The material and cultural world in which we now live perhaps represents the end of a process created out of the Enlightenment and the Industrial Revolution. The battles fought over class, ideology and language are represented most clearly in the explosion of new building types during the Century of Revolutions. Lavishly illustrated with photographs, drawings, maps and plans, Buildings and Power analyses architectural form, function and space to explore the reproduction and the subversion of power in the modern city.

The material and cultural world in which we now live perhaps represents the end of a process created out of the Enlightenment and the Industrial Revolution. The battles fought over class, ideology and language are represented most clearly in the explosion of new building types during the Century of Revolutions. Lavishly illustrated with photographs, drawings, maps and plans, Buildings and Power analyses architectural form, function and space to explore the reproduction and the subversion of power in the modern city.

This volume contributes to an understanding of the architecture of societies from prehistory to the present day as a source for social history and sociology. This endeavor is based on a notion of architecture as both document and precondition of social realities, both platform for the self - projection of those in power and an arena for a continuing renegotiation of power, both a medium of codified messages and a means of spatial ordering. The representative aspects of buildings are not left undiscussed, but the focus is on an inquiry into how architectural space and social agency together not only communicated, but reproduced systems of values, views of the world and particular social roles. The volume includes contributions in German as well as English. Joseph Maran is professor at the University of Heidelberg and member of the German Archaeological Institute (Germany). Carsten Juwig is a researcher at the University of Heidelberg (Germany). Hermann Schwengel is professor of sociology at the University of Freiburg (Germany). Ulrich Thaler is a researcher at the Athens Department of the German Archaeological Institute.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This book is an essential resource for engineers and architects involved in the design and construction of tall office buildings. It covers the study and design of power plants specifically for these types of buildings, providing practical advice and solutions. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This book provides a methodological framework to set properly the thermal enhancement and energy efficiency in historical buildings during a renovation process. It describes the unique thermal features of historical properties, closely examining how the building materials, structural elements, and state of conservation can impact energy efficiency, including sample calculations and results. It also describes means and aims of several fundamental steps to improve energy efficiency in historical buildings with an experimentation on a case study. This timely text also introduces leading-edge technologies for enhancing the energy performance of historical buildings, including the potential for integration of co- ad tri-generation though micro-turbines, photovoltaics and solar collectors and their compatibility with architectural preservation.

In an era of brash, expensive, provocative new buildings, a prominent critic argues that emotions—such as hope, power, sex, and our changing relationship to the idea of home—are the most powerful force behind architecture, yesterday and (especially) today. We are living in the most dramatic period in architectural history in more than half a century: a time when cityscapes are being redrawn on a yearly basis, architects are testing the very idea of what a building is, and whole cities are being invented overnight in exotic locales or here in the United States. Now, in a bold and wide-ranging new work, Rowan Moore—former director of the Architecture Foundation, now the architecture critic for The Observer—explores the reasons behind these changes in our built environment, and how they in turn are changing the way we live in the world. Taking as his starting point dramatic examples such as the High Line in New York City and the outrageous island experiment of Dubai, Moore then reaches far and wide: back in time to explore the Covent Garden brothels of eighteenth-century London and the fetishistic minimalism of Adolf Loos; across the world to assess a software magnate’s grandiose mansion in Atlanta and Daniel Libeskind’s failed design for the World Trade Center site; and finally to the deeply naturalistic work of Lina Bo Bardi, whom he celebrates as the most underrated architect of the modern era.