14. "Taking New Heart": Organized Labor and the Postwar Strikes -- 15. "Eyes to the Future": Chicago in 1919 -- Notes -- Index -- About the Author -- Back Cover

Through the Hart-Celler Act of 1965, Islam in America underwent a dramatic transformation. In the city of Chicago, African American and immigrant Muslims increasingly came into contact and collaboration with each other. Aided by shifts in American foreign and domestic policies, and the increasing interconnectivity of Arab states with American Muslims, the character and scope of community development and religious practice changed under the leadership of a new generation of American Muslims. Envisioning themselves as part of a single “ummah,” leaders of various Muslim communities worked to build understanding, consolidate organizations, and share time and space with their co-religionists. Through their actions, racial, cultural, linguistic, and ideological barriers were no longer be irreconcilable differences. Utilizing documents from groups like the MCC, MSA, and NOI, this book emphasizes the on-the-ground actions of Chicago-based Muslims in reimagining and building the ummah in America. In doing so, Chicago Muslims and the Transformation of American Islam offers a new approach to understanding the complex and oft-disparate stories of American Muslim life during this era.

American cities are in the midst of fundamental changes. De-industrialization of large, aging cities has been enormously disruptive for urban communities, which are being increasingly fragmented. Though often overlooked, religious organizations are important actors, both culturally and politically in the restructuring metropolis. Public Religion and Urban Transformation provides a sweeping view of urban religion in response to these transformations. Drawing on a massive study of over seventy-five congregations in urban neighborhoods, this volume provides the most comprehensive picture available of urban places of worship-from mosques and gurdwaras to churches and synagogues-within one city. Revisiting the primary site of research for the early members of the Chicago School of urban sociology, the volume focuses on Chicago, which provides an exceptionally clear lens on the ways in which religious organizations both reflect and contribute to changes in American pluralism. From the churches of a Mexican American neighborhood and of the Black middle class to communities shared by Jews, Christians, Hindus, and Muslims and the rise of "megachurches," Public Religion and Urban Transformation illuminates the complex interactions among religion, urban structure, and social change at this extraordinary episode in the history of urban America.

With the help of Elan Penn's glorious images, university professor and public historian Dennis Cremin leads us on a spectacular tour of the windy city. Visit beloved landmarks and great institutions, such as the Water Tower, Hull House, and Navy Pier, and learn about Chicago's history from the settlement days to the grand metropolis we know today. Celebrate world-renowned cultural sites, such as the Art Institute, Field Museum, Shedd Aquarium, as well as brilliant newcomers, including the Mexican Fine Arts Museum. Walk through the beautiful city-created Millennium Park, a spectacular result of the partnership between public and private sectors. Gaze at the economic, political, and artistic structures that marked Chicago's budding cityscape in the past, and still remain today: the Stock Yards Entrance, Pilgrim Baptist Church, and Lincoln Park's Bates Fountain. This collection truly captures the essence of a great city.

How do film and television makers around the world depict public housing? Why is public housing so often chosen as the backdrop for drama, horror, social critique, rebellion, violence, artistic creativity, explorations of race relations and political intrigue? Home Screens answers these questions by examining the ways in which socialized housing projects around the world are represented on screen. The volume brings together a diverse group of interdisciplinary scholars, who explore documentary and fictional portrayals of the architecture of public housing, and the communities that inhabit it, ranging from the 1950s to the present. Examining international film and media texts such as Die Architekten (1990), Swagger (2016), Cooley High (1975), Mee-Pok Man (1995), Treme (2010–2013), Mamma Roma (1962), The Pruitt-Igoe Myth (2011), and Below the Lion Rock (1972–1976), essays within this book consider public and private attitudes toward socialised housing, explaining how onscreen representations shape perceptions of these ubiquitous, often-stigmatized urban locations.

