The Oxford Handbook of John Bunyan is the most extensive volume of original essays ever published on the seventeenth-century nonconformist preacher and writer, John Bunyan. Its thirty-eight chapters examine Bunyan's life and works, their religious and historical contexts, and the critical reception of his writings, in particular his allegorical narrative, The Pilgrim's Progress. Interdisciplinary and comprehensive, it provides unparalleled scope and expertise, ranging from literary theory to religious history and from theology to post-colonial criticism. The Handbook is structured in four sections. The first, 'Contexts', deals with the historical Bunyan in relation to various aspects of his life, background, and work as a nonconformist: from basic facts of biography to the nature of his church at Bedford, his theology, and the religious and political cultures of seventeenth-century Dissent. Part 2 considers Bunyan's literary output: from his earliest printed tracts to his posthumously published works. Offering discrete chapters on Bunyan's major works - Grace Abounding to the Chief of Sinners (1666), The Pilgrim's Progress, Parts I and II (1678; 1684); The Life and Death of Mr. Badman (1680), and The Holy War (1682) - this section nevertheless covers Bunyan's oeuvre in its entirety: controversial and pastoral, narrative and poetic. Section 3, 'Directions in Criticism', engages with Bunyan in literary critical terms, focusing on his employment of form and language and on theoretical approaches to his writings: from psychoanalytic to post-secular criticism. Section 4, 'Journeys', tackles some of the ways in which Bunyan's works, and especially The Pilgrim's Progress, have travelled throughout the world since the late seventeenth century, assessing Bunyan's place within key literary periods and their distinctive developments: from the eighteenth-century novel to the writing of 'empire'.

A comprehensive introduction to Bunyan's life and works, examining their place in the broader context of seventeenth-century history and literature.

Bunyan's works re-evaluated, and considered in their Restoration and non-conformist context. This book undertakes a major reassessment of the works of John Bunyan [1628-88], the nonconformist author of The Pilgrim's Progress, who was imprisoned for preaching his beliefs. Through a reading of each of his narratives, and many of his pastoral writings, both in textual detail and in relation to the various traditions - such as Reformed spirituality and the nonconformist trial - within which he lived, preached, and wrote, the author offers a systematic re-evaluation of Bunyan's development as an author. She presents new perspectives on his most popular works, Grace Abounding and The Pilgrim's Progress, whilst arguing that the significance of the lesser-known Life and Death of Mr Badman and The Holy War has been severely underestimated; and she shows how overall the works offer a candid document of nonconformist experience in the Restoration period.

First published in 1997, this volume is an attempt to prise open the name of John Bunyan. It aims to examine the operations of that name, to explore the discursive techniques which produced the figure of this author, both in the seventeenth century and later, and to identify the different meanings which have been ascribed to it in the history of its production. It may be read as a ‘Dear John’ letter to the author, or as an exercise in cultural materialism which examines the production and reproduction of a particular figure of authority, the author, within specific cultural formations at different historical moments.

John Bunyan (1628-88) lived and wrote through some of the most turbulent years of political, social, and religious change in British history from civil war, through Commonwealth and Protectorate to the Restoration. Imprisoned for unlicensed preaching as a Nonconformist, Bunyan turned to writing to sustain his pastoral mission and composed some of the best-known, and most critically acclaimed, seventeenth-century texts, from his intensely moving spiritual autobiography, Grace bounding to the Chief of Sinners, to the world famous allegory The Pilgrim's Progress. Bunyan's style fused vivid depiction of the everyday world of ordinary men and women with powerful narratives to dramatise his religious convictions. This accessible study of his life, times, and writing introduces all his key works within the contexts of their original moment and later international impact and argues that Bunyan is a writer whose work continues to reward readers of all ages, beliefs, and nationalities.

This volume of original essays is designed to be of interest to students not only of Bunyan, but of the history, religion and literature of the seventeenth century

Robert McKelvey argues that John Bunyan wrote The Holy War as a warfare allegory symbolizing the salvation history of Scripture from a Calvinistic-covenantal perspective. In this cosmic drama of redemption, the "Histories That Mansoul, and her Wars Anatomize" include the individual-soteric-microcosmic level or ordo salutis unfolding analogous to the redemptive-historical-macrocosmic level or historia salutis. The eternal covenant of redemption provides the foundation for this history of salvation, which progresses from creation to the anticipation of consummation. This scheme finds its roots in the Puritan philosophy of "universal history" which sees all historical events serving God's redemptive purposes. The individual, through union with Christ founded on election, participates in the drama by inclusion within the trans-historical covenant of grace. As a depiction of cosmic war, The Holy War sets forth the enmity between the church and Antichrist, which is representative of the greater battle between Christ and the devil from Genesis to Revelation. As a pastoral guide to persecuted saints, Bunyan retrospectively rehearses the history of redemption to grant comfort. In addition, he prospectively reveals the consummation of redemption to encourage perseverance and instil eschatological hope. This thesis is substantiated contextually through Bunyan's life and writings, historiographically by surveying the history of Holy War interpretation, pre-textually by examining the introduction to the allegory, and textually by analyzing the allegory itself.

Awarded the 2007 National Research Prize SAES/AEFA. This study is a reappraisal of John Bunyan in the light of the dissenting religious culture of the late-seventeenth century. Charges of schism and fanaticism were repeatedly levelled against Bunyan, both from within the dissenting community and without, but far from being chastened by these accusations, Bunyan responded with a religious discourse marked by a rhetoric of excess. The focus of this book is therefore upon Bunyan's overwhelming spiritual experiences, especially the representation of torment, in his literary and polemical works. The believers' suffering was an obsessive concern of dissenting ministers, even to the point where their writings are often remembered today for little else. Hitherto, most scholars have termed all the mental states that they invoke 'despair', but this simplifies the experiences at issue. A wealth of contemporary material helps to restore the nuances of seventeenth-century physical and spiritual conditions, from enthusiasm to melancholy and madness; from fear to desertion and sloth. These chapters explore fresh ways in which this subtle typology of torment and its extreme manifestations form the core of the literary expression of Restoration dissent, challenging Bunyan to represent spiritual equilibrium as the ultimate quest of the earthly pilgrimage.

Four years after John Bunyan released his instantly popular journey allegory The Pilgrim's Progress, he published The Holy War--a battle allegory and companion volume. His first book explores salvation of the individual Christian; the second portrays the battle for sanctification. While Christian struggles with questions about assurance of salvation, the collective Mansoul labors with the challenges of being led by and filled with the Holy Spirit. The Pilgrim's Progress focuses on the individual's struggle against sin; The Holy War portrays the Church in a corporate struggle against systemic evil. Bunyan wrote that The Holy War originates in "the same heart, and head, fingers and pen" as The Pilgrim's Progress. Both books present separate dimensions of Bunyan's spiritual journey. Taken together, the journey allegory and the battle allegory capture the full range and depth of the biblical message that consumed Bunyan's imagination. He credits his own salvation to these two things: The grace of God and tenacious, continual, holy warfare. The Holy War is testimony to a spiritual battle he fought, and won. This edition provides annotations that clarify Bunyan's first edition language and message for readers in a post-Puritan world.