The author contends that the traditional views of puritan social thought have done a great injustice to the intellectual history of the 16th-century. Margo Todd reveals the puritans to be the heirs to a complex intellectual legacy.

William Perkins and the Making of Protestant England presents a new interpretation of the theology and historical significance of William Perkins (1558-1602), a prominent Cambridge scholar and teacher during the reign of Queen Elizabeth I. Though often described as a Puritan, Perkins was in fact a prominent and effective apologist for the established church whose contributions to English religious thought had an immense influence on an English Protestant culture that endured well into modern times. The English Reformation is shown to be a part of the European-wide Reformation, and Perkins himself a leading Reformed theologian. In A Reformed Catholike (1597), Perkins distinguished the theology upheld in the English Church from that of the Roman Catholic Church, while at the same time showing the considerable extent to which the two churches shared common concerns. His books dealt extensively with the nature of salvation and the need to follow a moral way of life. Perkins wrote pioneering works on conscience and 'practical divinity'. In The Arte of Prophecying (1607), he provided preachers with a guidebook to the study of the Bible and their oral presentation of its teachings. He dealt boldly and in down-to-earth terms with the need to achieve social justice in an era of severe economic distress. Perkins is shown to have been instrumental to the making of a Protestant England, and to have contributed significantly to the development of the religious culture not only of Britain but also of a broad range of countries on the Continent.

Authorities ranging from philosophers to politicians nowadays question the existence of concepts of society, whether in the present or the past. This book argues that social concepts most definitely existed in late medieval and early modern England, laying the foundations for modern models of society. The book analyzes social paradigms and how they changed in the period. A pervasive medieval model was the "body social," which imagined a society of three estates – the clergy, the nobility, and the commonalty – conjoined by interdependent functions, arranged in static hierarchies based upon birth, and rejecting wealth and championing poverty. Another model the book describes as "social humanist," that fundamentally questioned the body social, advancing merit over birth, mobility over stasis, and wealth over poverty. The theory of the body social was vigorously articulated between the 1480s and the 1550s. Parts of the old metaphor actually survived beyond 1550, but alternative models of social humanist thought challenged the body concept in the period, advancing a novel paradigm of merit, mobility, and wealth. The book’s methodology focuses on the intellectual context of a variety of contemporary texts.

Among the proliferation of Protestant sects across England in the seventeenth century, a remarkable number began adopting demonstratively Jewish ritual practices. From circumcision to Sabbath-keeping and dietary laws, their actions led these movements were labelled by their contemporaries as Judaizers, with various motives proposed. Were these Judaizing steps an excrescence of over-exuberant biblicism? Were they a by-product of Protestant apocalyptic tendencies? Were they a response to the changing status of Jews in Europe? In Jewish Christians in Puritan England, Aidan Cottrell-Boyce shows that it was instead another aspect of Puritanism that led to this behaviour: the need to be recognised as a 'singular', positively distinctive, Godly minority. This quest for demonstrable uniqueness as a form of assurance united the Judaizing groups with other Protestant movements, while the depiction of Judaism in Christian rhetoric at the time made them a peculiarly ideal model upon which to base the marks of their salvation.

Focuses on the literary implications of 17th-century religion, Shakespeare's Roman plays, and 16th-century poetry.

In this path-breaking study, first published in 2000, Jonathan Scott argues that seventeenth-century English history was shaped by three processes. The first was destructive: that experience of political instability which contemporaries called 'our troubles'. The second was creative: its spectacular intellectual consequence in the English revolution. The third was reconstructive: the long restoration voyage toward safe haven from these terrifying storms. Driving the troubles were fears and passions animated by European religious and political developments. The result registered the impact upon fragile institutions of powerful beliefs. One feature of this analysis is its relationship of the history of events to that of ideas. Another is its consideration of these processes across the century as a whole. The most important is its restoration of this extraordinary English experience to its European context.

Using printed and manuscript texts composed between 1575 and 1672, Jennifer Heller defines the genre of the mother's legacy as a distinct branch of the advice tradition in early modern England that takes the form of a dying mother's pious counsel to her children. Reading these texts in light of specific cultural contexts, social trends, and historical events, Heller explores how legacy writers used the genre to secure personal and family status, to shape their children's beliefs and behaviors, and to intervene in the period's tumultuous religious and political debates. The author's attention to the fine details of the period's religious and political swings, drawn from sources such as royal proclamations, sermons, and first-hand accounts of book-burnings, creates a fuller context for her analysis of the legacies. Similarly, Heller explains the appeal of the genre by connecting it to social factors including mortality rates and inheritance practices. Analyses of related genres, such as conduct books and fathers' legacies, highlight the unique features and functions of mothers' legacies. Heller also attends to the personal side of the genre, demonstrating that a writer's education, marriages, children, and turns of fortune affect her work within the genre.

Using printed and manuscript texts composed between 1575 and 1672, Jennifer Heller defines the genre of the mother's legacy as a distinct branch of the advice tradition in early modern England that takes the form of a dying mother's pious counsel to her children. Reading these texts in light of specific cultural contexts, social trends, and historical events, Heller explores how legacy writers used the genre to secure personal and family status, to shape their children's beliefs and behaviors, and to intervene in the period's tumultuous religious and political debates. The author's attention to the fine details of the period's religious and political swings, drawn from sources such as royal proclamations, sermons, and first-hand accounts of book-burnings, creates a fuller context for her analysis of the legacies. Similarly, Heller explains the appeal of the genre by connecting it to social factors including mortality rates and inheritance practices. Analyses of related genres, such as conduct books and fathers' legacies, highlight the unique features and functions of mothers' legacies. Heller also attends to the personal side of the genre, demonstrating that a writer's education, marriages, children, and turns of fortune affect her work within the genre.

This study offers a new interpretation of the Puritan "Antinomian" controversy and a skillful analysis of its wider and long term social and cultural significance. Breen argues that controversy both reflected and fostered larger questions of identity that would persist in Puritan New England during the 17th century. Some issues discussed here include the existence of individualism in a society that valued conformity and the response of members of an inward-looking, localistic culture to those among them of a more "cosmopolitan" nature. Central to Breen's study is the Ancient and Honorable Artillery Company of Massachusetts, an elite social club that attracted a heterogeneous yet prominent membership, and whose diversity contrasted with the social and religious ideals of the cultural majority.

In this major contribution to the Ideas in Context series Anne McLaren explores the consequences for English political culture when, with the accession of Elizabeth I, imperial 'kingship' came to be invested in the person of a female ruler. She looks at how Elizabeth managed to be queen, in the face of considerable male opposition, and demonstrates how that opposition was enacted. Dr McLaren argues that during Elizabeth's reign men were able to accept the rule of a woman partly by inventing a new definition of 'citizen', one that made it an exclusively male identity, and she emphasizes the continuities between Elizabeth's reign and the outbreak of the English civil wars in the seventeenth century. A significant work of cultural history informed by political thought, Political Culture in the Reign of Elizabeth I offers a wholesale reinterpretation of the political dynamics of the reign of Queen Elizabeth.