Canon Sheehan's writings provide valuable insight into Ireland's difficult process of cultural reconstruction after independence. This astute observer of Irish society was pessimistic about the future of religion. Though himself a man of European culture, he made a case for isolationism to become reality under the Free State. It is a case which today is easily scorned - but his work allows us to understand why it could command such support, and to appreciate its relative historical justification.

Perspectives on Irish Nationalism examines the cultural, political, religious, economic, linguistic, folklore, and historical dimensions of the phenomenon of Irish nationalism. Its essayists are among the most distinguished Irish studies scholars. Their essays include a comprehensive analysis of the tapestry of Irish nationalism and focused studies that often challenge myths, pieties, and the scholarly consensus. Thomas E. Hachey is Professor of Irish, Irish-American, and British history and Chair of the department at Marquette University. He wrote Britain and Irish Separatism: From the Fenians to the Free State 1807-1922 (1977), coauthored and edited The Problem of Partition: Peril to World Peace (1972); coedited Voices of Revolution: Rebels and Rhetoric (1972), and edited Anglo-Vatican Relations, 1919-1937: Confidential Annual Reports of the British Ministers to the Holy See and Confidential Dispatches: Analyses of American by the British Ambassador, 1939-45 (1974). Lawrence J. McCaffrey is Professor of Irish and Irish-American History at Loyola University of Chicago. He has published a number of articles and books, including Daniel O'Connell and the Repeal Year (1966), The Irish Question, 1800-1922 (1968), The Irish Diaspora in America (1976) and coauthored The Irish in Chicago (1987). "

The book provides a new perspective on the establishment of Irish literature in English. This emerged in the early nineteenth century in an effort to create an independent writing in Ireland. the author explores the activities of these early years to later investigate canon formation in the twentieth century as well as contemporary definitions of Irish writing in English. She finally proposes the existence of another literature in the early twentieth century in Ireland and proffers an explanation for its exclusion from the new canon.

Professor Tom Garvin's classic work studies the growth of nationalism in Ireland from the middle of the eighteenth century to modern times. It traces the continuity of tradition from earlier organisations, such as the United Irishmen and the agrarian Ribbonmen of the eighteenth century, through the followers of Daniel O'Connell, the Fenians and the Land League in the nineteenth century to the Irish political parties of today, including Sinn Féin, Fianna Fáil, Labour Party and Fine Gael. The dual nature of Irish nationalism is shown in sharp focus. Despite the secular and liberal leanings of many Irish leaders and theoreticians, their followers were frequently sectarian and conservative in social outlook. This book demonstrates how this dual legacy has influenced the politics of modern Ireland. The Evolution of Irish Nationalist Politics: Table of Contents - Irish parties and Irish politics The Irish republic: post-colonial politics in a western European state Political culture and political organisation Geography, economics and method - The origins of Irish popular politics Roots of Irish popular nationalism The beginnings of urban radical political organisation, 1750–1800 Agrarianism, religion and revolution, 1760–1800 - The development of nationalist popular politics, 1800–48 Secret societies before the Famine: the rise of Ribbonism Political mobilisation in pre-Famine nationalist Ireland - Secret societies and party politics after the Famine The social background Electoral politics after the Famine The recrudescence of republicanism: Fenianism and the Agrarians The IRB and Irish politics after the Land War - Agrarianism, nationalism and party politics, 1874–95 Political mobilisation and the agrarian campaign The development of the Irish National League The Parnell split: the collapse of the Irish National League - The reconstruction of nationalist politics, 1891–1910 The rebuilding of the parliamentary party The rise of the Hibernians - The new nationalism and military conspiracy, 1900–16 The development of cultural nationalism and the origins of Sinn Féin Fenians, Volunteers and insurrection - Elections, revolution and civil war, 1916–23 The rise of Sinn Féin The electoral landslide of December 1918 The Republic of Ireland, 1919–23 - The origins of the party system in independent Ireland The ancestry of the Irish party system The legitimation of the state and the building of political parties - An analysis of electoral politics, 1923–48 Parties and elections in the Irish Free State Turnout, 1922–44 Sinn Féin III/Fianna Fáil Cumann na nGaedheal/Fine Gael The Labour Party The farmers' parties The break-up of the Treaty party system - The roots of party and government in independent Ireland The central place of party in Irish politics Party and the physical force tradition The evolution of the Irish state Party and government in independent Ireland - Some comparative perspectives Liberal democracy The party system in comparative perspective

