Introduced by a brief examination of the anonymous seventeenth-century miniature painting used on the book's jacket and frontispiece, essays in Resurrecting Elizabeth I in Seventeenth-Century England combine literary and cultural analysis to show how and why images of Elizabeth Tudor appeared so widely in the century after her death and how those images were modified as the century progressed. The volume includes work by Steven W. May (on quotations and misquotations of Elizabeth's own words), Alan R. Young (on the Phoenix Queen and her successor, James I), Georgianna Ziegler (on Elizabeth's goddaughter, Elizabeth of Bohemia), Jonathan Baldo (on forgetting Elizabeth in Henry VIII), Lisa Gim (on Anna Maria van Schurman and Anne Bradstreet's visions of Elizabeth as an exemplary woman), and Kim H. Noling (on John Banks' creation of a maternal genealogy for English Protestantism).

Annotation This volume reconstructs the lives of Henry VII's new men - low-born ministers with legal, financial, political, and military skills who enforced the king's will as he sought to strengthen government after the Wars of the Roses, examining how they exercised power, gained wealth, and spent it to sustain their new-found status.

The coronation was, and perhaps still is, one of the most important ceremonies of a monarch's reign. This book examines the five coronations that took place in England between 1509 and 1559. It considers how the sacred rite and its related ceremonies and pageants responded to monarchical and religious change, and charts how they were interpreted by contemporary observers. Hunt challenges the popular position that has conflated royal ceremony with political propaganda and argues for a deeper understanding of the symbolic complexity of ceremony. At the heart of the study is an investigation into the vexed issues of legitimacy and representation which leads Hunt to identify the emergence of an important and fruitful exchange between ceremony and drama. This exchange will have significant implications for our understanding both of the period's theatre and of the cultural effects of the Protestant Reformation.