This study examines the genesis of Chicago's two identified literary renaissance periods (1890-1920 and 1930-1950) through the writings of Dreiser, Hughes, Wright, and Farrell. The relationship of these four writers demonstrates a continuity of thought between the two renaissance periods. By noting the affinities of these writers, patterns such as the rise of the city novel, the development of urban realism, and the shift to modernism are identified as significant connections between the two periods. Although Dreiser, Wright, and Farrell are more commonly thought of as Chicago writers, this study argues that Langston Hughes is a transitional, pivotal figure between the two periods. Through close readings and contextualization, the influence of Chicago writing on American literature--in such areas as realism and naturalism, as well as proletarian and ethnic fiction--becomes apparent.

Out and Proud in Chicago takes readers through the long and rich history of the city's LGBT community. Lavishly illustrated with color and black-and white-photographs, the book draws on a wealth of scholarly, historical, and journalistic sources. Individual sections cover the early days of the 1800s to World War II, the challenging community-building years from World War II to the 1960s, the era of gay liberation and AIDS from the 1970s to the 1990s, and on to the city's vital, post-liberation present.

This engrossing tale of gangs and organized criminality begins in the frontier saloons situated in the marshy flats of Chicago, the future world class city of Mid-continent. Gangland Chicago recounts the era of parlor gambling, commercialized vice districts continuing through the bloody Prohibition bootlegging wars; failed reform movements; the rise of post-World War II juvenile criminal gangs and the saga of the Blackstone Rangers in a chaotic, racially divided city. , Gang violence and street crime is endemic in contemporary Chicago. There is much more to the saga of crime, politics, and armed violence than Al Capone and John Dillinger. Gangland Chicago explores the changing patterns of criminal behavior, politics, gangs, youth crime and the failures of reform in its historic totality. Richard Lindberg takes the reader on a journey through decades of a troubled past to delve deep into the evolution of street gangs and organized violence endemic in Chicago. Small ethnic gangs organized in ethnic slum districts of the city expanded into the well-known organized crime syndicates of Chicago’s history. Gangland Chicago is full of stories of unchecked violence, lawlessness, and mayhem. Unlike other standard true crime accounts focused exclusively on the Prohibition era, this historical look-back probes the obscure and forgotten dark corners of city crime history. Lindberg details how both “organized” and “dis-organized” street gangs have paralyzed city neighborhoods and transformed the crimes of the Windy City from street thuggery and common ruffians protected and nurtured by politicians into a protected class is gripping. Gangland Chicago is a revealing look at the Chicago underworld of yesterday and today. This comprehensive volume is sure to entertain and inform any reader interested in the evolution of organized crime and gangs in America’s most representative city of the American Heartland.

A fascinating history of Chicago's innovative and invaluable contributions to American literature and art from the late nineteenth to the mid-twentieth century This remarkable cultural history celebrates the great Midwestern city of Chicago for its centrality to the modernist movement. Author Liesl Olson traces Chicago's cultural development from the 1893 World's Fair through mid-century, illuminating how Chicago writers revolutionized literary forms during the first half of the twentieth century, a period of sweeping aesthetic transformations all over the world. From Harriet Monroe, Carl Sandburg, and Ernest Hemingway to Richard Wright and Gwendolyn Brooks, Olson's enthralling study bridges the gap between two distinct and equally vital Chicago-based artistic "renaissance" moments: the primarily white renaissance of the early teens, and the creative ferment of Bronzeville. Stories of the famous and iconoclastic are interwoven with accounts of lesser-known yet influential figures in Chicago, many of whom were women. Olson argues for the importance of Chicago's editors, bookstore owners, tastemakers, and ordinary citizens who helped nurture Chicago's unique culture of artistic experimentation. Cover art by Lincoln Schatz

Based on long-term ethnographic fieldwork among older Mexican migrants in Chicago, Franziska Bedorf investigates the phenomenon of return migration by tracing how people's intentions to go back change over time. Considering global labour mobility, she examines transformations of belonging and the wider economic, political, social and cultural frameworks that shape them. Against the backdrop of debates on integration, transnationalism and belonging, the study explores why migrants keep and form attachments to and detachments from places, people and cultures.