Cancer survivor museum for women diagnose with uterine cancer, ovarian cancer, cervical cancer, vaginal cancer and vulvar cancer. This museum is in honor of my mother Theresita Fields. She was diagnose with uterine cancer in 2012. And lost her fight just 10 days of her 64th birthday on October 26, 2012. About uterine cancer It’s my goal to help woman fight Uterine Cancer. To honor my mother's memory (Theresita Fields) 10-16-48 - 10-26-12. And to raise funds for a new facility in Atlanta near the Cancer Center of America. Mission My mother had Uterine Cancer. There was very little resource to help my mother, with her battle of Uterine Cancer. I want to help one million women, fight for the cure of uterine cancer. Uterine Cancer support group, survivor resources resource for, medicine, personal care items, wigs, food, ECT.

The story about Dionn Fields Inc. Its my goal to help woman fight Uterine Cancer. To honor my mother's memory (Theresita Fields) 10-16-48 - 10-26-12. And to raise funds for a new facilty in Atlanta near the Cancer Center of America

I'm reporting my real life stories, from own personal life experience. It's my goal to help people, read the real truth that happens every day and everywhere. These are stories from real people that have never been reported by anyone else. These are real stories that no reporter will ever publish.

The Director Dionne Fields Author,Director,Publisher. I enjoy being the director of, my very own movies on paper. I have created a new line of books for children's and young adults. I wanted to encourage kids of all ages to read more movies.

Mascara There is more to me, besides my make up and my appearance. I enjoyed wearing my mascara. My mom purchase for me on my sweet 16th birthday. She made a lot of sacrifice for me, going up.

The role of museums in enhancing well-being and improving health through social intervention is one of the foremost topics of importance in the museums sector today. With an aging population and emerging policies on the social responsibilities of museums, the sector is facing an unprecedented challenge in how to develop services to meet the needs of its communities in a more holistic and inclusive way. This book sets the scene for the future of museums where the health and well-being of communities is top of the agenda. The authors draw together existing research and best practice in the area of museum interventions in health and social care and offer a detailed overview of the multifarious outcomes of such interactions, including benefits and challenges. This timely book will be essential reading for museum professionals, particularly those involved in access and education, students of museums and heritage studies, as well as practitioners of arts in health, art therapists, care and community workers.

Drawing together nearly 40 years of experience, Museums without Borders presents the key works of one of the most respected practitioners and scholars in the field. Through these selected writings, Robert R. Janes demonstrates that museums have a broader role to play in society than is conventionally assumed. He approaches the fundamental questions of why museums exist and what they mean in terms of identity, community, and the future of civil life. This book consists of four Parts: Indigenous Peoples; Managing Change; Social Responsibility, and Activism and Ethics. The Parts are ordered chronologically and each begins with an introduction and an overview of the ensuing articles which situates the papers in their historical and cultural contexts. Using an interdisciplinary approach that combines anthropology, ethnography, museum studies and management theory, Janes both questions and supports mainstream museum practice in a constructive and self-reflective manner, offering readers alternative viewpoints on important issues. Considering concepts not generally recognized in museum practice, such as the Roman leadership model of primus inter pares and the Buddhist concept of mindfulness, Janes argues that the global museum community must examine how they can meet the needs of the planet and its inhabitants. Museums without Borders charts the evolving role of the contemporary museum in the face of environmental, societal and ethical challenges, and explores issues that have, and will, continue to shape the museum sector for decades to come. This book demonstrates that it is both reasonable and essential to expand the purpose of museums at this point in history – not only because of their unique characteristics and value to society, but also because of Janes’ respect and admiration for their rich legacy. It is time that museums assist in the creation of a new, caring, and more conscious future for themselves and their communities. This can only be done through authentic engagement with contemporary issues and aspirations.

Praise for Cite: The Architecture and Design Review of Houston: "I find Cite to be thorough, imaginative, always stimulating, and responsive to the diversity of the Houston community. I hope to see it continue—I hope to see it flourish." —Larry McMurtry "Cite is one of the liveliest and most interesting journals on architecture and urbanism that is being produced today." —Robert Bruegmann, Professor and Chair, Art History Department and School of Architecture, University of Illinois at Chicago "Cite has become an important national publication, for it situates local and regional culture within the context of national and global issues. Thus it provides an antidote to provincialism, on the one hand, and to excessively abstract globalism on the other. Put differently, Cite proves that local concerns need not be parochial, while national or global trends have multiple variations." —Gwendolyn Wright, Professor, Graduate School of Architecture and Planning, Columbia University "In my judgment, this magazine is competitive with any in the United States that focuses on architecture and the built environment." —Kenneth T. Jackson, Jacques Barzun Professor of History and the Social Sciences, Columbia University "I know of few other publications in America that have so consistently, and at such a perceptive and sophisticated level, promoted high quality design as a mission of education and improvement.... I am devoted to it and read every issue with great interest, though I live a half continent away." —Laurie D. Olin, FASLA, Hon. AIA, FAAR, Practice Professor of Landscape Architecture, Graduate School of Fine Arts, University of Pennsylvania Built around characteristic features of modern life such as rapid change, built-in obsolescence, indeterminacy, media orientation, a culture of style, and instant gratification, Houston is an ephemeral city, hard to pin down and understand. Its lack of zoning (Houston is the only major city in America without it) and a burgeoning population that doubles every generation have created a new urban paradigm, where displacements of traditional patterns of stability and urban ritual are now the norm. Since 1982, Cite: The Architectural and Design Review of Houston has explored the nature of Houston's evolution as an urban place by publishing commissioned articles by nationally known writers and architectural historians and high quality photography. This volume brings together twenty-five exceptional articles from Cite's first twenty years, along with 224 black-and-white photographs, maps, and plans. The book is divided into three sections: "Idea of the City," edited by Bruce C. Webb, "Places of the City," edited by Barrie Scardino, and "Buildings of the City," edited by William F. Stern. The sections are introduced with new essays written by the editors to provide cohesion for the anthology and commentary on where Houston might be going in the twenty-first century. Most articles are followed by a brief update and bibliography of related articles published in Cite. The editors chose these articles to explore the developmental history and architecture of a flat, sprawling, free-spirited city that is impossible to capture through any one episode or explain through any one place. With a diversity of voices and a selection that includes both narrow and broad topics, the volume constitutes a collage that captures the essence of a remarkable place—inchoate, patchwork, full of youthful vigor, favorable to private enterprise, and one of the world's most fascinating cities.

In the past few decades, thousands of new memorials to executed witches, victims of terrorism, and dead astronauts, along with those that pay tribute to civil rights, organ donors, and the end of Communism have dotted the American landscape. Equally ubiquitous, though until now less the subject of serious inquiry, are temporary memorials: spontaneous offerings of flowers and candles that materialize at sites of tragic and traumatic death. In Memorial Mania, Erika Doss argues that these memorials underscore our obsession with issues of memory and history, and the urgent desire to express—and claim—those issues in visibly public contexts. Doss shows how this desire to memorialize the past disposes itself to individual anniversaries and personal grievances, to stories of tragedy and trauma, and to the social and political agendas of diverse numbers of Americans. By offering a framework for understanding these sites, Doss engages the larger issues behind our culture of commemoration. Driven by heated struggles over identity and the politics of representation, Memorial Mania is a testament to the fevered pitch of public feelings in America today.