An edited volume exploring the role women played in California politics in the late nineteenth and early twentieth centuries.

In a series of biographical profiles, this volume celebrates the lives and achievements of women who made history in the Golden State. Throughout California’s history, remarkable women have been at the core of change and innovation. In this fascinating volume, Gloria Harris and Hannah Cohen relate the stories of forty women whose struggles and achievements have paved the way for generations. Coming from all walks of life and entering a variety of fields—from activism and conservation to science, medicine, entertainment, and more—these women overcame prejudice, skepticism and injustice to prove that women can do anything. Visionary architect Julia Morgan designed Hearst Castle; Dolores Huerta co-founded United Farm Workers; Donaldina Cameron, the angry angel of Chinatown, rescued brothel workers; and silent film actress Mary Pickford helped form United Artists Pictures. From fearless pioneers to determined reformers, Harris and Cohen chronicle the triumphs and disappointments of diverse women who dared to take risks and break down barriers.

"This is the book on women's art I've been waiting for--smart, deeply rooted, and up-to-date, with an overdue focus on women of color that fills in the historical cracks. Read it and run with it."--Lucy R. Lippard, author of The Pink Glass Swan: Selected Essays on Feminist Art "More than merely beautiful and ground-breaking, Art/ Women/ California 1950-2000 is also about the enriching interventions created by diverse women artists, the effect of whose work is not only far-reaching, but has also opened up the very definition of American art. It is about intellectual interdisciplinality and the dialectical relationship between art and social context. It is about the way various California cultures--Native, Latino, Asian, feminist, immigrant, politically active, and virtual, which are so different from the trope of the Western cowboy--have intervened in that entity we imagine as 'America.' "--Elaine Kim, editor of Dangerous Women: Gender and Korean Nationalism "Rich and provocative. A pleasure to read and to look at."--Linda Nochlin, author of The Body in Pieces: The Fragment as a Metaphor of Modernity "This book should greatly help everyone understand the remarkably diversified evolution of art in California, which is largely due to the great influx of women and the transformative effect of a new feminist consciousness."--Arthur C. Danto, author of Philosophizing Art: Selected Essays