This ambitious work traces a social history of semicolonialism in late-nineteenth- and early-twentieth-century China. It takes as its central concern the intertwining of two antagonistic forces: elite constructions of modernity shaped globally, and an alternate line of peasant resistance and development. Nantong county and the northern portion of the commercially advanced Yangzi Delta form its focal points. Lying in the hinterland of and connected in myriad ways with the treaty port of Shanghai, which in the late nineteenth century became the center of imperialist activity in China, the northern delta is an ideal locale for examining how the acquisition, transmission, and contestation of power may have changed during the extended moment of semicolonial encounter. The author’s specific project is to unravel the multiple strands of the semicolonial process and thereby the dominant and alternative histories it embodied. In emphasizing semicolonialism as a structural context shaping events, the book opens up a pivotal but silent area in the history of modern China. In confronting the development of capitalism as a historical phenomenon and suggesting that its consequences for land and labor on a global scale need greater theoretical and historical scrutiny, the book forces a new understanding of China’s modernity. The book is in two parts. The first delineates key long-term dynamics in the political, economic, and social history of the area from the late Ming dynasty to the Opium Wars. The second part begins with an examination of the rise of modernist urban power in the context of accelerating growth in the textile and cotton trades, focusing on such topics as economic restructuring under Shanghai’s impetus, new forms of economic and political organization, and contention as well as cooperation within the urban elite. Turning to the countryside, the book then examines the regearing of the rural economy to the needs of urban capital, local and global; outlines the emergence of modern landlordism and other rural “capitalisms”; analyzes class formation in the peasantry associated with changes in labor organization, tenurial arrangements, and the gendered division of labor; and traces the coalescence of a distinctive political discourse through which peasants contested certain development schemes and advanced alternative conceptions of community and nation.

The Dine have been a pastoral people for as long as they can remember; but when livestock reductions in the New Deal era forced many into the labor market, some scholars felt that Navajo culture would inevitably decline. Although they lost a great deal with the waning of their sheep-centered economy, Colleen O'Neill argues that Navajo culture persisted. O'Neill's book challenges the conventional notion that the introduction of market capitalism necessarily leads to the destruction of native cultural values. She shows instead that contact with new markets provided the Navajos with ways to diversify their household-based survival strategies. Through adapting to new kinds of work, Navajos actually participated in the "reworking of modernity" in their region, weaving an alternate, culturally specific history of capitalist development. O'Neill chronicles a history of Navajo labor that illuminates how cultural practices and values influenced what it meant to work for wages or to produce commodities for the marketplace. Through accounts of Navajo coal miners, weavers, and those who left the reservation in search of wage work, she explores the tension between making a living the Navajo way and "working elsewhere." Focusing on the period between the 1930s and the early 1970s-a time when Navajos saw a dramatic transformation of their economy—O'Neill shows that Navajo cultural values were flexible enough to accommodate economic change. She also examines the development of a Navajo working class after 1950, when corporate development of Navajo mineral resources created new sources of wage work and allowed former migrant workers to remain on the reservation. Focusing on the household rather than the workplace, O'Neill shows how the Navajo home serves as a site of cultural negotiation and a source for affirming identity. Her depiction of weaving particularly demonstrates the role of women as cultural arbitrators, providing mothers with cultural power that kept them at the center of what constituted "Navajo-ness." Ultimately, Working the Navajo Way offers a new way to think about Navajo history, shows the essential resilience of Navajo lifeways, and argues for a more dynamic understanding of Native American culture overall.

