Grounded in a variety of rich and diverse source materials such as periodicals meant for women and edited by women, song and cookbooks, book reviews and court records, the author of this pioneering study mobilises claims for the existence of an Indian feminism in the nineteenth century. Anagol traces the ways in which Indian women engaged with the power structures-both colonialist and patriarchical-which sought to define them. Through her analysis of Indian male reactions to movements of assertion by women, Anagol shows that the development of feminist consciousness in India from the late nineteenth century to the coming of Gandhi was not one of uninterrupted unilinear progression. The book illustrates the ways in which such movements were based upon a consciousness of the inequalities in gender relations and highlights the determination of an emerging female intelligentsia to remedy it. The author's innovative study of women and crime challenges the notion of passivity by uncovering instances of individual resistance in the domestic sphere. Her study of women's perspectives and participation in the Age of Consent Bill debates clearly demonstrates how the rebellion of wives and their assertion in the colonial courts had resulted in male reaction to reform rather than the current historiographical claims that it was a response purely to threats posed by 'colonial masculinity'. Anagol's investigation of the growth of the women's press, their writings and participation in the wider vernacular press highlights the relationship between symbolic or 'hidden' resistance and open assertion by women.

In a work of stunning archival recovery and interpretive virtuosity, Priya Joshi illuminates the cultural work performed by two kinds of English novels in India during the colonial and postcolonial periods. Spanning the nineteenth and twentieth centuries, readers and writers, empire and nation, consumption and production, In Another Country vividly explores a process by which first readers and then writers of the English novel indigenized the once imperial form and put it to their own uses. Asking what nineteenth-century Indian readers chose to read and why, Joshi shows how these readers transformed the literary and cultural influences of empire. By subsequently analyzing the eventual rise of the English novel in India, she further demonstrates how Indian novelists, from Krupa Satthianadhan to Salman Rushdie, took an alien form in an alien language and used it to address local needs. Taken together in this manner, reading and writing reveal the complex ways in which culture is continually translated and transformed in a colonial and postcolonial context.