After years in the doldrums, there has been a resurgence of interest in figurative ceramics. In this book, a well-known ceramic artist looks over the past 25 years and selects 100 of the most important artists working with ceramic figures.

This volume describes and illustrates the ceramic figurines excavated at the Maya site of Tikal, Guatemala, from 1956 through 1969. The collection includes both hand modeled and mold-made figures, human and animal, as well as related ceramic objects including figurine molds, flutes, and panpipes. The figurines are classified by subject matter, and the site distribution and dating discussed. These figurines are the largest excavated collection of ceramic figurines from a Maya site, and one of the major artifact categories from the site of Tikal. Most of the classifiable pieces are illustrated at a scale that allows comparison with similar objects from other Maya sites. The purpose of this volume is the presentation of the material from the site of Tikal; comparative material is limited.

This volume contains 4 papers focusing on terracotta figurines of the ancient Near East that were delivered at one of three sessions of the Annual Meeting of the American Schools of Oriental Research in 2009, 2010, and 2011.

Illustrates the approach of nine master ceramists in sculpting the human figure, with each artist discussing personal techniques and the attractions and challenges of each working method.

This pioneering collection of essays deals with the topic of how Irish literature responds to the presence of non-Irish immigrants in Celtic-Tiger and post-Celtic-Tiger Ireland. The book assembles an international group of 18 leading and prestigious academics in the field of Irish studies from both sides of the Atlantic, including Declan Kiberd, Anne Fogarty and Maureen T. Reddy, amongst others. Key areas of discussion are: what does it mean to be 'multicultural' and what are the implications of this condition for contemporary Irish writers? How has literature in Ireland responded to inward migration? Have Irish writers reflected in their work (either explicitly or implicitly) the existence of migrant communities in Ireland? If so, are elements of Irish traditional culture and community maintained or transformed? What is the social and political efficacy of these intercultural artistic visions? Writers discussed include Hugo Hamilton, Roddy Doyle, Colum McCann, Éilís Ní Dhuibhne, Dermot Bolger, Chris Binchy, Michael O'Loughlin, Emer Martin, and Kate O'Riordan.

"Diverse environments, from low-lying marshlands to naturally terraced hillsides to rugged mountains of pine and oak forest, afforded many opportunities for well-being to the inhabitants of what are now the modern Mexican states of Colima, Jalisco, and Nayarit. In the seven-hundred-year period between 300 B.C. and A.D. 400, local hierarchies flourished, power was concentrated in increasingly fewer hands, and the wealthier members of the communities established family lineages that remained intact for many generations." "The compelling importance of place and family is reflected in the size, locations, and contents of the major tombs of that period; often situated near or under dwellings, these were deeply buried shaft-and-chamber tombs. One set of conjoined tombs, excavated in 1993 at the site of Huitzilapa in the Magdalena basin of northern Jalisco, held six personages, five of whom were close family relatives. Well over one hundred ceramic works accompanied the interred, together with conch-shell trumpets, tens of thousands of shell beads, and objects of jade, obsidian, and quartz, testifying to the family's wealth. Many of the ceramic objects were vessels and bowls for food and drink, but there were large, three-dimensional human figures as well, among them one depicting a ballplayer." "The focus of Heritage of Power: Ancient Sculpture from West Mexico. The Andrall E. Pearson Family Collection consists of over forty of these artistically appealing figures, which represent all three of the major styles - and sub-styles - that make up the body of West Mexican ceramic sculpture, named for the states of Colima, Jalisco, and Nayarit." "Included are an introductory illustrated essay, catalogue entries that discuss each of the works in detail - all of them shown in color and, often, in multiple views - and a selected bibliography."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved