Heart-stopping and gripping, this classic Diney Costeloe story shows the courage of one family in the face of great danger. Nineteenth-century Paris is in flames, houses ransacked, streets barricaded. Most people are fleeing the ravaged city, but the St Clair family have made a fateful decision – to return to Paris from their house in the country. As the horrors of the Commune and the ensuring siege engulf the St Clairs, little Helene falls ill and becomes separated from the family. Lost and alone, she must fend for herself on the war-torn streets.

Originally published as catalogue 100 of Antiquariaat FORUM in 10 issues between 1994-2002. With an extra issue with extensive indices. The print edition is available as a set of three volumes (9789061941392).

'The Invasion of 1910' is one of the most notable contributions to invasion literature. It focuses on an invasion by the Germans, who succeeded in landing a sizeable invasion force on the East Coast of England. The book takes the form of military history and contains excerpts from the characters' journals and letters and illustrations of the fictional German campaign.

The definitive history of one of the fiercest battles of World War II This definitive history of one of the fiercest battles of World War II describes the siege of Budapest in unprecedented detail. Both Stalin and Hitler demanded victory at all costs, and the cost was extreme: 80,000 Soviet troops, 38,000 German and Hungarian soldiers, and 38,000 Hungarian civilians perished. The book provides the first full account of this shocking battle. "As a military history [The Siege of Budapest] is unrivaled. . . . Magisterial."--John Lukacs, New York Review of Books "An exceedingly dramatic book, filled with fascinating stories, some of them even humorous, and with heart-rending accounts of suffering, limitless cruelty, and amazing decency."--István Deák, New Republic "Ungváry has written a dramatic, gripping history of this siege, filling a gap in WWII history."--Choice

War movies have long been the most influential genre in Russian cinema, so much so that in the Soviet Union's militaristic society, "cinema front" was used to describe the film industry itself. Denise J. Youngblood, an internationally recognized authority on Russian and Soviet cinema, provides the first comprehensive guide to this long-neglected genre. In this illuminating study, Youngblood explores more than 160 fiction films on Russian conflicts from World War I to Chechnya. These movies represent a wide range of cinematic styles and critical receptions, with particular emphasis on films little known in the West but popular in the USSR. While not ignoring classic war films like Chapaev and The Cranes Are Flying, Youngblood introduces readers to the films that shaped and reflected Soviet views of war, like the rousing World War II favorite Two Warriors, the Thaw classic The Living and the Dead, and the Brezhnevian extravaganza Liberation. This remarkably humanistic body of work was often at odds with official policies and depicted the futility of war. Youngblood is especially insightful regarding the relationship between Stalinism, Socialist Realism, and filmmakers in creating the war film genre during an era marked by increasing militarization, conformism, and state terror and the importance of cinema in the World War II propaganda effort. Stalin's obsession with movies led to the "revisioning" of his role in the Civil War and the "Great Patriotic War." Yet, Youngblood argues, Soviet filmmakers were not mere puppets of repressive regimes. Indeed, some filmmakers subtly subverted official politics and history in the guise of art or Hollywood-style entertainment. She brings the story to the present by showing how post-Soviet Russian filmmakers have not only turned a critical eye on the recent wars in Afghanistan and Chechnya but are also revisiting the complex realities of World War II. Through her accessible narrative, Youngblood tells a fascinating story that will appeal equally to film aficionados and history buffs. By tracing the evolution of cinema through the twists and turns of both Soviet and post-Soviet society, she helps us the role movies played in 20th century Russia, not only in the making and unmaking of political myths but also in the "writing" of history.

**A TIMES, GUARDIAN, TELEGRAPH, SPECTATOR, THE CRITIC, MAIL ON SUNDAY, ECONOMIST AND PROSPECT BOOK OF THE YEAR** 'A gifted narrative historian, eloquent, graceful and witty; the stories she tells are the ones we all should know' Hilary Mantel It was a time of climate change and colonialism, puritans and populism, witch hunts and war . . . This is the story of a home that became a warzone. Basing House in Hampshire saw one of the longest and bloodiest sieges of the English Civil War. Defended for over two years by artists and aristocrats, actors and apothecaries, women and children, it became a symbol of royalist defiance and a microcosm of the wider conflict. Drawing on unpublished manuscripts and the voices of dozens of soldiers and civilians, award-winning historian Jessie Childs weaves a thrilling tale of war and peace, terror and faith, savagery and civilization. __________ 'Extraordinary, thrilling, immersive ... at times almost Tolstoyan in its emotional intelligence and literary power' Simon Schama 'Compellingly readable... [a] beautifully written and lucid account' Mail on Sunday 'Brilliant. Original. Gripping.' Antonia Fraser 'Beautifully written and gripping from first page to last. A sparkling book by one of the UK's finest historians' Peter Frankopan 'The Siege of Loyalty House is not only deeply researched. Childs has composed a wonderfully poetic narrative and adds a touch of the gothic' The Times 'Successfully brings the ghastliness of the period to life, dramatically, vividly and with pathos' Charles Spencer, Spectator