Chambers Dictionary of Music is a compact book with a clear layout and straightforward definitions that make it an ideal resource for music students and general readers alike. Packed with essential information, it is also a handy reference for those with a more detailed knowledge of music. The material has been selected and edited by members of the U.K.'s Open University, where it will be used as a coursebook. Highlights include - More than 7,500 entries - Illustrative examples and excerpts from musical works - History and usage of musical instruments - Biographical information on composers, conductors, musicologists, and music theorists

A musician's vocabulary needs more than Do, Re, Mi... Written in clear, concise, easy-to-understand language, The Complete Idiot's Guide® Music Dictionary covers a multitude of musical aspects indispensable to any musician. Author and music professor Stanford Felix has compiled the most commonly found terms and explains them in a way that even the most novice musician can comprehend. • The only dictionary geared toward the beginner musician • Gives clear, concise definitions of terms, theories, and instruments, as well as important works, musicians, and composers

There is a queue, the phone is ringing, the photocopier has jammed and your enquirer is waiting for a response. You are stressed and you can feel the panic rising. Where do you go to find the information you need to answer the question promptly and accurately? Answering queries from users is one of the most important services undertaken by library and information staff. Yet it is also one of the most difficult, least understood subjects. There are still very few materials available to help frontline staff - often paraprofessional - develop their reader enquiry skills. This award-winning sourcebook is an essential guide to where to look to find the answers quickly. It is designed as a first point of reference for library and information practitioners, to be depended upon if they are unfamiliar with the subject of an enquiry - or wish to find out more. It is arranged in an easily searchable, fully cross-referenced A-Z list of around 150 of the subject areas most frequently handled at enquiry desks. Each subject entry lists the most important information sources and where to locate them, including printed and electronic sources, relevant websites and useful contacts for referral purposes. The authors use their extensive experience in reference work to offer useful tips, warn of potential pitfalls, and spotlight typical queries and how to tackle them. This new edition has been brought right up-to-date with all sources checked for currency and many new ones added. The searchability is enhanced by a comprehensive index to make those essential sources even easier to find - saving you valuable minutes! Readership: Offering quick and easy pointers to a multitude of information sources, this is an invaluable reference deskbook for all library and information staff in need of a speedy answer, in reference libraries, subject departments and other information units.

This is the third English Dictionary which the present Editor has prepared, and he may therefore lay claim to an unusually prolonged apprenticeship to his trade. It is surely unnecessary for him to say that he believes this to be the best book of the three, and he can afford to rest content if the Courteous Reader receive it with the indulgence extended to his Library Dictionary, published in the spring of 1898. It is based upon that work, but will be found to possess many serviceable qualities of its own. It is not much less in content, and its greater relative portability is due to smaller type, to thinner paper, and still more to a rigorous compression and condensation in the definitions, by means of which room has been found for many additional words. The aim has been to include all the common words in literary and conversational English, together with words obsolete save in the pages of Spenser, Shakespeare, Milton, and the Authorised Version of the Bible. An attempt has been made also to include the common terms of the sciences and the arts of life, the vocabulary of sport, those Scotch and provincial words which assert themselves in Burns, Scott, the Brontës, and George Eliot, and even the coinages of word-masters like Carlyle, Browning, and Meredith. Numberless compound idiomatic phrases have also been given a place, in each case under the head of the significant word.

These substantial volumes present the fullest account yet published of the lexicography of English from its origins in medieval glosses, through its rapid development in the eighteenth century, to a fully-established high-tech industry that is as reliant as ever on learning and scholarship. The history covers dictionaries of English and its national varieties, including American English, with numerous references to developments in Europe and elsewhere which have influenced the course of English lexicography. Part one of Volume I explores the early development of glosses and bilingual and multilingual dictionaries and examines their influence on lexicographical methods and ideas. Part two presents a systematic history of monolingual dictionaries of English and includes extensive chapters on Johnson, Webster and his successors in the USA, and the OED. It also contains descriptions of the development of dictionaries of national and regional varieties, and of Old and Middle English, and concludes with an account of the computerization of the OED. The specialized dictionaries described in Volume II include dictionaries of science, dialects, synonyms, etymology, pronunciation, slang and cant, quotations, phraseology, and personal and place names. This volume also includes an account of the inception and development of dictionaries developed for particular users, especially foreign learners of English. The Oxford History of English Lexicography unites scholarship with readability. It provides a unique and accessible reference for scholars and professional lexicographers and offers a series of fascinating encounters with the men and women involved over the centuries in the making of works of profound national and linguistic importance.

This book discusses literary and dramatic aspects of musical works for voices and instruments performed in English theatres (c.1650 and 1750).

Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.