This book provides a systematic framework for the emerging field of Mediterranean studies, collecting essays from scholars of history, literature, religion, and art history that seek a more fluid understanding of “Mediterranean.” It emphasizes the interdependence of Mediterranean regions and the rich interaction (both peaceful and bellicose, at sea and on land) between them. It avoids applying the national, cultural and ethnic categories that developed with the post-Enlightenment domination of northwestern Europe over the academy, working instead towards a dynamic and thoroughly interdisciplinary picture of the Mediterranean. Including an extensive bibliography and a conversation between leading scholars in the field, Can We Talk Mediterranean? lays the groundwork for a new critical and conceptual approach to the region.

What does an understanding of Jewish history contribute to the study of the Mediterranean, and what can Mediterranean studies contribute to our knowledge of Jewish history? Jews and the Mediterranean considers the historical potency and uniqueness of what happens when Sephardi, Mizrahi, and Ashkenazi Jews meet in the Mediterranean region. By focusing on the specificity of the Jewish experience, the essays gathered in this volume emphasize human agency and culture over the length of Mediterranean history. This collection draws attention to what made Jewish people distinctive and warns against facile notions of Mediterranean connectivity, diversity, fluidity, and hybridity, presenting a new assessment of the Jewish experience in the Mediterranean.

Queering the Medieval Mediterranean analyzes the forgotten exchange of sexualities that was brought forth through the Mediterranean and its bordering landmasses. It highlights the importance of queerness and sexuality developed on the Mediterranean trade routes.

"Imperial Ambition in the Early Modern Mediterranean Genoese Merchants and the Spanish Crown. This book examines the alliance between the Spanish Crown and Genoese merchant bankers in southern Italy throughout the early modern era, when Spain and Genoa developed a symbiotic economic relationship, undergirded by a cultural and spiritual alliance. Analyzing early modern imperialism, migration, and trade, this book shows that the spiritual entente between the two nations was mainly informed by the religious division of the Mediterranean Sea. The Turkish threat in the Mediterranean reinforced the commitment of both the Spanish Crown and the Genoese merchants to Christianity. Spain's imperial strategy was reinforced by its willingness to acculturate to southern Italy through organized beneficence, representation at civic ceremonies, and spiritual guidance during religious holidays. Celine Dauverd is Assistant Professor of History and a board member of the Mediterranean Studies Group at the University of Colorado Boulder. Her research focuses on sociocultural relations between Spain and Italy during the early modern era (1450-1650). She has published articles in the Sixteenth Century Journal, the Journal of World History, Mediterranean Studies, and the Journal of Levantine Studies"--

By exploring the transcultural nature of Mediterranean crime fiction, Barbara Pezzotti advocates for a regional 'reading' of the genre.

Zusammenfassung: This book offers a history of migration in the Mediterranean written about and from the perspective of women. It gives a complex picture of individual journeys of migrant women, and in a radical departure from the miserabilist or culturalist approach through which women are usually viewed, and instead argues for a politically and socially aware feminism that is attuned to what border-obsessed migration policies actually do to women. The book depicts the journey of women as they experience brutal separations and make heart-wrenching decisions, but also as they make acquaintances and find new opportunities. The first-person accounts collected here demonstrate that the reasons behind these women's decision to leave are anything but simple and linear: they combine various forms of persecution and oppression with a desire for autonomy.The book further explores the daily lives of women in reception centres as they wait for a Europe that rejects them to acknowledge their presence. At the same time, this study shows that these women are taking charge of their own destinies and journeys. This accordingly puts the space of everyday life front and centre. Such a space acts as an impediment to these women's journeys: it generates a "moralscape" of waiting, which plays a key role in these women's daily lives. However, it can also help these women gain greater autonomy, thus empowering them. Camille Schmoll is Research Director at École des Hautes Études en Sciences Sociales (EHESS), Fellow of the Institut Convergences Migrations, and a member of the Géographie-cités research centre, France. A feminist political geographer, she is especially interested in gender and migration issues, critical migration studies, and reflexivity within migration scholarship. Her work explores migration from an ethnographic perspective, with a particular focus on the making of border-places (e.g. islands, cities, neighbourhoods) and the trajectories of migrant women. She was Editor-in-Chief of the peer-reviewed journal Revue Européenne des Migrations Internationales from 2019 to 2022, and has authored, co-authored and co-edited several books in French, Italian and English

This volume brings together for the first time a collection of twelve articles written both jointly and individually by Peregrine Horden and Nicholas Purcell as they have participated in the debates generated by their major work, The Corrupting Sea: A Study of Mediterranean History (2000). One theme in those debates has been how a comprehensive Mediterranean history can be written: how an approach to Mediterranean history by way of its ecologies and the communications between them can be joined up with more mainstream forms of enquiry – cultural, social, economic, and political, with their specific chronologies and turning points. The second theme raises the question of how Mediterranean history can be fitted into a larger, indeed global history. It concerns the definition of the Mediterranean in space, the way to characterise its frontiers, and the relations between the region so defined and the other large spaces, many of them oceans, to which historians have increasingly turned for novel disciplinary-cum-geographical units of study. A volume collecting the two authors’ studies on both these themes, as well as their reply to critics of The Corrupting Sea, should prove invaluable to students and scholars from a number of disciplines: ancient, medieval and early modern history, archaeology, and social anthropology. (CS1083).

Love knows no borders, but can it bridge cultural differences? Picking up where Pride, Prejudice, & Turkish Delight left off, follow the conclusion of Eliza’s journey as she navigates love, family, and friendship in the beautiful coastal city of Antalya, Turkey. After a summer back home in Michigan, Eliza is thrilled to return to Antalya and the arms of Deniz, her Turkish love. Though they have already overcome professional obstacles and misunderstandings, now their relationship is complicated by the fact that Deniz's traditional family has yet to learn of their romance. As Eliza struggles with the cultural barriers that threaten to keep them apart, she finds solace in the unwavering support of her best friend Crystal, who is learning some lessons about love of her own. In a city where old traditions meet modern customs, Eliza must learn to balance her head and heart as she faces unexpected challenges that test her loyalty, her resilience, and her capacity for love. Will she be able to bridge the gap between her sensibility and her heart's desires, or will she lose everything she holds dear in the process? Set against the backdrop of Antalya's stunning landscapes and colorful culture, this novel is a poignant and heartfelt tale of love, friendship, and self-discovery.

Where are the limits of medieval art as a field of study? What happens when conventionally trained art historians disregard the chronological, geographical, or cultural parameters that both direct and protect their scholarship? Beginning with Thelma K. Thomas and Alicia Walker’s acute assessment of the need for a “medieval art history for now,” the essays in Out of Bounds ask what happens when the study of medieval art disregards boundaries that it once obeyed. The volume focuses on questions surrounding the production of knowledge and on how scholarly investigation beyond the conventional thematic boundaries of medieval art history is changing, demonstrating how the field can address the ethics of scholarship today by positing a global turn in response to growing demands for socially responsible medieval studies. Collectively, the contributors demonstrate how “going out of bounds” can transform modern understanding of the people, traditions, and relationships that gave rise to medieval works. As such, this book argues for the necessity of reshaping scholarly discourse about the nature and significance of medieval art and generates fresh scholarly interpretations and important new critical tools for teaching and researching the Middle Ages. The contributors to this volume are Suzanne Conklin Akbari, Michele Bacci, Jill Caskey, Eva Frojmovic, Sarah M. Guérin, Christina Maranci, Alice Isabella Sullivan, Thelma K. Thomas, Michele Tomasi, and Alicia Walker.