When Writer's Block Strikes...How do You Break-Free? ★Authors, Writers, Creatives! Unleash Your Creativity: Finally Crush Writer's Block. Have you ever experienced dreaded writer's block, a torment that haunts new and experienced writers alike... the frustration of staring at a blank page, the fear of abandoning your half-finished masterpiece, or the overwhelming feeling of not even knowing where to begin? Fear Not, it doesn't have to be that Way. Introducing Caryl Westmore, the world's first "Emotional Freedom Tapping Book Coach." With her guidance, countless clients like you have broken free from what she calls life's sabotaging "goal stoppers." And yes, that includes writer's block. This book offers proven methods that have transformed the careers of many successful writers. One technique helped a million-dollar screenwriter finally break free after feeling trapped for weeks in writer's block. Released, he went on to win an Academy Award for the timeless classic "Sleepless in Seattle." Another tool enabled Elizabeth Gilbert, acclaimed author of Eat Pray Love, to overcome feeling creatively paralyzed with self-doubt (as she told Oprah) after her bestselling book was optioned for a movie starring Julia Roberts. You Will Learn: The Causes of Writer's Block. The Solutions like: Questioning your beliefs. Self-soothing your anxiety. Banishing your Silent Saboteurs. Tapping away Writer's Block. Refashioning your identity and story. Healing blocked "Parts." Calling back your power with three magic sentences. A bonus chapter on ChatGPT, proves that you must not fear, but befriend, AI and ChatGPT as your Creative Catalyst and Collaborator. Simple and Practical Caryl takes a complex subject and makes it simple to put into practice. Say goodbye to sleepless nights, endless frustration, and unfinished manuscripts. Unleash a world of inspiration, imagination, and endless possibilities. Praise: "Caryl Westmore has created an incredibly useful resource for permanently banishing causes of the many problems misidentified as writer's block. Her clear, compassionate explanations of how to use a variety of powerful tools, including Logosynthesis®, will help writers release their own energy to focus on, manage and complete their projects." Dr. Laurie Weiss, author, Letting It Go: Relieve Anxiety and Toxic Stress In Just a Few Minutes Using Only Words. Are you ready to finally ditch Writer's Block? You'll love the case studies and stories throughout the book, especially how the author fell in love and almost danced with ChatGPT. Grab your copy today!

Have you thought about writing a book? Do you just not know where to begin? Do you get writer's block just thinking about writing a book? Best-selling non-fiction author David Kadavy shares his simple process for writing a book. Build confidence, ditch your inner critic, and finally write your book with simple habits you can start today. You can read this short read (~7,000 words) in about 30 minutes, so it won't get in the way of the one thing standing between you and your book: Action! Download today and make the book you've dreamed of a reality. Now includes a free sample chapter of David Kadavy's latest book, The Heart to Start.

Want to break writer’s block forever? This jam-packed writing & plot prompt guide is all that you need! Getting you creatively inspired, unblocked, and ready to write is what this reference tool is all about. From the #1 bestselling author who created the 4.3 star rated writer’s guide, All About Copywriting: 55 Easy Edits to Improve Your Writing Skills Forever, this 50K word reference tool is bursting at the seams with prompts to help you start writing and start writing now! Thousands of inspiring ideas, ideas that are all yours and free to use in any which way you want. We’ve all been there. Sat down and eager to write only to find that we’re annoyingly blocked. Feeling inert and uninspired is a place that writers know all too well. Whether you are a beginner or a seasoned author, writer’s block can strike at any time. Indeed, for some writers, that period of not knowing what to write, or an inability to just get started, can be a frustrating part of their process. But what if there was a simple and easy way to simply blast through writer’s block and get those creative juices flowing again? What if you had access to over 3000 open-ended, intriguing and imaginative writing prompts? And what if you also had access to a simple and easy technique to create your own? Take control of writer’s block and never suffer from it again This jam-packed reference tool will not only bombard you with creative writing and plot ideas, but it will also show you how write your own prompts. Prompts you can be working on when commuting, when stuck in a queue, or even when visiting the toilet! Prompts and ideas that you can develop without the pressure of having to write. Why should you buy this book? This 3000 Writing & Plot Prompts reference tool and guide is a must-have for blocked writers who just want to get on and write without all that mucking about staring into the distance and hoping inspiration will strike. ^^^Take charge of your writing and buy this book today!^^^

This book is amazing it was not put together over night it is a combination of my blood, sweat, & tears through the process of composing this book. It’s very special work of art maybe 1% of the whole book is a bit left field so I apologize in advance... as you read you’ll get an idea when this book was first put together I have been working on it going on 7 years. It has been a constant creation well worth your time...

