Includes a section called the Seaman's magazine.

In the 1950s, a conversation among a handful of American graduate students considering the place of Mennonites in the modern world blossomed into a published forum, CONCERN: A Pamphlet Series for Questions of Christian Renewal. The CONCERN writings here consider the global, missional, experiential, contextualized realities of such a “place,” past and present. The writings explore the role of culture and context in the church’s mission, lived faith, and theological articulation through various avenues of approach: the global church and the ecumenical movement, Christendom’s legacy of colonialism and cultural accommodation, critique of rigid and outdated ecclesial structures and forms, the complexities of the unavoidably enculturated nature of faith as proclaimed and lived. Two contemporary responses offer postcolonial critique and development, demonstrating that such topics continue to be of critical concern in today’s globally interconnected yet fragmented and divided world.

This three-volume collection demonstrates the depth and breadth of evangelical Christians' consumption, critique, and creation of popular culture, and how evangelical Christians are both influenced by—and influence—mainstream popular culture, covering comic books to movies to social media. Evangelical Christians and Popular Culture: Pop Goes the Gospel addresses the full spectrum of evangelical media and popular culture offerings, even delving into lesser-known forms of evangelical popular culture such as comic books, video games, and theme parks. The chapters in this 3-volume work are written by over 50 authors who specialize in fields as diverse as history, theology, music, psychology, journalism, film and television studies, advertising, and public relations. Volume 1 examines film, radio and television, and the Internet; Volume 2 covers literature, music, popular art, and merchandise; and Volume 3 discusses public figures, popular press, places, and events. The work is intended for a scholarly audience but presents material in a student-friendly, accessible manner. Evangelical insiders will receive a fresh look at the wide variety of evangelical popular culture offerings, many of which will be unknown, while non-evangelical readers will benefit from a comprehensive introduction to the subject matter.