1714 was a revolutionary year for Dissenters across the British Empire. The Hanoverian Succession upended a political and religious order antagonistic to Protestant non-conformity and replaced it with a regime that was, ostensibly, sympathetic to the Whig interest. The death of Queen Anne and the dawn of Hanoverian Rule presented Dissenters with fresh opportunities and new challenges as they worked to negotiate and legitimize afresh their place in the polity. Negotiating Toleration: Dissent and the Hanoverian Succession, 1714-1760 examines how Dissenters and their allies in a range of geographic contexts confronted and adapted to the Hanoverian order. Collectively, the contributors reveal that though generally overlooked compared to the Glorious Revolution of 1688-9 or the Act of Union in 1707, 1714 was a pivotal moment with far reaching consequences for dissenters at home and abroad. By decentralizing the narrative beyond England and exploring dissenting reactions in Scotland, Ireland, and North America, the collection demonstrates the extent to which the Succession influenced the politics and touched the lives of ordinary people across the British Atlantic world. As well as offering a thorough breakdown of confessional tensions within Britain during the short and medium terms, this authoritative volume also marks the first attempt to look at the complex interaction between religious communities in consequence of the Hanoverian Succession.

The history of Saint Susan’s monastery on the south coast of England is as remarkable as the tumultuous times in which it existed. Located at East Lulworth, it was founded in 1794 and existed for twenty-three years before political and other circumstances forced Dom Antoine Saulnier de Beauregard and his community to leave England for France in 1817. There they re-founded the old Cistercian abbey of Melleray in Brittany. Strangers in a Strange Land brings the story of Saint Susan’s monastery to light against the backdrop of a war between England and France, religious prejudice, conflicts of personality, lies, and misunderstanding. It introduces the dominant figure of the time, Dom Augustin de Lestrange, abbot of La Valsainte in Switzerland, as well as two others of major importance including the first prior of the house, Dom Jean-Baptiste Desnoyers, and the last and only abbot, Dom Antoine Saulnier de Beauregard.

Presenting a fresh interpretation of Mozart's Requiem, Simon P. Keefe redresses a longstanding scholarly imbalance whereby narrow consideration of the text of this famously incomplete work has taken precedence over consideration of context in the widest sense. Keefe details the reception of the Requiem legend in general writings, fiction, theatre and film, as well as discussing criticism, scholarship and performance. Evaluation of Mozart's work on the Requiem turns attention to the autograph score, the document in which myths and musical realities collide. Franz Xaver Süssmayr's completion (1791–2) is also re-appraised and the ideological underpinnings of modern completions assessed. Overall, the book affirms that Mozart's Requiem, fascinating for interacting musical, biographical, circumstantial and psychological reasons, cannot be fully appreciated by studying only Mozart's activities. Broad-ranging hermeneutic approaches to the work, moreover, supersede traditionally limited discursive confines.