Yeats, Shakespeare, and Irish Cultural Nationalism examines Yeats’s writing on Shakespeare in the context of his work on behalf of the Irish Literary Revival. While Shakespeare’s verse drama provides a source of inspiration for Yeats’s poetry and plays, Yeats also writes about Shakespeare in essays and articles promoting the ideals of the Revival, and on behalf of Irish literary nationalism. These prose pieces reveal Yeats thinking about Shakespeare’s art and times throughout his career, and taken together they offer a new perspective on the contours of Yeats’s cultural politics. This book identifies three stages of Yeats’s cultural nationalism, each of which appropriates England’s national poet in an idiosyncratic manner, while reflecting contemporary trends in Shakespeare reception. Thus Yeats’s fin-de-siécle Shakespeare is a symbolist poet and folk-artist whose pre-modern sensibility detaches him from contemporary English culture and aligns him with the inhabitants of Ireland’s rural margins. Next, in the opening decade of the twentieth century, following his visit to Stratford to see the Benson history cycle, Yeats’s work for the Irish National Theatre adopts an avant-garde, occultist stagecraft to develop an Irish dramatic repertoire capable of unifying its audience in a shared sense of nationhood. Yeats writes frequently about Shakespeare during this period, locating on the Elizabethan stage the kind of transformational emotional affect he sought to recover in the Abbey Theatre. Finally, as Ireland moves towards political independence, Yeats turns again to Shakespeare to register his disappointment with the social and cultural direction of the nascent Irish state. In each case, Yeats’s thinking about Shakespeare responds to the remarkable conflation of aesthetic and religious philosophies constituting his cultural nationalism, thus making a unique case of Shakespearean reception. Taken together, Yeats’s writings deracinate Shakespeare, and so contribute significantly to the process by which Shakespeare has come to be seen as a global artist, rather than a specifically English possession.

Racism and Social Change in the Republic of Ireland provides an original and challenging account of racism and Irish society. In the last decade Irish society has visibly changed with the emergence of new immigrant communities of black and ethnic minorities. This book argues that Ireland was never immune from the racist ideologies that governed relationships between the "West and the rest" despite a history of colonial anti-Irish racism. Drawing upon a number of academic disciplines, it focuses on the relationship between ideological forms of racism and its consequences upon black and ethnic minorities, and sets out an invaluable critique of racism in Irish society.

Following the tradition of the great literary quarterlies, the journal discussed every aspect of human endeavor, and Out of Due Time offers a fine opportunity to view the best of the Catholic mind in an extraordinary period.

Beginning with a brief history and evolution of the short story genre, alongside an overview of the key short story writers, and an explanatory chapter of literary criticism, this book aims to give readers insight into the works by canonical British, Irish, and American authors, including Edgar Allan Poe, James Joyce, Flannery O'Connor, and more. Applying close reading skills and critical literary approaches to twelve selected short stories in English, this work conducts comparative analyses to reveal the interrelationships between the texts, the authors, the readers, and the sociocultural contexts. Developed and tested in literature classes at university over several semesters, this book addresses key issues, topics and trends in the short story genre.

This text is a comprehensive study of fiction written by Irish authors during the Victorian age. James Murphy analyses the development of the novel in Ireland and examines the work of authors including William Carleton, Charles Lever, Somerville and Ross, and Bram Stoker in the social and literary contexts of their times.