John and George KeatsÑMan of Genius and Man of Power, to use JohnÕs wordsÑembodied sibling forms of the phenomenon we call Romanticism. GeorgeÕs 1818 move to the western frontier of the United States, an imaginative leap across four thousand miles onto the tabula rasa of the American dream, created in John an abysm of alienation and loneliness that would inspire the poetÕs most plangent and sublime poetry. Denise GiganteÕs account of this emigration places JohnÕs life and work in a transatlantic context that has eluded his previous biographers, while revealing the emotional turmoil at the heart of some of the most lasting verse in English. In most accounts of JohnÕs life, George plays a small role. He is often depicted as a scoundrel who left his brother destitute and dying to pursue his own fortune in America. But as Gigante shows, George ventured into a land of prairie fires, flat-bottomed riverboats, wildcats, and bears in part to save his brothers, John and Tom, from financial ruin. There was a vital bond between the brothers, evident in JohnÕs letters to his brother and sister-in-law, Georgina, in Louisville, Kentucky, which run to thousands of words and detail his thoughts about the nature of poetry, the human condition, and the soul. Gigante demonstrates that JohnÕs 1819 Odes and Hyperion fragments emerged from his profound grief following GeorgeÕs departure and TomÕs deathÑand that we owe these great works of English Romanticism in part to the deep, lasting fraternal friendship that Gigante reveals in these pages.

Focusing on Shelley's 'Italian experience', the present study both addresses itself to the living context which nurtured Shelley's creativity, and explores a neglected but essential component of his work. The poet's four years of self-exile in Italy (1818-1822) were, in fact, the most decisive of his career. As he responded to Italy, his poetry acquired a new subtlety and complexity of vision. Endowed with remarkably keen powers of absorption, the poet imaginatively reshaped the rich cultural heritage of Italy and the vital qualities of its landscape and climate.

NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE SEATTLE TIMES This groundbreaking dual biography brings to life a pioneering English feminist and the daughter she never knew. Mary Wollstonecraft and Mary Shelley have each been the subject of numerous biographies, yet no one has ever examined their lives in one book—until now. In Romantic Outlaws, Charlotte Gordon reunites the trailblazing author who wrote A Vindication of the Rights of Woman and the Romantic visionary who gave the world Frankenstein—two courageous women who should have shared their lives, but instead shared a powerful literary and feminist legacy. In 1797, less than two weeks after giving birth to her second daughter, Mary Wollstonecraft died, and a remarkable life spent pushing against the boundaries of society’s expectations for women came to an end. But another was just beginning. Wollstonecraft’s daughter Mary was to follow a similarly audacious path. Both women had passionate relationships with several men, bore children out of wedlock, and chose to live in exile outside their native country. Each in her own time fought against the injustices women faced and wrote books that changed literary history. The private lives of both Marys were nothing less than the stuff of great Romantic drama, providing fabulous material for Charlotte Gordon, an accomplished historian and a gifted storyteller. Taking readers on a vivid journey across revolutionary France and Victorian England, she seamlessly interweaves the lives of her two protagonists in alternating chapters, creating a book that reads like a richly textured historical novel. Gordon also paints unforgettable portraits of the men in their lives, including the mercurial genius Percy Shelley, the unbridled libertine Lord Byron, and the brilliant radical William Godwin. “Brave, passionate, and visionary, they broke almost every rule there was to break,” Gordon writes of Wollstonecraft and Shelley. A truly revelatory biography, Romantic Outlaws reveals the defiant, creative lives of this daring mother-daughter pair who refused to be confined by the rigid conventions of their era. Praise for Romantic Outlaws “[An] impassioned dual biography . . . Gordon, alternating between the two chapter by chapter, binds their lives into a fascinating whole. She shows, in vivid detail, how mother influenced daughter, and how the daughter’s struggles mirrored the mother’s.”—The Boston Globe

The Encyclopedia of Cremation is the first major reference resource focused on cremation. Spanning many world cultures it documents regional histories, ideological movements and leading individuals that fostered cremation whilst also presenting cremation as a universal practice. Tracing ancient and classical cremation sites, historical and contemporary cremation processes and procedures of both scientific and legal kind, the encyclopedia also includes sections on specific cremation rituals, architecture, art and text. Features in the volume include: a general introduction and editorial introductions to sub-sections by Douglas Davies, an international specialist in death studies; appendices of world cremation statistics and a chronology of cremation; cross-referencing pathways through the entries via the index; individual entry bibliographies; and illustrations. This major international reference work is also an essential source book for students on the growing number of death-studies courses and wider studies in religion, anthropology or sociology.

It is his clear-sightedness, his candour, his steely strength of will, the immediacy of his writing, his insolence and cynicism, his love of liberty, his hatred of hypocrisy, his originality, his rational enlightened toughness which attached Byron to the present age as much as to his own. Leslie Marchand's profound knowledge of his subject is unrivalled. His superb biography gives us an engrossing and utterly convincing portrait of a genius - a man who more than any other, fulfilled in his brillance, passion and creativity, the ideal of the Romantic Hero. One cannot but be won over by the sensitive, infinitely complex which Leslie Marchand uncovers. . . he gives us the essential Byron. . The spell of this strange, unquiet, blazingly honest and infinitely endearing man, is powerful ' Selina Hastings. Daily Telegraph