This title was first published in 2000. Most of the papers in this volume were given at a day conference held at Heythrop College, aimed at discussing challenging women's orthodoxies in the context of faith. The book acts as an indication that gender matters in the understanding and living of faith.

The most popular source of theological hope for modern Christians is that of Jurgen Moltmann. Preachers, teachers, and lay people reflect Moltmann's influence, with their hope in a this-worldly eschatology and suffering God. However, an exclusive reliance on that hope deprives the church of crucial resources in the face of global economic, environmental, and military crises. Our Only Hope explores Moltmannian hope and considers its costs before looking elsewhere for additional contributions, from Thomas Aquinas' theological virtue of hope to nihilism and beyond, in order to encourage the church to sustain and practise hope in Jesus Christ, our only hope.

This book introduces feminist perspectives in pastoral theology. It is concerned both with pastoral care and practice and also with pastoral theology and theory. It seeks to explore why the inclusion of women's experiences and of feminist perspectives is of vital importance to Christian pastoral practice and to a Christian understanding of God. The book is designed for concerned practitioners and also has specifically in mind the needs of students of pastoral theology. It begins with the lived experience of violence in Church and society, moving through to the implications of this for our understanding of the human community and the divine.

Vols. 8-10 of the 1965-1984 master cumulation constitute a title index.

Liberalism and Orthodoxy can only be succesfull as strategies for coping with change in society when they will be able to outline a recognisable and authentic framework for religiously informed pratcises and ethics.

Numerous contemporary theologians depict divine glory as overwhelming to or competitive with human agency. In effect, this makes humanity a threat to God's glory, and causes God's glory to remain opaque to human enquiry and foreign to human life. Karl Barth and Hans Urs von Balthasar have avoided this tendency, instead depicting God's glory as enabling people to participate in glorifying God. Nevertheless both accounts fall short of their initial promise by giving one-dimensional accounts of human obedience to God within largely conventional divine command accounts of ethics. The form of human obedience they present as compatible with divine glory does not actively overwhelm the human, but rather brackets out her agency as inappropriate in the face of divine revelation or command. And so, ironically, on these accounts God's glory remains opaque to human enquiry and foreign to human life. This study builds a case for seeing divine glory as intrinsically relational, creating a sociality which allows for a human agency transfigured by God's glory. Moving beyond Barth and von Balthasar, this work turns to theological exegesis of Scripture to construct an alternative account of divine glory. This glory is worked out in the act of glorifying: first in God, then in divine glorifying of humans, creating a responsive human glorifying of God; and finally in processes of honouring or glorifying among humans. Divine glory is shown to be consistent with a responsive and creative human obedience to God, and shown to constitute human agency which is creaturely and dependent yet not overwhelmed.

Offering a broad and eclectic approach to the experience and activities of early modern women, Challenging Orthodoxies presents new research from a group of leading voices in their respective fields. Each essay confronts some received wisdom, ’truth’ or orthodoxy in social and cultural, scientific and intellectual, and political and legal traditions, to demonstrate how women from a range of social classes could challenge the conventional thinking of their time as well as the ways in which they have been traditionally portrayed by scholars. Subjects include women's relationship to guns and gunpowder, the law and legal discourse, religion, public finances, and the new science in early modern Europe, as well as women and indentured servitude in the New World. A testament to the pioneering work of Hilda L. Smith, this collection makes a valuable contribution to scholarship in women’s studies, political science, history, religion and literature.

This book is the first work that comprehensively presents the accounts of Lia Eden, a former flower arranger who claims to have received divine messages from the Archangel Gabriel and founded the divine Eden Kingdom in her house in Jakarta. This book places Lia Eden’s prophetic trajectory in the context of diverse Indonesian spiritual and religious traditions, by which hundreds of others also claimed to have been commanded by God to lead people and to establish religious groups. This book offers a fresh approach towards the rich Indonesian religious and spiritual traditions with particular attention to the accounts of the emergence of indigenous prophets who founded some popular religions. It presents the history of prophetic tradition which remains alive in Indonesian society from the colonial to reform period. It also explores the ways in which these prophets rebelled against two hegemonies: colonial power in the past and Islamic orthodoxy in the present. The discussion of this book focuses on Lia Eden including her biography, claims to prophethood and divinity, the development of her group Eden Kingdom, her challenge to Islamic orthodoxy under the banner of the MUI (Indonesian Ulama Council), her persecution by radical groups, her experiences in court trials and imprisonment, and public responses to her emergence. The discussion also covers other themes currently drawing public attention in Indonesia, such as pluralism, religious freedom, tolerance, discrimination against minorities, and secularisation.

Heaney traces the hidden history of music's presence in Christian thought, including its often unrecognized influence on key figures such as von Balthasar, Barth and Bonhoeffer. She uses Lonergan's theological framework to explore musical composition as a theological act, showing why, when and how music is a useful symbolic form. The book introduces eleven ground-breaking theologians, and each chapter offers an entry point into the thought of the theologian being presented through an original piece of music, which can be found on the companion website: https://bloomsbury.pub/suspended-god. Heaney argues that music is a universally important means of making sense of life with which theology needs to engage as a means of expression and of development. Musical composition is presented as an appropriate and even necessary form of doing theology in its quest to engage with the past, mediate truth to the present and tradition it into the future.