This book explores contested notions of "Chineseness" in Southeast Asia and Hong Kong during the Cold War, showing how competing ideas about "Chineseness" were an important ideological factor at play in the region. After providing an overview of the scholarship on "Chineseness" and "diaspora", the book sheds light on specific case studies, through the lens of the "Chinese cultural Cold War", from Hong Kong, Singapore, Malaya, Thailand, Indonesia and Vietnam. It provides detailed examples of competition for control of definitions of "Chineseness" by political or politically oriented forces of diverse kinds, and shows how such competition was played out in bookstores, cinemas, music halls, classrooms, and even sports clubs and places of worship across the region in the 1950s, 1960s and 1970s. The book also demonstrates how the legacies of these Cold War contestations continue to influence debates about Chinese influence – and "Chineseness" – in Southeast Asia and the wider region today. Chapter 6 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

"Featuring new evidence on: Mao, Stalin, and the road to the 1950 Summit; The 1954 Geneva Conference; Sino-Albanian summits 1961-67; Mongolia and the Cold War; North Korea in 1956; Romania and the Sino-US opening."--Cover

"The year 1949 witnessed China divided into multiple political and cultural entities. How did this momentous shift affect Chinese literary topography? Modernity with a Cold War Face examines the competing, converging, and conflicting modes of envisioning a modern nation in mid-twentieth century Chinese literature. Bridging the 1949 divide in both literary historical periodization and political demarcation, Xiaojue Wang proposes a new framework to consider Chinese literature beyond national boundaries, as something arising out of the larger global geopolitical and cultural conflict of the Cold War. Examining a body of heretofore understudied literary and cultural production in mainland China, Taiwan, Hong Kong, and overseas during a crucial period after World War II, Wang traces how Chinese writers collected artistic fragments, blended feminist and socialist agendas, constructed ambivalent stances toward colonial modernity and an imaginary homeland, translated foreign literature to shape a new Chinese subjectivity, and revisited the classics for a new time. Reflecting historical reality in fictional terms, their work forged a path toward multiple modernities as they created alternative ways of connection, communication, and articulation to uncover and undermine Cold War dichotomous antagonism. "

In 1950, Main Street American was abruptly traumatized. The sudden prospect of thermonuclear war with the Soviet Union, Senator McCarthy's vicious anticommunist crusade, and the beginning of the Korean War all combined to dampen the public mood. The Cold War invaded every home. Rose maintains that 1950 was a pivotal year for the nation. He argues that the convergence of Korea, McCarthy, and the bomb wounded the nation in ways from which we've never fully recovered. Brimming with originality, this book makes readers look at the Cold War from a dozen different angles.

This comprehensive study of China's Cold War experience reveals the crucial role Beijing played in shaping the orientation of the global Cold War and the confrontation between the United States and the Soviet Union. The success of China's Communist revolution in 1949 set the stage, Chen says. The Korean War, the Taiwan Strait crises, and the Vietnam War--all of which involved China as a central actor--represented the only major "hot" conflicts during the Cold War period, making East Asia the main battlefield of the Cold War, while creating conditions to prevent the two superpowers from engaging in a direct military showdown. Beijing's split with Moscow and rapprochement with Washington fundamentally transformed the international balance of power, argues Chen, eventually leading to the end of the Cold War with the collapse of the Soviet Empire and the decline of international communism. Based on sources that include recently declassified Chinese documents, the book offers pathbreaking insights into the course and outcome of the Cold War.

This volume provides a coherent and comprehensive understanding of Chinese security policy, comprising essays written by one of America's leading scholars. Chinese Security Policy covers such fundamental areas as the role of international structure in state behavior, the use of force in international politics (including deterrence, coercive diplomacy, and war), and the sources of great-power conflict and cooperation and balance of power politics, with a recent focus on international power transitions. The research integrates the realist literature with key issues in Chinese foreign policy, thereby placing China’s behaviour in the larger context of the international political system. Within this framework, Chinese Security Policy considers the importance of domestic politics and leadership in Chinese policy making. This book examines how Chinese strategic vulnerability since U.S.-China rapprochement in the early 1970s has compelled Beijing to seek cooperation with the United States and to avoid U.S.-China conflict over Taiwan. It also addresses the implications of the rise of China for the security of both United States and of Chinese neighbors in East Asia, and considers the implications of China’s rise for the regional balance of power and the emerging twenty-first century East Asian security order. This book will be of great interest to all students of Chinese Security and Foreign Policy, Chinese and Asian Politics, US foreign policy and International Security in general.

With over forty original essays, The Oxford Handbook of Modern Chinese Literatures offers an in-depth engagement with the current analytical methodologies and critical practices that are shaping the field in the twenty-first century. Divided into three sections--Structure, Taxonomy, and Methodology--the volume carefully moves across approaches, genres, and forms to address a rich range topics that include popular culture in Late Qing China, Zhang Guangyu's Journey to the West in Cartoons, writings of Southeast Asian migrants in Taiwan, the Chinese Anglophone Novel, and depictions of HIV/AIDS in Chu T'ien-wen's Notes of a Desolate Man.

Within China, the discipline of American Studies spans a wide variety of concerns and preoccupations, reflecting its practical diversity in a transnational setting. Essays in this volume by close to forty scholars, the majority most of them based in mainland China, reflect on the past history and current teaching of American Studies within China, placing these in comparative perspectives. The nature of globalization, the transmission of ideas and practices across cultural boundaries, the formulation and meaning of identity in cross-national communications, constitute major themes in contemporary American Studies in China. For officials and commentators alike, the past, present, and future state of Sino-American relations are also an overriding preoccupation of China’s America-watchers. Overall, this collection allows the reader to sample and appreciate the state of the field of American Studies in today’s China.