Iconoclasm, the debate about the legitimacy of religious art that began in Byzantium around 730 and continued for nearly 120 years, has long held a firm grip on the historical imagination. Byzantium in the Iconoclast Era is the first book in English to survey the original sources crucial for a modern understanding of this most elusive and fascinating period in medieval history. It is also the first book in any language to cover both the written and the visual evidence from this period, a combination of particular importance to the iconoclasm debate. The authors, an art historian and a historian who both specialise in the period, have worked together to provide a comprehensive overview of the visual and the written materials that together help clarify the complex issues of iconoclasm in Byzantium.

Law was central to the ancient Roman conception of themselves and their empire. Yet what happened to Roman law and the position it occupied ideologically during the turbulent years of the Iconoclast era, c.680-850, is seldom explored and little understood. This volume uses Roman law and canon law to chart the various responses to these changing times - especially the rise of Islam, from Justinian II's Christocentric monarchy to the Old Testament-inspired Isauriandynasty - and the transformation from the late antique Roman Empire to medieval Byzantium.

This collection addresses royal motherhood across Europe, from both the medieval and Early Modern periods, including (in)famous and not-so-famous royal mothers. The essays in this collection reveal the complexities and the subtleties inherent in the role of royal mothers and challenges these traditional stereotypes. The volume provides a fresh re-evaluation of these women, from those who have been given an almost saintly status to those who struggled against contemporary chronicles and propaganda that perpetuated the stereotypes associated with ‘bad mothers’– these particular images of saintliness and wickedness have persisted right into the modern era. This series of intriguing case studies reveals how royal mothers were perceived by their contemporaries and explores the motivation for the ways in which they are depicted in modern popular culture. Taken together with the companion volume, Royal Mothers and their Ruling Children, this collection sheds new light on the important and challenging role of mothers within the framework of monarchy and at the epicenter of power.

The ninth-century Chronographia of George the Synkellos and Theophanes is the most influential historical text ever written in medieval Constantinople. Yet modern historians have never explained its popularity and power. This interdisciplinary study draws on new manuscript evidence to finally animate the Chronographia’s promise to show attentive readers the present meaning of the past. Begun by one of the Roman emperor’s most trusted and powerful officials in order to justify a failed revolt, the project became a shockingly ambitious re-writing of time itself—a synthesis of contemporary history, philosophy, and religious practice into a politicized retelling of the human story. Even through radical upheavals of the Byzantine political landscape, the Chronographia’s unique historical vision again and again compelled new readers to chase after the elusive Ends of Time.

In a searching challenge to the paradigm of medieval Christian dualism, this study reenvisions the Paulicians as largely conventional Christians engendered by complex socio-religious forces in the borderlands of Armenia and Asia Minor.

Taken together, these two volumes collect seventy-five essays written by Professor Andrew Louth over a forty-year period. Louth's contribution to scholarship and theology has always been significant, and these essays have been collected from journals and edited collections, many of which are difficult to access, and are here made available over two thought-provoking and wide-ranging volumes. Volume I focuses on a variety of topics in Patristics, or early Christian studies. In these essays, Louth discusses early Christian thinkers from the early second century through to Photios of Constantinople in the east (in the tenth century) and Thomas Aquinas in the west (in the thirteenth century). Constant figures who appear at the heart of these volumes are Maximos the Confessor (c.580 - 662) and John of Damascus (676-749).

These days many evangelicals are exploring the more sacramental, liturgical, and historically-conscious church traditions, including Roman Catholicism and Eastern Orthodoxy. This hunger for historical rootedness is a welcome phenomenon--but unfortunately, many assume that this need can only be met outside of Protestant contexts.?? In What it Means to Be Protestant, Gavin Ortlund draws from both his scholarly work in church history and his personal experience in ecumenical engagement to offer a powerful defense of the Protestant tradition. Retrieving classical Protestant texts and arguments, he exposes how many of the contemporary objections leveled against Protestants are rooted in caricature. Ultimately, he shows that historic Protestantism offers the best pathway to catholicity and historical rootedness for Christians today.?? In his characteristically charitable and irenic style, Ortlund demonstrates that the 16th century Reformation represented a genuine renewal of the gospel. This does not entail that Protestantism is without faults. But because it is built upon the principle of semper reformanda (always reforming), Protestantism is capable of reforming itself according to Scripture as the ultimate authority. This scholarly and yet accessible book breaks new ground in ecumenical theology and will be a staple text in the field for many years to come.

"A ground-breaking collection of essays regarding the history, implementation and challenges of using "antisemitism" and related terms as tools for both historical analysis and public debate. A unique, sophisticated contribution to current debates in both the academic and the public realms regarding the nature and study of antisemitism today"--

Examines the role of the Virgin Mary in Byzantine society, focusing on religious texts that promoted her cult.

Innovative study re-positioning the Adriatic as a liminal region between different cultures and faiths before the heyday of Venice.