Jeff Hornibrook provides a unique, microcosmic look at the process of industrialization in one Chinese community at the turn of the twentieth century. Industrialization came late to China, but was ultimately embraced and hastened to aid the state's strategic and military interests. In Pingxiang County in the highlands of Jiangxi Province, coalmining was seasonal work; peasants rented mines from lineage leaders to work after the harvest. These traditions changed in 1896 when the court decided that the county's mines were essential for industrialization. Foreign engineers and Chinese officials arrived to establish the new social and economic order required for mechanized mining, one that would change things for people from all levels of society. The outsiders constructed a Westernized factory town that sat uneasily within the existing community. Mistreatment of the local population, including the forced purchase of gentry-held properties and the integration of peasants into factory-style labor schemes, sparked a series of rebellions that wounded the empire and tore at the fabric of the community. Using stories found in memoirs of elite Chinese and foreign engineers, correspondence between gentry and powerful officials, travelogues of American missionaries and engineers, as well as other sources, Hornibrook offers a fascinating history of the social and political effects of industrialization in Pingxiang County.

This wide-ranging Companion provides a vital overview of modern Chinese literature in different geopolitical areas, from the 1840s to now. It reviews major accomplishments of Chinese literary scholarship published in Chinese and English and brings attention to previously neglected, important areas. Offers the most thorough and concise coverage of modern Chinese literature to date, drawing attention to previously neglected areas such as late Qing, Sinophone, and ethnic minority literature Several chapters explore literature in relation to Sinophone geopolitics, regional culture, urban culture, visual culture, print media, and new media The introduction and two chapters furnish overviews of the institutional development of modern Chinese literature in Chinese and English scholarship since the mid-twentieth century Contributions from leading literary scholars in mainland China and Hong Kong add their voices to international scholarship

A century of complex relations between Communists and workers in China In 2021, the Chinese Communist Party celebrated a century of existence. Since the Party’s humble beginnings in the Marxist groups of the Republican era to its current global ambitions, one thing has not changed for China’s leaders: their claim to represent the vanguard of the Chinese working class. Spanning from the night classes for workers organised by student activists in Beijing in the 1910s to the labour struggles during the 1920s and 1930s; from the turmoil of the Cultural Revolution to the social convulsions of the reform era to China’s global push today, this book reconstructs the contentious history of labour in China from the early twentieth century to this day (and beyond). This will be achieved through a series of essays penned by scholars in the field of Chinese society, politics, and culture, each one of which will revolve around a specific historical event, in a mosaic of different voices, perspectives, and interpretations of what constituted the experience of being a worker in China in the past century. Contributors: Corey Byrnes, Craig A. Smith, Xu Guoqi, Zhou Ruixue, Lin Chun, Elizabeth J. Perry, Tony Saich, Wang Kan, Gail Hershatter, Apo Leong, S.A. Smith, Alexander F. Day, Yige Dong, Seung-Joon Lee, Lu Yan, Joshua Howard, Bo Ærenlund Sørensen, Brian DeMare, Emily Honig, Po-chien Chen, Yi-hung Liu, Jake Werner, Malcolm Thompson, Robert Cliver, Mark W. Frazier, John Williams, Christian Sorace, Zhu Ruiyi, Ivan Franceschini, Chen Feng, Ben Kindler, Jane Hayward, Tim Wright, Koji Hirata, Jacob Eyferth, Aminda Smith, Fabio Lanza, Ralph Litzinger, J onathan Unger, Covell F. Meyskens, Maggie Clinton, Patricia M. Thornton, Ray Yep, Andrea Piazzaroli Longobardi, Joel Andreas, Matt Galway, Michel Bonnin, A.C. Baecker, Mary Ann O’Donnell, Tiantian Zheng, Jeanne L. Wilson, Ming-sho Ho, Yueran Zhang, Anita Chan, Sarah Biddulph, Jude Howell, William Hurst, Dorothy J. Solinger, Ching Kwan Lee, Chloé Froissart, Mary Gallagher, Eric Florence, Junxi Qian, Chris King-chi Chan, Elaine Sio-Ieng Hui, Jenny Chan, Eli Friedman, Aaron Halegua, Wanning Sun, Marc Blecher, Huang Yu, Manfred Elfstrom, Darren Byler, Carlos Rojas, Chen Qiufan.