I begin with a disclaimer. Should you not be up for exploring a coup de litterature, then simply stop right here. If you are curious, enjoy an outrageous story, bizarre characters and tons of giggles, press on. May I introduce myself? I am Lord Reginald Quinton Leary, the author and the one to blame. I was faced with a unique, almost insoluble problem. I had a wonderfully strange and funny little caper peopled with outrageous characters that begged to be shared. My problem was how to get the story on paper. You see I am just short of a hundred and seventy-five years old. That is correct, dear reader; I am a full fledged, card carrying member of the spirit world. Now you understand my problem. How does a spectral presence write a book? I made feeble attempt after feeble attempt. I needed help. One of our little gang was Clive Brigham, a very successful English author, intelligent, handsome, witty and terminally horny. Naturally I turned to him for help. Wrong! He was much too concerned with the visions of merkins that danced in his head. The next most obvious choice for assistance in our gang was a very successful Irish publisher, Seamus Cullen. Again, wrong! He was far too busy with his delusions of grandeur and being a professional Irishman. I was ready for a padded room. Then suddenly: a Zen moment. Tradition and redundancy be damned! I will be my own ghost writer. There always has to be a first. So I began with a vengeance my reinvigorated effort. I will do the bloody thing myself. Ghost writer; Hmmm; I like the sound of that. Let’s begin with my favorite subject; me. I was born inEnglandinto the titled Leary family. Some distant relative supposedly fought in the Norman Conquest and was awarded English land for his faithful service. Castle Leary was built and the noble Leary lineage had begun. Generations later when I was a mere puppy in residence, pater was off fighting withWellingtonatWaterloo. He was unfortunately standing too close to his battery of cannon when a volley completely scrambled his marbles. He returned from the wars with an un-diagnosed medical condition: almost continual sexual arousal. He remained, into his dotage, an aberrant, drooling, over sexed war hero with a bulge in his baggy tweeds. About this time, mores be damned, I decided to wear one of Mother’s lovely frocks to a royal ball atBalmoralCastleinScotland. The Empire almost collapsed. I would have been racked in the Tower were it not for mater and pater’s influence in the closet of the House of Lords. Mercifully, I was exiled to GlenLeary inIrelandto watch over the Leary estate. I still think all the fuss was because I was the prettiest one at the ball. One weekend, long after I should have ceased such falderal, I climbed on the back of a great bay brute and rode off to the music of the hounds. At the first fence, the bay and I parted company. Yours truly made a balloon ascension and then attempted to lunch on the stone fence - time for the big dirt nap. When I came around I realized, as Seamus is fond of saying, I had taken up residence among the Banshees. I lingered and became GlenLeary’s famous or infamous, depending on your point of view, spectral resident. GlenLeary lingered as well and it was a race to see which of us could use the most patching plaster. Finally and gratefully, the fourth member of our gang arrived on the scene, a rich American, business woman, Hanna Denning. She suggested to the Georgian Society and the National Trust that a bed and breakfast would help save the grand old place and make it pay. Today we are one ofIreland’s most popular tourist accommodations. The next step was the Georgian Society’s wisdom in sending us the final member of our merry little band, James O’ Brian. He is a handsome young Irish Concierge who, as it turned out is not only a wonderful chef, oenophile and gentleman b

New Kids on the Block 40th Anniversary celebrates the boys, the fan culture, and the music they created through interviews, photos, and more.

Deanna Fernie analyzes the significance of sculpture in Hawthorne's fiction through the recurring motif of the fragment in its double guise as ruin and project. Her book casts new light on Hawthorne's memorable ruined and unfinished images, from the rough-hewn figurehead of 'Drowne's Wooden Image' (1844) to the tattered letter 'A' in the unfinished loft of the Custom House in The Scarlet Letter (1850) and the unfinished bust of Donatello in The Marble Faun (1860). Fernie shows how the tension between the formed and unformed enabled Hawthorne to interrogate the origins and the distinctive possibilities of art in America in relation to established European models. At the same time, she suggests that sculpture challenged and provoked Hawthorne's shaping of his own specifically literary art, stimulating him to develop its capacities for expressing irresolution and change. Fernie establishes the intellectual contexts for her study through a discussion of sculpture and fragmentary form as revealed in American, British, and Continental thought. Her book will be an important text not only for American literature scholars but also for anyone interested in British and Continental Romanticism and the intersections of art and literature.