Cuando Chicanos: Our Background and Our Pride de Nephtalí de León fue publicado por primera vez en 1972 fue prohibido por el Sistema Público de Bibliotecas de Dallas (Texas) y su autor fue «escoltado fuera» de la escuela a la que asistía (Lubbock High) por policías armados. En aquella época, la palabra «terrorista» no se utilizaba, pero fue acusado de «revolucionario». Esta obra apareció como acción y reacción contra las agencias de seguridad particularmente institucionalizadas de supremacía blanca. Este libro constituyó, y todavía constituye, una contribución pionera a un nuevo nacimiento trascendental: una nueva estética de un pueblo resucitado. En los Estados Unidos existe una guerra declarada contra los diez millones de chicanos y este libro es un testimonio del espíritu imperecedero de supervivencia en una lucha continua.

This book provides original source documents—from firsthand accounts to media responses to legislation—regarding the Chicano movement of the 1960s through 1970s. Readers will understand the key events, individuals, and developments of La Causa: Chicanos uniting to free themselves from exploitation. The 1960s was a time of the burgeoning black Civil Rights movement, when society and politics were divided over the war in Vietnam and public violence became "normal" in the form of police response to protests and assassinations of leaders. It was also a time that witnessed the beginning of a movement to secure justice and rights on behalf of Mexican-Americans and other Latinos. It was the Chicano movement. Documents of the Chicano Movement: Eyewitness to History presents some 50 primary historical documents, each prefaced by a succinct introductory essay. Because the Chicano movement comprised disparate groups and leaders from across the nation, the book will be divided into several sections that acknowledge these separate but connected efforts, each headed by its own introduction. Through its detailed coverage of approximately two decades, the book highlights key topics that include the fight of farm workers to establish a union; the so-called "Land-Grant Struggle" to reclaim areas of the Southwest ceded in the Treaty of Guadalupe Hildago; the establishment in New Mexico of the Crusade for Justice, an organization that promoted a nationalistic agenda; the growth of the urban Chicano student movement and its drive for educational reform; the Chicano Antiwar Moratorium protests; and the eventual rise of Chicano political power with the birth of the La Raza Unida Party. The breadth of primary documents include materials from archives, manuscript repositories, newspapers, government documents, public speeches and addresses, first-person accounts from individuals who participated directly in the Chicano movement, legal decisions, pamphlets, and essays. The documents not only tell a vivid, engaging story but also provide students and researchers with valuable resources for use in other works.

Labor leader, social justice advocate, Chicano leader, and humanitarian are only some of the multifaceted renderings of César Chávez. Ilan Stavans has compiled essays and first-person narratives that capture the multiple dimensions of this storied figure. To that end, Stavans's collection of timely articles separates fact from fiction, or as he puts it the "objective is the opposite of hagiography." Broken into two sections, César Chávez explores a variety of topics central to understanding the actual person instead of a shadowy apparition. The first part, "Considerations" offers critical assessments of Chávez's life that utilize different approaches to understanding his life, including cultural studies critiques, historical narrative that provide invaluable context, and even eulogies following his untimely death. The second section, "Voices" includes personal reflections on Chávez's life that explore his religiosity, his role as an "everyman," and the decline of the United Farm Workers union. The title is certain to assist readers in better comprehending this groundbreaking labor leader.

In the early 1990s, a major exhibition Chicano Art: Resistance and Affirmation, 1965-1985 toured major museums around the United States. As a first attempt to define and represent Chicano/a art for a national audience, the exhibit attracted both praise and controversy, while raising fundamental questions about the nature of multiculturalism in the U.S. This book presents the first interdisciplinary cultural study of the CARA exhibit. Alicia Gaspar de Alba looks at the exhibit as a cultural text in which the Chicano/a community affirmed itself not as a "subculture" within the U.S. but as an "alter-Native" culture in opposition to the exclusionary and homogenizing practices of mainstream institutions. She also shows how the exhibit reflected the cultural and sexual politics of the Chicano Movement and how it serves as a model of Chicano/a popular culture more generally. Drawing insights from cultural studies, feminist theory, anthropology, and semiotics, this book constitutes a wide-ranging analysis of Chicano/a art, popular culture, and mainstream cultural politics. It will appeal to a diverse audience in all of these fields.