If feminism has always been characterized by its divisions, it is metafeminism that defines and embraces that disorder. As a carefully devised reading practice, metafeminism understands contemporary feminist literature and theory as both recalling and extending the tropes and politics of the past. In Cautiously Hopeful Marie Carrière brings together seemingly disparate writing by Anglo-Canadian, Indigenous, and Québécois women authors under the banner of metafeminism. Familiarizing readers with major streams of feminist thought, including intersectionality, affect theory, and care ethics, Carrière shows how literary works by such authors as Dionne Brand, Nicole Brossard, Naomi Fontaine, Larissa Lai, Tracey Lindberg, and Rachel Zolf, among others, tackle the entanglement of gender with race, settler-invader colonialism, heteronormativity, positionality, language, and the posthuman condition. Meanwhile tenable alliances among Indigenous women, women of colour, and settler feminist practitioners emerge. Carrière's tone is personal and accessible throughout - in itself a metafeminist gesture that both encompasses and surpasses a familiar feminist form of writing. Despite the growing anti-feminist backlash across media platforms and in various spheres of political and social life, a hopefulness animates this timely work that, like metafeminism, stands alert to the challenges that feminism faces in its capacity to effect social change in the twenty-first century.

Critical Articulations of Hope from the Margins of Arts Education presents perspectives on arts education from marginalized contexts and communities around the world. The contributors of this collection are educators, researchers, and artists who have devoted their research and practice to exploring how to utilize arts education to work toward justice, equity, sustainability, and hope when communities or groups of people are faced with most challenging and arduous situations. This book depicts hardships and struggles, including forced migration; institutionalized discrimination; economic, ecological and cultural oppression; hatred; prejudice and violence. However, it also celebrates the strength of individuals and communities who strive to make a difference and work towards fair and just cultures and communities. The book proposes that participation in the arts is a basic human right and that diverse cultures and the arts are an integral aspect of healthy lives and societies. Building on long traditions of arts education for social justice, critical pedagogy, and the pedagogy of hope, it facilitates international dialogue and explores how the theory and practice for arts education can be furthered by including insights emerging from practices evolving as sensitive to marginal conditions. Critical Articulations of Hope from the Margins of Arts Education will be of great interest to academics, researchers and postgraduate students of the arts, arts education, and education. It will also appeal to arts educators, community artists, sociologists, cultural workers and teacher training faculty and in service-learning and other pedagogy-related courses.

An exploration of natural law for an era of deep division: Burgess lays out the long struggle to protect human rights for all citizens. Dr. King's famous words—"The arc of the moral universe is long, but it bends towards justice”—rest on the thinking and policy of philosophers and legislators from ancient Greece to the present day. Douglas R. Burgess Jr.—a broadly published writer and professor of legal history—tells us that important story, from the Greeks to the Middle Ages to the Enlightenment, ending with FDR's "Four Freedoms" and the Nuremberg Trials. With timely reference to recent assaults on human rights, including the 2021 attack on the US Capitol, When Hope and History Rhyme has both historical sweep and contemporary significance.

Author Rick Rouse weaves a tapestry of immigrant experiences—successes, hopes, challenges, and dreams that have often unfolded amidst global conflicts and political polarization. These narratives inspire compassion as “these least of these” search for a safe haven and discover how diversity enriches America and our faith. While the American story aspires to be the story of welcome and refuge for all, our history often tells a different story. As wars are raging in Ukraine and the Middle East, creating millions of refugees merely seeking safety, American politics remains so polarized that the government appears deadlocked or unable to act on meaningful solutions to immigration policies. In A Journey Called Hope, author Rick Rouse shares the stories of immigrants from around the world to America — their successes, hopes, challenges, and dreams. He explores how we can share our planet with the understanding that it is a matter of human dignity for all people to have a safe place to call home. In sharing these inspiring stories and hope-filled futures, Rouse assures us the United States is still a nation of promise made richer by its diversity.

About the Book: Borders Bridges Belonging is a tale of two strikingly different worlds, and a journey through many layers of India - rural, small-town, urban, and global. The story begins with a family of farmers leaving their land and finding a home along the border during the partition of India. ‘With curiosity, I asked for the location of Hindustan. To which came a loud response, ‘Fitte Muh, right here, where we are sleeping; where else do you think?’ With many migrations, strong faith in education and constant pursuit of dreams, brings the author from her village to the American heartland. ‘I grew up in a society that had embraced the darkness they had inherited, and I was living in one which was burning its own houses down for light. Was there really no middle way?’ The book becomes a panoramic and personal view of many Indias that occasionally knock on the doorsteps of each other. It is a hope-inspiring tapestry that weaves the journey of a village family along with India's slow but upward growth in education, democracy, economy, and gender equality. With its shares of chuckles and lighthearted moments to deep reflections, the journey becomes a moving memoir, showing how belonging to different Indias really feels. It leaves us meditating on the role we play in being a bridge to the other part. About the Author: Premlata Poonia grew up in the remote village of Likhmewala in Rajasthan, along the India-Pakistan border. With multiple migrations, she completed her BA from Maharani’s College, Jaipur, and her Masters from IMT Ghaziabad. Later, she moved to the United States to pursue an MBA at the University of Michigan, following which she lived and worked in the small town of Columbus in Indiana. After a decade in the US, she returned to her village to start an initiative for girls’ education and empowerment, Hamari Laado. Borders Bridges Belonging is her first book.

As the “Seeing Eye Girl” for her blind, artistic, and mentally ill mother, Beverly Armento was intimately connected with and responsible for her, even though her mother physically and emotionally abused her. She was Strong Beverly at school—excellent in academics and mentored by caring teachers—but at home she was Weak Beverly, cowed by her mother’s rage and delusions. Beverly’s mother regained her sight with two corneal transplants in 1950 and went on to enjoy a moment of fame as an artist, but these positive turns did nothing to stop her disintegration into her delusional world of communists, radiation, and lurking Italians. To survive, Beverly had to be resilient and hopeful that better days could be ahead. But first, she had to confront essential ethical issues about her caregiving role in her family. In this emotional memoir, Beverly shares the coping strategies she invented to get herself through the trials of her young life, and the ways in which school and church served as refuges over the course of her journey. Breaking the psychological chains that bound her to her mother would prove to be the most difficult challenge of her life—and, ultimately, the most liberating one.

Grace can’t find a desperately needed roommate, so she takes a gamble and decides to host an exchange student. When the student turns out to be in college and just a few years older than her, not to mention extremely cute, Grace is flustered and withdraws. When an accident forces her to spend time with Lenka, she realizes just how much they have in common. Lenka is so excited about her year in America. She’s going to love New York not only because she wants to work for the UN, but also because it’s where her girlfriend lives. She plans to practice her English with a large host family, so when she’s matched with a single woman living in Portland, she’s crushed. Only it turns out that she loves Portland, things with her girlfriend aren’t as they seem, and Grace’s house begins to feel like home. Grace and Lenka never expected to fall in love. Is home really where the heart is if it means giving up your dreams?