Innovative study re-positioning the Adriatic as a liminal region between different cultures and faiths before the heyday of Venice.

Early Medieval Venice examines the significant changes that Venice underwent between the late-sixth and the early-eleventh centuries. From the periphery of the Byzantine Empire, Venice acquired complete independence and emerged as the major power in the Adriatic area. It also avoided absorption by neighbouring rulers, prevented serious destruction by raiders, and achieved a stable state organization, all the while progressively extending its trading activities to most of northern Italy and the eastern Mediterranean. This was not a linear process, but the Venetians obtained and defended these results with great tenacity, creating the foundations for the remarkable developments of the following centuries. This book presents the most relevant themes that characterized Venice during this epoch, including war, violence, and the manner in which ‘others’ were perceived. It examines how early medieval authors and modern scholars have portrayed this period, and how they were sometimes influenced by their own ‘present’ in their reconstruction of the past.

Although often mentioned in textbooks about the Carolingian and Byzantine empires, the Treaty of Aachen has not received much close attention. This volume attempts not just to fill the gap, but to view the episode through both micro- and macro-lenses. Introductory chapters review the state of relations between Byzantium and the Frankish realm in the eighth and early ninth centuries, crises facing Byzantine emperors much closer to home, and the relevance of the Bulgarian problem to affairs on the Adriatic. Dalmatia’s coastal towns and the populations of the interior receive extensive attention, including the region’s ecclesiastical history and cultural affiliations. So do the local politics of Dalmatia, Venice and the Carolingian marches, and their interaction with the Byzantino-Frankish confrontation. The dynamics of the Franks’ relations with the Avars are analysed and, here too, the three-way play among the two empires and ‘in-between’ parties is a theme. Archaeological indications of the Franks’ presence are collated with what the literary sources reveal about local elites’ aspirations. The economic dimension to the Byzantino-Frankish competition for Venice is fully explored, a special feature of the volume being archaeological evidence for a resurgence of trade between the Upper Adriatic and the Eastern Mediterranean from the second half of the eighth century onwards.

Venice and Its Neighbors from the 8th to 11th Century offers an account of the formation and character of early Venice, drawing on archaeological evidence from Venice and related sites, and written sources. The volume covers topics including: Venice’s role within the Byzantine exarchate of Ravenna during the 7th century; its independence in the mid-8th century; and its position as a dominant European and Mediterranean power. The work also discusses the birth of neighbouring communities of the northern Adriatic zone relevant to the rise of Venice. Contributors are Francesco Borri, Silvia Cadamuro, Alessandra Cianciosi, Elisa Corrò, Stefano Gasparri, Sauro Gelichi, Cecilia Moine, Annamaria Pazienza, Sandra Primon, and Chiara Provesi.

An extraordinary chronicle of Venice, its people, and its grandeur Thomas Madden’s majestic, sprawling history of Venice is the first full portrait of the city in English in almost thirty years. Using long-buried archival material and a wealth of newly translated documents, Madden weaves a spellbinding story of a place and its people, tracing an arc from the city’s humble origins as a lagoon refuge to its apex as a vast maritime empire and Renaissance epicenter to its rebirth as a modern tourist hub. Madden explores all aspects of Venice’s breathtaking achievements: the construction of its unparalleled navy, its role as an economic powerhouse and birthplace of capitalism, its popularization of opera, the stunning architecture of its watery environs, and more. He sets these in the context of the rise and fall of the Byzantine Empire, the endless waves of Crusades to the Holy Land, and the awesome power of Turkish sultans. And perhaps most critically, Madden corrects the stereotype of Shakespeare’s money-lending Shylock that has distorted the Venetian character, uncovering instead a much more complex and fascinating story, peopled by men and women whose ingenuity and deep faith profoundly altered the course of civilization.

The Adriatic is ‘the small Mediterranean’ – a sea within a sea, part of the Mediterranean and at the same time detached from it, a largely enclosed sea with stunning coastlines and a long history of commercial, political and cultural exchange. Silent witness to the flow of civilizations, the Adriatic is the meeting point of East and West where many empires had their frontiers and some overlapped. With Italy on one side and the Balkans on the other, the Adriatic is the area where the Latin West became intertwined with the Greek and Ottoman East. This book tells the history of the Adriatic from the first cultures of the Neolithic Age through to the present day. All of the great civilizations and cultures that bordered and crossed the Adriatic are discussed: Ancient Greece and Rome, Byzantium and the Holy Roman Empire, Venice and the Ottomans, Catholicism, Orthodox Christianity and Islam. Byzantium was replaced by Venice, queen of the Adriatic, which reached its zenith at the beginning of the sixteenth century and maintained commercial and military hegemony in its Gulf, sharing the sea with the Turks, the Habsburgs, the Pope and the Spanish vice-kingdom of Naples. It was Napoleon who ended Venice’s reign in 1797. In the nineteenth century, the Austrian Empire prevailed, and Central Europe reached the Mediterranean through the Adriatic. United Italy placed its most symbolic frontier in the eastern Adriatic, clashing with Austria-Hungary in the First World War. The twentieth century was marked by the prolonged conflicts and eventually peace between Yugoslavia, Albania and Italy. Today the Adriatic is a region increasingly integrated into the European Union, experiencing a new era of cooperation following the dramatic collapse of Yugoslavia. Across centuries, this book illustrates the rich cultural and artistic heritage of diverse civilizations as they left their mark on the cities, shores and states of the Adriatic.

'Norwich has loved and understood Venice as well as any other Englishman has ever done' Sunday Times 'Will become the standard English work of Venetian history' Financial Times ___________________ Renowned historian, and author of A Short History of Byzantium, John Julius Norwich's classic history of Venice A History of Venice tells the story of this most remarkable of cities from its founding in the fifth century, through its unrivalled status for over a thousand years as one of the world's busiest and most powerful city states, until its fall at the hands of Napoleon in 1797. Rich in fascinating historical detail, populated by extraordinary characters and packed with a wealth of incident and intrigue, this is a brilliant testament to a great city - and a great and gripping read. ___________________ 'The standard Venetian history in English' The Times 'Norwich has the gift of historical perspective, as well as clarity and wit. Few can tell a good story better than he' Spectator

This volume aims to broaden and nuance knowledge about the history, art, culture, and heritage of Eastern Europe relative to Byzantium. From the thirteenth century to the decades after the fall of Constantinople in 1453, the regions of the Danube River stood at the intersection of different traditions, and the river itself has served as a marker of connection and division, as well as a site of cultural contact and negotiation. The Routledge Handbook of Byzantine Visual Culture in the Danube Regions, 1300–1600 brings to light the interconnectedness of this broad geographical area too often either studied in parts or neglected altogether, emphasizing its shared history and heritage of the regions of modern Greece, Croatia, Serbia, Bulgaria, Romania, Hungary, Slovakia, and Czechia. The aim is to challenge established perceptions of what constitutes ideological and historical facets of the past, as well as Byzantine and post-Byzantine cultural and artistic production in a region of the world that has yet to establish a firm footing on the map of art history. The 24 chapters offer a fresh and original approach to the history, literature, and art history of the Danube regions, thus being accessible to students thematically, chronologically, or by case study; each part can be read independently or explored as part of a whole.