This commentary on a part of book 5 of Lucan's 'historical epic' poem De Bello Civili aims to provide the reader with as thorough an analysis as possible of literary and historical points of interest within the text and so to facilitate a fuller understanding and appreciation of one of the most important episodes in the poem, Julius Caesar's failed attempt to cross the Adriatic in the midst of a great storm. It examines how the episode contributes to the long tradition of epic storm narratives dating back to Homer and also how it contributes to the wider themes of the poem as a whole, in particular to Lucan's portrayal of Caesar. A line-by-line commentary is combined with longer notes summarizing issues of particular importance. Such issues include: the influence of Roman love-poetry in the depiction of the relationship between Caesar and his men, Lucan's use of Virgil's Nisus and Euryalus episode, and the tradition of theoxeny narratives lying behind the scene at the home of the fisherman Amyclas which allows us to view Caesar as 'playing the part' of a traditional god or hero. Throughout, Lucan's engagement with the works of Homer, Virgil (particularly the Aeneid but also the Georgics), Ovid and Seneca, and the ways in which the lack of a traditional divine machinery in his poem is compensated for are considered.

In the midst of a technological age, a strange and menacing phenomenon rains upon the Earth, changing people into mindless savages. While governments around the globe unite to combat this spreading infection, airships of the 1930's are redesigned and reintroduced to the world. Because of the vessel's size and its capability to stay airborne for weeks at a time, it is regarded as the next innovation for cruise ship/vacation travel industries, while environmentalists envision it as a solution to the world's overpopulation problem. The windship proves its worth when the stricken become organized and rise up against the world. It is then; the windship becomes a reckoning force and Earth's only hope for survival.

Explores early Palestinian Judaic traditions.

Born in 39 C.E., the Roman poet Lucan lived during the turbulent reign of the emperor Nero. Prior to his death in 65 C.E., Lucan wrote prolifically, yet beyond some fragments, only his epic poem, the Civil War, has survived. Acclaimed by critics as one of the greatest literary achievements of the Roman Empire, the Civil War is a stirring account of the war between Julius Caesar and the forces of the republican senate led by Pompey the Great. Reading Lucan’s Civil War is the first comprehensive guide to this important poem. Accessible to all readers, it is especially well suited for students encountering the work for the first time. As the editor, Paul Roche, explains in his introduction, the Civil War (alternatively known in Latin as Bellum Civile, De Bello Civili, or Pharsalia) is most likely an unfinished work. Roche places the poem in historical and literary contexts that will be helpful to first-time readers. The volume presents, chapter-by-chapter, essays that cover each of the Civil War’s ten extant books. Five further chapters address topics and issues pertaining to the entire work, including religion and ritual, philosophy, gender dynamics, and Lucan’s relationships to Vergil and Julius Caesar. The contributors to this volume are all expert scholars who have published widely on Lucan’s work and Roman imperial literature. Their essays provide readers with a detailed understanding of and appreciation for the poem’s unique features. The contributors take special care to include translations of all original Latin passages and explain unfamiliar Latin and Greek terms. The volume is enhanced by a map of Lucan’s Roman world and a glossary of key terms.

Handsome, wealthy and always hotly pursued by London’s Society beauties, the Duke of Wydeminster is a gentleman very much in demand – yet his affaires de coeur invariably leave him dissatisfied and feeling trapped, especially his current one with the beautiful Fenella Newbury, who is married to a much older husband.What he needs in his life is not more love affairs, but a new challenge and very much sooner than he could have expected one presents itself.First in the baffling form of a strange young woman called Aldora, who accosts him in unlikely circumstances and insists that her mother intends to force him to marry her, while also avowing her deep hatred of the Duke for reasons that he cannot fathom.Next comes the revelation that Aldora’s mother, the ambitious Marchioness of Berkhampton has suggested to Queen Victoria that the Duke should become the new Viceroy of India – a position hardly less than that of a King!But there is a catch.Aldora indeed spoke the truth!In order to be considered for the supreme position of Viceroy, he must marry this young woman who despises and detests him –

This book, written for college and seminary age students, is the distillation of reflection on the life and career of Jesus of Nazareth for over three decades. Such reflection needs no legitimizing since preoccupation with Jesus of Nazareth continues in one form or another till the present day. The arrangement of the pieces and fragments which make up the “mosaic” in part pursue the usual chronological order as appears in most editions of the Bible. But the interpretation of events within each sequence are this author’s own. In discussion with early or contemporary scholars, the text may reflect agreement or disagreement, but assumes the right to and responsibility for a specific point of view. As indicated, the book is a “mosaic,” comprised of pieces and fragments. It in no way intends to match the often massive attempts at describing Jesus of Nazareth that have been published over the centuries. Like a mosaic, it will show wear and tear, but it will be sufficient to indicate to the reader precisely whose face appears amid all those fragments and pieces, and enough to awaken reflection on his life and career.