Bulls in the China Shop is an engagingly anecdotal, lucidly written account of the tragicomic cultural and political misadventures that have plagues American commercial ventures over the past two decades in the People’s Republic of China. When diplomatic tensions between the two countries were eased in the 1970s, American businesses rushed to China, lured by the world’s largest national market. As they tried to introduce capitalism to China’s socialist society they soon discovered that the rules of business, as they understood them, did not apply. Chinese buyers placed huge orders for which they had no money to pay: Chinese marketing bore no relation to capitalist exigencies—playing cards were named “Maxipuke” (pu-ke: poker), designer men’s underwear, “Pansy”; million-dollar projects already underway were cancelled without warning. The Chinese, in turn, were astonished by the indiscretion of the Americans, who prized “directness” above all in negotiations and were at once brash and guileless in exposing weaknesses in their own bargaining positions. Like Mark Twain’s innocents, Americans were woefully ignorant of Chinese etiquette, and prone to embarrassing gaffes. And more: the Chinese found the American insistence on lengthy, detailed contracts fatuous, if not insulting. Bulls in the China Shop is a fascinating look at the uneasy commerce between American and China—between capitalism and socialism—and at the cultural, political, and historical significance of trade between the two nations.

If questions of subjectivity and identification are at stake in all biographical writing, they are particularly trenchant for contemporary women biographers of women. Often, their efforts to exhume buried lives in hope of finding spiritual foremothers awaken maternal phantoms that must be embraced or confronted. Do women writing in fact have any greater access to their own mothers' lives than to the lives of other women whose stories have been swept away like dust in the debris of the past? In Thinking through the Mothers, Janet Beizer surveys modern women's biographies and contemplates alternatives to an approach based in lineage and the form of thought that emphasizes the line, the path, hierarchy, unity, resemblance, reflection, and the aesthetic-mimesis-that depends on these ideas. Through close readings of memoirs and fictions about mothers, Beizer explores how biographers of the women who came before rehearse and rewrite relationships to their own mothers biographically as they seek to appropriate the past in a hybrid genre she calls "bio-autography." Thinking through the Mothers features the work of George Sand and Colette and spans such varied figures as Gustave Flaubert, Julian Barnes, Louise Colet, Eunice Lipton, Vladimir Nabokov, Huguette Bouchardeau, and Christa Wolf. Beizer seeks an alternative to women's "salvation biography" or "resurrection biography" that might resist nostalgia, be attentive to silence, and reinvent the means to represent the lives of precursors without appropriating traditional models of genealogy.

Banaras has been home to sages, artists, poets, musicians and seekers from all parts of India. The ancient canon of texts passed down orally by the sages was written and transcribed in the lanes and by-lanes of this city. Over the centuries, the art of grafting and subsuming the religious and cultural ethos became the hallmark of Banaras. In this book, Vertul Singh presents a kaleidoscopic view of Banaras that charts a narrative spanning from the present-day city and its origins as Kashi to the fin de siècle of the eighteenth and nineteenth centuries, which witnessed the city’s inclusionary development as a cultural and pilgrimage centre, an opulent trading hub and a basilica of political power. Weaving facts, interesting anecdotes and untold stories to make a rich tapestry, this book is an insider’s account and an unparalleled portrait of the city.

The body of a young woman was found – stumbled over would be more correct – by a fisherman returning home at first light after a night spent angling off the beach between Torrox Costa and Nerja. Because the body was naked and the head had been shaved clean of hair, he had literally not noticed her against the sand on which she lay. Malaga Mysteries is a feast of thirty-two thought-provoking short stories set on the Costa del Sol, written by ex-pat author John Hardy, who has lived in the region for 20 years. Packed with tales of murder, extortion, robbery, obsession and people trafficking, all have a twist in the tail. They are also all written with a light touch and a dash of humour. “The stories themselves are all fictional, but many of the events are based on actual incidents, some of which happened to or were witnessed by myself,” says author John. The anthology gives a real flavour of Spain – from the beaches of the Costa del Sol to the mountainous hinterland. The day-to-day life, the celebrations and the interplay between the locals, ex-pats and hordes of holidaymakers who together inhabit the region blend together in this highly enjoyable fiesta of a book. This collection brings together all of John Hardy’s earlier short stories, originally published as separate anthologies, into one must-have volume, as well as encorporating two new stories.

List of members in each volume.

List of members in each volume.