctor Moreau The Invisible Man… Jules Verne: Journey to the Center of the Earth 20.000 Leagues under the Sea The Mysterious Island… Mary Shelley: Frankenstein The Last Man Edgar Wallace: Planetoid 127 The Green Rust… Otis Adelbert Kline: The Venus Trilogy The Mars Series Malcolm Jameson: Captain Bullard Series Garrett P. Serviss: Edison's Conquest of Mars A Columbus of Space The Sky Pirate… Arthur Conan Doyle: The Professor Challenger Series Francis Bacon: New Atlantis Edwin A. Abbott: Flatland Jack London: Iron Heel The Scarlet Plague The Star Rover… Robert Louis Stevenson: Dr Jekyll and Mr Hyde George MacDonald: Lilith H. Rider Haggard: King Solomon's Mines She William H. Hodgson: The House on the Borderland The Night Land… Edgar Allan Poe: Some Words with a Mummy Mellonta Tauta… H. P. Lovecraft: Beyond the Wall of Sleep The Cats of Ulthar Celephaïs Edward Bellamy: Looking Backward: 2000–1887 Equality… Mark Twain: A Connecticut Yankee in King Arthur's Court Owen Gregory: Meccania the Super-State Margaret Cavendish: The Blazing World Jonathan Swift: Gulliver's Travels William Morris: News from Nowhere Samuel Butler: Erewhon Edward Bulwer-Lytton: The Coming Race James Fenimore Cooper: The Monikins Hugh Benson: Lord of the World Fred M. White: The Doom of London Ignatius Donnelly: Caesar's Column Ernest Bramah: The Secret of the League Arthur D. Vinton: Looking Further Backward Robert Cromie: The Crack of Doom Anthony Trollope: The Fixed Period Cleveland Moffett: The Conquest of America Richard Jefferies: After London Francis Stevens: The Heads of Cerberus Percy Greg: Across the Zodiac David Lindsay: A Voyage to Arcturus Stanley G. Weinbaum: Stories from the Solar System Edward Everett Hale: The Brick Moon Abraham Merritt: The Moon Pool The Metal Monster… C. J. Cutcliffe Hyne: The Lost Continent Lewis Grassic Gibbon: Three Go Back

This volume puts forth an original theoretical framework, the ludonarrative model, for studying video games which foregrounds the empirical study of the player experience. The book provides a comprehensive introduction to and description of the model, which draws on theoretical frameworks from multimodal discourse analysis, game studies, and social semiotics, and its development out of participant observation and qualitative interviews from the empirical study of a group of players. The volume then applies this approach to shed light on how players’ experiences in a game influence how they understand and make use of game components in order to progress its narrative. The book concludes with a frame by frame analysis of a popular game to demonstrate the model’s principles in action and its subsequent broader applicability to analyzing video game interaction and design. Offering a new way forward for video game research, this volume is key reading for students and scholars in multimodality, discourse analysis, game studies, interactive storytelling, and new media.