Light and shadow, love and loss, the extraordinary and the everyday are captured through the lens of this evocative new collection of fiction. Camera Obscura moves through Greece, Italy and France, across to Japan and into the Australian suburbs, as its characters take journeys into themselves and away from their pasts. A mother's shattered view of the world is healed through her friendship with a blind man, and a mortician, unable to engage in life, finds solace among the dead. A couple plays out the final moments of a fading love, while an old man sets out to rekindle an enduring love from long ago. Using a poet's ear and a photographer's eye, Kathryn Lomer infuses her writing with a distinctive irony and an intuitive understanding of the human experience.

A journal of feminism and film theory.

Kofman contrasts the mechanical function of the camera obscura as a kind of copy-machine, rendering a mirror-image of the work, with its metaphorical use in the work of Marx, Nietzche and Freud.

The corps of philosophers who make up the Society for Philosophy & Technology has now been collaborating, in one fashion or another, for almost fifteen years. In addition, the number of philosophers, world-wide, who have begun to focus their analytical skills on technology and related social problems grows increasingly every year. {It would certainly swell the ranks if all of them joined the Society!) It seems more than ap propriate, in this context, to publish a miscellaneous volume that em phasizes the extraordinary range and diversity of contemporary contribu tions to the philosophical understanding of the exceedingly complex phenomenon that is modern technology. My thanks, once again, to the anonymous referees who do so much to maintain standards for the series. And thanks also to the secretaries - Mary Imperatore and Dorothy Milsom - in the Philosophy Department at the University of Delaware; their typing and retyping of the MSS, and especially notes and references, also contributes to keeping our standards high. PAUL T. DURBIN vii Paul T. Durbin (ed.), Philosophy ofT echnology, p. vii.

By the early 17th century the Scientific Revolution was well under way. Philosophers and scientists were throwing off the yoke of ancient authority to peer at nature and the cosmos through microscopes and telescopes. In October 1632, in the small town of Delft in the Dutch Republic, two geniuses were born who would bring about a seismic shift in the idea of what it meant to see the world. One was Johannes Vermeer, whose experiments with lenses and a camera obscura taught him how we see under different conditions of light and helped him create the most luminous works of art ever beheld. The other was Antoni van Leeuwenhoek, whose work with microscopes revealed a previously unimagined realm of minuscule creatures. By intertwining the biographies of these two men, Laura Snyder tells the story of a historical moment in both art and science that revolutionized how we see the world today.

Photography: An Illustrated History is a captivating account of how photography evolved from labor-intensive daguerrotypes in the mid-1800s to one of the most popular hobbies and respected art forms in the world today. Brimming with black-and-white and color photographs from throughout its multifaceted history, this volume not only documents technological developments, but also the phenomenal effect the craft has had upon journalism, industry, science, medicine, the military, and beyond. Featuring the accomplishments of pioneers such as Louis Daguerre, George Eastman, Julia Margaret Cameron, Alfred Stieglitz, Edward Steichen, Margaret Bourke-White, and others, Photography: An Illustrated History presents an engaging history of photography through some of the most spectacular images ever captured on film.

The first comprehensive encyclopedia of world photograph up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come.

The Encyclopedia of Twentieth-Century Photography explores the vast international scope of twentieth-century photography and explains that history with a wide-ranging, interdisciplinary manner. This unique approach covers the aesthetic history of photography as an evolving art and documentary form, while also recognizing it as a developing technology and cultural force. This Encyclopedia presents the important developments, movements, photographers, photographic institutions, and theoretical aspects of the field along with information about equipment, techniques, and practical applications of photography. To bring this history alive for the reader, the set is illustrated in black and white throughout, and each volume contains a color plate section. A useful glossary of terms is also included.

In an accessible yet complex way, Rebekah Modrak and Bill Anthes explore photographic theory, history, and technique to bring photographic education up to date with contemporary photographic practice. --

This Encyclopedia offers a fresh, integrated and creative perspective on the formation and foundations of philosophy and science in European modernity. Combining careful contextual reconstruction with arguments from traditional philosophy, the book examines methodological dimensions, breaks down traditional oppositions such as rationalism vs. empiricism, calls attention to gender issues, to ‘insiders and outsiders’, minor figures in philosophy, and underground movements, among many other topics. In addition, and in line with important recent transformations in the fields of history of science and early modern philosophy, the volume recognizes the specificity and significance of early modern science and discusses important developments including issues of historiography (such as historical epistemology), the interplay between the material culture and modes of knowledge, expert knowledge and craft knowledge. This book stands at the crossroads of different disciplines and combines their approaches – particularly the history of science, the history of philosophy, contemporary philosophy of science, and intellectual and cultural history. It brings together over 100 philosophers, historians of science, historians of mathematics, and medicine offering a comprehensive view of early modern philosophy and the sciences. It combines and discusses recent results from two very active fields: early modern philosophy and the history of (early modern) science. Editorial Board EDITORS-IN-CHIEF Dana Jalobeanu University of Bucharest, Romania Charles T. Wolfe Ghent University, Belgium ASSOCIATE EDITORS Delphine Bellis University Nijmegen, The Netherlands Zvi Biener University of Cincinnati, OH, USA Angus Gowland University College London, UK Ruth Hagengruber University of Paderborn, Germany Hiro Hirai Radboud University Nijmegen, The Netherlands Martin Lenz University of Groningen, The Netherlands Gideon Manning CalTech, Pasadena, CA, USA Silvia Manzo University of La Plata, Argentina Enrico Pasini University of Turin, Italy Cesare Pastorino TU Berlin, Germany Lucian Petrescu Université Libre de Bruxelles, Belgium Justin E. H. Smith University de Paris Diderot, France Marius Stan Boston College, Chestnut Hill, MA, USA Koen Vermeir CNRS-SPHERE + Université de Paris, France Kirsten Walsh University of Calgary, Alberta, Canada