Catholicism was all over movie screens in 2004. Mel Gibsons The Passion of the Christ was at the center of a media firestorm for months. A priest was a crucial character in the Academy Award-winning Million Dollar Baby. Everyone, it seemed, was talking about how religious stories should be represented, marketed, and received. Catholic characters, spaces, and rituals have been stock features in popular films since the silent era. An intensely visual religion with a well-defined ritual and authority system, Catholicism lends itself to the drama and pageantry of film. Moviegoers watch as Catholic visionaries interact with the supernatural, priests counsel their flocks, reformers fight for social justice, and bishops wield authoritarian power. Rather than being marginal to American popular culture, Catholic people, places, and rituals are all central to the world of the movie. Catholics in the Movies begins with an introductory essay that orients readers to the ways that films appear in culture and describes the broad trends that can be seen in the movies hundred-year history of representing Catholics. Each chapter is written by a noted scholar of American religion who concentrates on one movie that engages important historical, artistic, and religious issues and then places the film within American cultural and social history, discusses the film as an expression of Catholic concerns of the period, and relates the film to others of its genre. Tracing the story of American Catholic history through popular films, Catholics in the Movies should be a valuable resource for anyone interested in American Catholicism and religion and film.

For more than three decades the Catholic church, through its Legion of Decency, had the power to control the content of Hollywood films. From the mid-1930s to the late 1960s the Catholic Legion served as a moral guardian for the American public. Hollywood studios submitted their films to the Legion for a rating, which varied from general approval to condemnation. This book details how a religious organisation got control of Hollywood, and how films like A Streetcar Named Desire, Lolita, and Tea and Sympathy were altered by the Legion to make them morally acceptable. Documenting the inner workings of the Legion, The Catholic Crusade against the Movies also examines how the changes in the movie industry, and American society at large in the post-World War II era, eventually conspired against the Legion's power and so lead to its demise.

This book is an intriguing narrative of the interplay between American religion and patterns of American culture in the nineteenth and twentieth centuries. R. Laurence Moore considers the ways nationalism, the separation of church and state, democratic pluralism, and shifts in boundaries between secular and sacred practice have shaped American religion for the past two hundred years.

How does the Church function in the world? What is it called to do, and what does it actually do? Charles E. Curran explores the social mission of the U.S. Catholic Church from a theological perspective, analyzing and assessing four aspects: the importance of social mission, who carries it out, how it is carried out, and the roles that the Church and individual Catholics play in supporting these efforts. In the early and mid-twentieth century the Catholic Church in the United States tended to focus its social mission on its own charities, hospitals, and schools. But the Second Vatican Council called the Church to a new understanding of social mission, deepening its involvement in and commitment to civic, social, and political life in the United States and abroad. Curran devotes particular attention to three issues that have reflected the Church's strong sense of social mission since that time: abortion, war and peace, and labor. The Social Mission of the U.S. Catholic Church describes the proper role of bishops, institutions, and movements in the Church, but insists that the primary role belongs to all the baptized members of the Church as they live out the social mission in their daily lives.

Few religions generate the type of emotional appeal, both positive and negative, associated with the Catholic Church. The role of women, abortion, sexuality, education, and politics all have been the subject of the Church's vast influence. This important, controversial, and colorful book recounts the recent history of the American Catholic Church, from the early 19th century to its dominant position in the 1950s to its relative decline today.

Includes section "Catholic books of current interest."