In this first book on No. 44 in thirty years, thirteen especially commissioned essays by some of today's most accomplished Twain scholars cover an array of topics, from domesticity and transnationalism to race and religion, and reflect a variety of scholarly and theoretical approaches to the work. This far-reaching collection considers the status of No. 44 within Twain's oeuvre as they offer cogent insights into such broad topics as cross-culturalism, pain and redemption, philosophical paradox, and comparative studies of the "Mysterious Stranger" manuscripts. All of these essays attest to the importance of this late work in Twain's canon, whether considering how Twain's efforts at truth-telling are premeditated and shaped by his own experiences, tracing the biblical and religious influences that resonate in No. 44, or exploring the text's psychological dimensions. Several address its importance as a culminating work in which Twain's seemingly disjointed story lines coalesce in meaningful, albeit not always satisfactory, ways. An afterword by Alan Gribben traces the critical history of the "Mysterious Stranger" manuscripts and the contributions of previous critics. A wide-ranging critical introduction and a comprehensive bibliography on the last century of scholarship bracket the contributions. Close inspection of this multidimensional novel shows how Twain evolved as a self-conscious thinker and humorist--and that he was a more conscious artist throughout his career than has been previously thought. Centenary Reflections deepens our understanding of one of Twain's most misunderstood texts, confirming that the author of No. 44 was a pursuer of an elusive truth that was often as mysterious a stranger as Twain himself.

Heretical Fictions is the first full-length study to assess the importance of Twain’s heretical Calvinism as the foundation of his major works, bringing to light important thematic ties that connect the author’s early work to his high period and from there to his late work. Berkove and Csicsila set forth the main elements of Twain’s “countertheological” interpretation of Calvinism and analyze in detail the way it shapes five of his major books—Roughing It, The Adventures of Tom Sawyer, Adventures of Huckleberry Finn, A Connecticut Yankee in King Arthur's Court, and No. 44, The Mysterious Stranger—as well as some of his major short stories. The result is a ground-breaking and unconventional portrait of a seminal figure in American letters.

"Winner of the Elizabeth Agee Prize in American literary studies Susan K. Harris retraced the journey of the literary icon as he made his way around the British Empire on his infamous 1895-1896 lecture tour. Part biography, part literary criticism, and part travel memoir, Harris' study offers a unique take on one of America's most widely studied writers while attempting to situate Mark Twain's social commentary within a contemporary worldview. As Harris makes her way through Australia, India, and South Africa-seeing for herself the people and places Twain experienced-she also undertakes a journey of self-exploration and what her relationship with Mark Twain means. After his disastrous investment in the Paige Compositor typesetting machine, Mark Twain found himself bankrupt. Determined to repay his debts, he undertook a thirteen-month lecture tour around the British Empire-visiting Fiji, Australia, New Zealand, India, Mauritius, and South Africa. After the tour, Twain published Following the Equator, a travelogue in which he recorded his observations and social commentary on the places he visited. Although Twain was generally known to criticize racism, bigotry, and imperialism, his financial situation meant he was willing to write to his audience's expectations in order to sell more books. This lead to the imbuement of Following the Equator with the racial and cultural biases of the era. Following the Equator went on to be a success, virtually propelling him out of debt, but now contemporary scholars and readers are left to make sense of Twain's often inconsistent observations, to figure out how to situate Twain's legacy in a new era. 'Mark Twain, the World, and Me' aims to do just that. More than 100 years after Twain's journey, Susan K. Harris follows him through Australia, India, and South America, tracing the themes and issues present in Following the Equator, addressing them head on, and using them as an occasion for comparing his era to our own. Her account covers a variety of topics, such as the conundrum that Hinduism presented to Protestant Americans of the 19th century, the clash of civilizations between Australian Aborigines and white settlers, the environmental devastation brought on by settler eradication policies, and more"--

Tracks the genesis and evolution of Twain's reputation as a writer, revealing how and why the writer has been under fire since the advent of his career.

The postbellum period saw many privileged Americans pursuing a civilized ideal premised on insulation from pain. Medico-scientific advances in anesthetics and analgesics and emergent religious sects like Christian Science made pain avoidance seem newly possible. The upper classes could increasingly afford to distance themselves from the suffering they claimed to feel more exquisitely than did their supposedly less refined contemporaries and antecedents. The five US literary realists examined in this study resisted this contemporary revulsion from pain without going so far as to join those who celebrated suffering for its invigorating effects. William Dean Howells, Henry James, Edith Wharton, Mark Twain, and Charles Chesnutt embraced the concept of a heightened sensitivity to pain as a consequence of the civilizing process but departed from their peers by delineating alternative definitions of a superior sensibility indebted to suffering. Although the treatment of pain in other influential nineteenth century literary modes including sentimentalism and naturalism has attracted ample scholarly attention, this book offers the first sustained analysis of pain's importance to US literary realism as practiced by five of its most influential proponents.

Examines Mark Twain's writing of Huckleberry Finn, calling into question commonly held interpretations of the work on the subjects of youth, youth culture, and race relations, based on research into the social preoccupations of the era in which it was written.

The last novel written by Mark Twain. It was a serious criticism of the human race. He made three attempts to produce this book. It is not a final work product but worthwhile to understand the great writer's life.

Includes 4 memorable selections spanning the career of famed American humorist: "The Notorious Jumping Frog of Calaveras County," "The 1,000,000 Bank Note," "The Man That Corrupted Hadleyburg," and "The Mysterious Stranger."