He-Yin Zhen (ca. 1884-1920?) was a theorist who figured centrally in the birth of Chinese feminism. Unlike her contemporaries, she was concerned less with China's fate as a nation and more with the relationship among patriarchy, imperialism, capitalism, and gender subjugation as global historical problems. This volume, the first translation and study of He-Yin's work in English, critically reconstructs early twentieth-century Chinese feminist thought in a transnational context by juxtaposing He-Yin Zhen's writing against works by two better-known male interlocutors of her time. The editors begin with a detailed analysis of He-Yin Zhen's life and thought. They then present annotated translations of six of her major essays, as well as two foundational tracts by her male contemporaries, Jin Tianhe (1874-1947) and Liang Qichao (1873–1929), to which He-Yin's work responds and with which it engages. Jin, a poet and educator, and Liang, a philosopher and journalist, understood feminism as a paternalistic cause that liberals like themselves should defend. He-Yin presents an alternative conception that draws upon anarchism and other radical trends. Ahead of her time, He-Yin Zhen complicates conventional accounts of feminism and China's history, offering original perspectives on sex, gender, labor, and power that remain relevant today.

Against the dire consequences of China’s market development, a new intellectual force of the New Left has come on the scene since the mid 1990s. New Left intellectuals debate the issues of social justice, distributive equality, markets, state intervention, the socialist legacy, and sustainable development. Against the neoliberal trends of free markets, liberal democracy, and consumerism, New Left critics launched a critique in hopes of seeking an alternative to global capitalism. This volume takes a comprehensive look at China’s New Left in intellectual, cultural, and literary manifestations. The writers place the New Left within a global anti-hegemonic movement and the legacy of the Cold War. They discover grassroots literature that portrays the plight and resilience of the downtrodden and disadvantaged. With historical visions the writers also shed light on the present by drawing on the socialist past.

In this expansive historical synthesis, Richard Butsch integrates social, economic, and political history to offer a comprehensive and cohesive examination of screen media and screen culture globally – from film and television to computers and smart phones – as they have evolved through the twentieth and twenty-first centuries. Drawing on an enormous trove of research on the USA, Britain, France, Egypt, West Africa, India, China, and other nations, Butsch tells the stories of how media have developed in these nations and what global forces linked them. He assesses the global ebb and flow of media hegemony and the cultural differences in audiences' use of media. Comparisons across time and space reveal two linked developments: the rise and fall of American cultural hegemony, and the consistency among audiences from different countries in the way they incorporate screen entertainments into their own cultures. Screen Culture offers a masterful, integrated global history that invites media scholars to see this landscape in a new light. Deeply engaging, the book is also suitable for students and interested general readers.

China's emergence as a twenty-first-century global economic, cultural, and political power is often presented as a story of what Chinese leader Xi Jinping calls the nation's "great rejuvenation," a story narrated as the return of China to its "rightful" place at the center of the world. In China's Revolutions in the Modern World, historian Rebecca E. Karl argues that China's contemporary emergence is best seen not as a "return," but rather as the product of revolutionary and counter-revolutionary activity and imaginings. From the Taipings in the mid-nineteenth century through nationalist, anti-imperialist, cultural, and socialist revolutions to today's capitalist-inflected Communist State, modern China has been made in intellectual dissonance and class struggle, in mass democratic movements and global war, in socialism and anti-socialism, in repression and conflict by multiple generations of Chinese people mobilized to seize history and make the future in their own name. Through China's successive revolutions, the contours of our contemporary world have taken shape. This brief interpretive history shows how.

This is a multidimensional study of a simulation of modernity that transformed Nantong, a provincial town, from a rural backwater to a model of progress in early twentieth-century China. The author analyzes this transformation by depicting the new institutional and cultural phenomena used by the elite to exhibit the modern: a museum, theater, cinema, sports arenas, parks, photographs, name cards, paper money, clocks, architecture, investigative tourism, and public speaking. In focusing on this exhibitory modernity and its role in reconstructing this local community and in promoting “the Nantong model” nationwide, the book sheds intriguing new light on the connections between local and national politics and rural and urban experience.