"Children of the Ghetto ... documents the lives of immigrant Jews who lived and worked in the Yiddish-speaking streets and densely packed alleys emptying into Petticoat Lane, the East End bazaar that was both marketplace and communal watering hole. His portrayal of the uncertain situation of 'his people,' which all too often had been painted in dreadfully sombre tones by earnest social reformers and drum-beating evangelists, is insightfully told with affectionate honesty and wryness of humour"--Page 4 of cover.

DigiCat Publishing presents to you this special edition of "Children of the Ghetto: A Study of a Peculiar People" by Israel Zangwill. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

“The Children of the Ghetto” is a 1892 novel by British author Israel Zangwill (1864–1926). The first book in Zangwill's “of the Ghetto" books, which offers an insight into the generation of Jewish immigrants caught between the ghetto and modern British life in the late nineteenth century. When first published this book brought him instant international fame. A fascinating and thought-provoking novel not to be missed by those who have read and enjoyed other works in Zangwill's “of the Ghetto" series. Zangwill was a leading figure in cultural Zionism during the 19th century, as well as close friend of father of modern political Zionism, Theodor Herzl. In later life, he renounced the seeking of a Jewish homeland in Palestine. Other notable works by this author include: “Dreamers of the Ghetto” (1898) and “Ghetto Tragedies” (1899). Highly recommended for fans and collectors of Zangwill's seminal literature. This classic work is being republished now in a new edition complete with an introductory chapter from “English Humourists of To-Day” by J. A. Hammerton.

In his historic play The Melting Pot, Israel Zangwill (1864-1926) introduced into our discourse a potent metaphor that for nearly a hundred years has served as a key definition of the United States. The play, enthusiastically espoused by President Theodore Roosevelt, to whom it was dedicated, offered a grand vision of America as a dynamic process of ethnic and racial amalgamation. By his own admission, The Melting Pot grew out of Zangwill's intense involvement in issues of Jewish immigration and resettlement and was grounded in his interpretation of Jewish history. Zangwill, Anglo Jewry's most renowned writer, began writing seriously for the stage in the late 1890s. At the time, the negative stereotype of the so-called Stage Jew was still deeply entrenched in the theatrical mainstream, so much so that Jewish playwrights writing for the English-language stage avoided altogether the portrayal of Jewish life. Zangwill shattered this silence in 1899 with the American premiere of Children of the Ghetto-his first full-length drama, and the first English-language play devoted in its entirety to the depiction of Jewish life in an authentic and positive fashion. The play's groundbreaking production drew tremendous attention and generated heated debates, but since the script was never published, the memory of the passions it generated dimmed, and its whereabouts eventually became unknown. After more than a century, theater historian Edna Nahshon has discovered the original manuscript of this milestone text, as well as that of another unpublished Zangwill play, The King of Schnorrers, and the original version of The Melting Pot. Nahshon brings these three works together in print for the first time in From the Ghetto to the Melting Pot. Edna Nahshon's in-depth introduction to this volume includes a biography of Israel Zangwill that especially pertains to these works and situates them within the Anglo-American theater of the time. The essays preceding each play provide rich and hitherto unknown information on the scripts, their stage productions, and their popular and critical reception. While some issues addressed in From the Ghetto to the Melting Pot are uniquely Jewish, others are universal and typical of the negotiation of self-presentation by ethnic and minority groups, particularly within the American experience.

People who have been living in a Ghetto for a couple of centuries, are not able to step outside merely because the gates are thrown down, nor to efface the brands on their souls by putting off the yellow badges. The isolation imposed from without will have come to seem the law of their being. But a minority will pass, by units, into the larger, freer, stranger life amid the execrations of an ever-dwindling majority. For better or for worse, or for both, the Ghetto will be gradually abandoned, till at last it becomes only a swarming place for the poor and the ignorant, huddling together for social warmth. Such people are their own Ghetto gates; when they migrate they carry them across the sea to lands where they are not. Into the heart of East London there poured from Russia, from Poland, from Germany, from Holland, streams of Jewish exiles, refugees, settlers, few as well-to-do as the Jew of the proverb, but all rich in their cheerfulness, their industry, and their cleverness. The majority bore with them nothing but their phylacteries and praying shawls, and a good-natured contempt for Christians and Christianity. For the Jew has rarely been embittered by persecution. He knows that he is in Goluth, in exile, and that the days of the Messiah are not yet, and he looks upon the persecutor merely as the stupid instrument of an all-wise Providence. So that these poor Jews were rich in all the virtues, devout yet tolerant, and strong in their reliance on Faith, Hope, and more especially Charity.